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  • It's been estimated that 90% of all paragraphs contain the main idea in the opening sentence. This fun exercise, inspired by the popular competition show DANCING WITH THE STARS, divides the class into teams, determined to verify or negate the accuracy of this assertion, in relation to a given passage.
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    Teaching Tips: Dancing with the StarTs

    by Marlene Caroselli
     | Dec 13, 2012
    photo: ARACELOTA via photopin cc
    It's been estimated that 90% of all paragraphs contain the main idea in the opening sentence. This fun exercise, inspired by the popular competition show DANCING WITH THE STARS, divides the class into teams, determined to verify or negate the accuracy of this assertion, in relation to a given passage.

    Here's how to CARRIE out the activity and LENgthen the pleasure, while avoiding BRUNO-bombastics.

    Find a passage with at least eight paragraphs. Make copies—one for each member of the two groups. Ideally each group will have six-to-eight members. Three students will serve as judges. And two students will be the "stars." If the class has more than 21 students, have the remaining students answer these questions while the other groups are doing their assignments.

    • What is the value of knowing the main idea of a paragraph?
    • Where can the main idea be found?
    • When does it make sense to skim the rest of the paragraph once the main idea has been identified?
    • What kinds of reading material should never be skimmed, but rather should be read very carefully, word for word?
    • What is the advantage of placing the main idea in the first sentence of a paragraph?
    • What is the advantage of placing the main idea in the last sentence of a paragraph?
    Have Team 1 read the first four paragraphs and decide, as a team, what is the main idea in each paragraph. They will write their four ideas on flip chart paper.

    Have Team 2 read the last four paragraphs and collaborate regarding the main idea for each of their paragraphs. They will also write the four main ideas on chart paper.

    Two students (ideally, one boy and one girl) will be "the stars." They will read only the first sentence in each paragraph (the "starts") and will write each one on chart paper. (There will be eight sentences altogether.)

    Appoint three judges. (For fun, you could seat them as a panel with the DWTS judges' names in front of each seat.) While they wait for the main ideas to be recorded by the teams and by the stars, the judges can read the passage. They should not be asked to determine what the main ideas are--they should merely read. Have three paddles with numbers on them for each judge to hold up: 5 would mean "barely the same," 8 would mean "close," and 9 or 10 would mean "virtually the same."

    Team 1 begins by telling the judges what the first paragraph's main idea is. The "stars" come next. They give their main idea--viz., the start of the paragraph for the first paragraph.

    The judges score how well the stars did with their main ideas. If their first-sentence ideas are close to what the teams wrote, after reading the full paragraph, the judges will award an 8. If the two main-idea presentations are not at all alike, the judges must give a 5. And if the two presentations are virtually the same, the scores will be 10.

    Continue with the team reports, the stars reports of "starts," and the scoring until all eight paragraphs have been covered.

    Depending on the judges' scores, lead a discussion regarding where the main idea is typically found and whether or not students can count on finding it in the first sentence of a paragraph. Continue the discussion, using the answers to questions in Step 1. (If a team worked on these questions, have them provide a report.)

    Segue from reading the main idea to using the main idea. Divide the class into three teams and have each develop a one-paragraph letter to one of the three DWTS judges. Use this as the main-idea sentence:

    Our class worked a "Dancing with the StarTs" reading exercise.


    If you think your students would like the attention, notify the local media of the exercise and the subsequent letters that were written to the actual judges. Here's the address:

    Dancing With the Stars
    c/o CBS Television City
    7800 Beverly Blvd.
    Bungalow #1
    Los Angeles, CA 90036


    And, if the letters are mailed, re-invite the media to do a story about the responses received if and when Len, Carrie Ann, and Bruno reply!

    Marlene Caroselli, Ed.D. writes extensively about education topics. Among her books on the subject are 500 CREATIVE CLASSROOM CONCEPTS and THE CRITICAL THINKING TOOL KIT.

    © 2012 Marlene Caroselli. Please do not reproduce in any form, electronic or otherwise.


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  • Reading RecapThe CL/R SIG features fantastic picture book titles that they predict will be included on many Best Books of 2012 lists.
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    Children's Literature and Reading SIG's Best of 2012: Picture Books

     | Dec 12, 2012

    Reading RecapAs the year winds down, many individuals look forward to breaks from school and work, and cherish extra time spent resting, reading, and frolicking with friends. Bibliophiles have additional reasons for getting excited about the end of the year since they know that the book awards announced by the American Library Association are just around the corner. Lists of the Best Books of the year in various categories begin to appear in newspapers and journals, and blogs start filling up with predictions about which book will receive the coveted awards for best picture book, best nonfiction title, and best book for young adults, among others. Announced on January 28 during the ALA Midwinter Conference, the winners of coveted awards such as the Caldecott, the Newbery, the Coretta Scott King Award, and the Sibert often receive a boost in book sales and garner additional attention as the result of the spotlight that shines on them at that time. For this week’s book reviews, members of the International Reading Association's Children’s Literature and Reading Special Interest Group took a second look at some of the fantastic picture book titles we’ve read during 2012, some of which we reviewed earlier in the year. But since they still resonate with us, we predict they’ll be included on many Best Books of 2012 lists. Next week we will highlight our favorite longer texts.

    Buitrago, Jairo. (2012). Jimmy the greatest! Illus. by Rafael Yockteng; Translated by Elisa Amado. Toronto: Groundwood Books/ House of Anansi Press.

    Jimmy the Greatest!This Colombian author and illustrator team have crafted an inspirational story for young readers about a boy named Jimmy who aspires to become a boxer. He lives in a small Caribbean village by the sea where among the many ramshackle houses there is one small gym. Once Jimmy starts to hang out there, its owner, Don Apolinar, gives Jimmy a box of books and newspaper clippings about Muhammad Ali, also known as “the greatest” boxer ever. Jimmy reads all about the famous American boxer and starts to run, shadow box, and train to become a contender, although someone has stolen his shoes. While training, Jimmy realizes that many people, including the gym’s owner, wish to leave the small village to find a better life. Jimmy realizes that he wants stay in the village and manage the gym. He even adds a library. While young sports fans will enjoy this book, it is also a story of taking pride in what are doing and the job you have chosen and finding pleasure in your own local surroundings. The 2010 Spanish edition, Jimmy el más grande, has been nominated for Best Books of the Year by Venezuela's Banco del Libro.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Buzzeo, Toni. (2012). One cool friend. Illus. by David Small. New York: Dial Books for Young Readers.

    One Cool FriendElliot’s somewhat eccentric, green plaid suit-wearing father invites him to Family Fun Day at the aquarium. Prim and proper Elliot is less than enthusiastic about going but agrees to accompany his father, even politely saying, “Thank you for inviting me.”  In trying to escape the crowds, Elliot discovers the penguins and is immediately impressed with their black tuxedo look and their proper postures. Totally taken in by the penguins, Elliot asks his father if he can have one to take home. Oblivious to what Elliot is really asking, Father agrees. Elliot hides the newly acquired penguin he names Magellan in his backpack. Once they get home, the fun begins as Elliot turns their mansion into a palatial penguin paradise, including lying around on bags of ice, flipping goldfish crackers into his mouth, and skating on the ice rink Elliot makes in one of the bedrooms with the air conditioner and a water hose. Readers will take note of the illustrator’s use of white and blue to create an Arctic-like color palette for background.  Readers will be glued (“frozen?”) to the illustrations, creative layout and typography as the penguin’s antics unfold while living in a real house. Visit the author's website for a reader’s theater script and curriculum and activity kit. A sly little way to incorporate some library research awaits curious readers. Read more about the author in "5 Questions With... Toni Buzzeo" on the Engage blog.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Cleminson, Katie. (2012). Otto the book bear. New York: Hyperion.

    Otto the Book BearTiny Otto is a brown bear that is perfectly content living in a book. He is particularly happy when someone reads his book, and he has a secret. He can come to life and explore his surroundings when no one is looking. Sadly, he is left behind when his family moves, and he must find a new home. Not surprisingly, he finds a welcoming place at the local library after wandering through the city streets. Not only does he find another book bear there, but plenty of other new friends. The gently told story and delightful illustrations that show the diminutive bear making his way among the very large objects that surround him.  Young readers will relate to imagining what might happen if the animals in their favorite books could actually come to life and lead a busy existence of their own. They are also likely to sense the poignancy of books and characters left behind when their readers grow up and are no longer interested in them.

    - Barbara A. Ward, Washington State University Pullman

    Dormer, Frank W. (2012). The obstinate pen. New York: Henry Holt.

    The Obstinate PenThis clever picture book will make a fun read aloud and writing mentor text in elementary classrooms. Uncle Flood, nephew to Horace, is a writer who purchases a brand new pen. He sits down to write and composes: “The following story is all true” (unpaged), but his new pen does not write this sentence he had in mind. Instead, it writes, “You have a BIG nose” (unpaged). Everything Uncle Flood tries to write, the pen ignores and writes something different. In anger, Uncle Flood throws the pen out the window, and a police officer finds it. Later, Officer Wonkle tries to write a woman named Miss Weeble a ticket, but the pen writes, “Kiss that girl!” (unpaged). The officer tries to write the ticket again but decides to take the pen’s advice and kiss Miss Weeble’s cheek. The pen continues to travel from person to person and eventually ends up in Horace’s hands. Horace admires his new pen and uses it in a unique and different way. Children could be invited to think of a different inanimate object such as a car, eraser, chair or book that could come to life and write and illustrate their own picture book after reading this one. 

    - Deanna Day, Washington State University Vancouver

    Dyckman, Ame. (2012). Boy + Bot. Illus. by Dan Yaccarino. New York: Alfred A. Knopf.

    Boy + BotAme Dyckman’s debut into the picture book world begins with this BFR (Big Friendly Robot). One day Boy meets Robot in the woods, and they become instant friends. When Robot goes home to play with Boy, his on/off button gets pushed, and he powers down. Boy thinks there is something wrong and uses traditional home remedies to nurse his new friend back to life: applesauce and reading aloud. When Boy falls asleep, Bot’s button is pushed back to ON, and now he thinks something is wrong with Boy. With only technological know-how, he tries to bring Boy to life using oil and reading the instruction manual. When Bot tries to think how a battery might help, Inventor arrives to yell, “Stop!” and is able to remedy the situation. Told in simple language, this story describes the very real friendship that has developed between Boy and Bot depicted warmly in the wordless double-page spreads at the end of the book. Readers may want to visit the author’s website and blog

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Eversole, Robyn. (2012). East dragon, west dragon. Illus. by Scott Campbell. New York: Atheneum Books for Young Readers.

    East Dragon, West DragonThrough humorous and anachronistic illustrations, Dragon East and Dragon West are introduced. Dragon West lives in his boy cave with video games and an assortment of balls and is often bothered by pesky knights seeking adventure. Meanwhile, Dragon East lives a rather refined life spent learning to paint and write. After Dragon West sends those bothersome knights on a fool’s errand toward the lands of Dragon East, the two dragons eventually meet in an effort to get rid of the pesky knights. However, they must face each other, and they are somewhat fearful of what the other dragon’s powers might entail. As the two overcome these initial fears, they learn to become friends. Although each dragon comes from vastly different backgrounds and cultures, their friendship becomes real as well as respectful. Teachers can extend this book with the lesson from Learning to Give.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Fleming, Candace. (2012). Oh, No! Illus. by Eric Rohmann. New York: Random House/Schwartz & Wade.

    Oh, No!One by one, several animals tumble into a hole so deep that they cannot get out without help. A frog, a mouse, a loris, a sun bear, and a monkey all try and fail to get out of that hole. In the end, an elephant saves the day, using its size to rescue the hapless creatures before they can be eaten by a hungry tiger that has been lurking nearby. Young readers will love the wonderful animal sounds used throughout the book. For instance, anyone reading the title aloud will enjoy the “slop-slurp! slop-slurp!” (unpaged) of the tiger licking his teeth. The repetitive "Oh, no!" phrase that appears as each animal gets trapped will elicit audience response as readers realize that something unfortunate is happening. Readers will laugh at how the tiger gets his just desserts in the end and how the "Oh, no!" ends up being turned on him. The relief prints lend a folkloric flavor to the text. Young readers will clamor for multiple readings of this title and delight in the well-told story and the expressions on the faces of those animals.

    - Barbara A. Ward, Washington State University Pullman

    Fogliano, Julie. (2012). And then it’s spring. Illus. by Erin Stead. New York: Macmillan/Roaring Brook Press.

    And Then It's SpringWith winter’s chill blanketing the country with icy gifts, even the most stalwart among us long for spring’s greenery and warmer temperatures.  Dressed in winter wear, including a red knitted hat and scarf to keep him warm, a boy anticipates the coming of spring. Despite the bleak brown landscape that surrounds him, he plants seeds in hopes of warmer weather. His dog, a turtle, a bunny, and various birds keep watch. Hoping for rain and some sunshine, he worries when no plants appear. Eventually, when he peers out the door of his house, everything is green. Each page of this book is filled with some delight that observant readers will catch; for instance, the smoke rising from the red house on the hill diminishes over the pages as the days pass, and temperatures begin to rise. In a wonderful cutaway view of the earth readers are able to see all the creatures busily tunneling through the soil as he puts his head against the ground. Created with pencil and through woodblock printing techniques, the illustrations capture the different shades of brown and the soft shades of green in a newly awakened world. This memorable picture book contains subtle secrets that are revealed upon multiple readings.

    - Barbara A. Ward, Washington State University Pullman

    Gravett, Emily. (2012). Wolf won’t bite. New York: Macmillan.

    Wolf Won't Bite!As is typical of any picture book created by this author/illustrator, this latest one not only contains elements of wit and whimsy, but it prompts reflection. In this cautionary tale about making assumptions about what others will or won't do, three pigs capture a gray wolf. They put the poor creature through his paces, forcing him to stand on a stool, dressing him in a bow, and finding all sorts of fun activities involving the wolf (fun for them, that is, but certainly not for him). What the three pigs make Wolf do gets worse and worse as the story goes on. For instance, they even fling knives at a target where he's standing and saw him in half, all the while bragging that he won't bite. Just as they get ready to put their heads in his mouth, his eyes show exactly what he's thinking--and have they got a surprise in store for them! A perfect read aloud, this picture book effectively builds suspense in readers and will prompt guffaws at its conclusion. It’s clear that Wolf—and anyone else—will bite after he’s had enough. 

    - Barbara A. Ward, Washington State University Pullman

    Hills, Tad. (2012). Rocket writes a story. New York: Schwartz & Wade Books/ Random House.

    Rocket Writes a StoryCreated by the author and illustrator of How Rocket Learned to Read (Schwartz & Wade, 2010), this picture book is a perfect mentor text during writing workshop. The book begins with Rocket sniffing out some new words and writing them down on sticky notes—buttercup, bug, feather, and nest. With the help of a little yellow bird, his teacher, he reads all of his splendid words and announces, “I’m going to write a story!” (unpaged). But Rocket experiences something many writers go through: He stares at the blank pages, but no story comes. His teacher suggests he think about characters and something that has happened to him as a possible starting point. In addition, walking, sniffing, drawing, and visiting his favorite tree help Rocket slowly begin to craft a story. Rocket’s persistence, revision and help from friends make a difference too. Finally, he completes his tale and celebrates by reading it aloud to a new pal. Each step of Rocket’s writing process is exactly what all writers experience as they learn to write. Readers will want to visit the author’s website to watch and meet the real Rocket.

    - Deanna Day, Washington State University Vancouver

    Jenkins, Steve. (2012). The beetle book. Boston: Houghton Mifflin Books for Children.

    The Beetle BookSummer brings out the bug collectors in kids as they reach for butterfly nets and jars with holes in the lids. Steve Jenkins has proven himself many times over as a master of book design through his detailed cut-paper illustrations in other great nonfiction titles such as Actual Size (2004), Move! (2006), Living Color (2007), Life on Earth (2002), and many more. His latest work delves into the vast world of beetles, beginning with the incredible fact that every fourth living thing is a beetle.  Scientists have named over 350,000 beetles to date and believe there are even more yet to be identified. Jenkins has presented dozens of beetles and accompanying information. His black silhouette illustrations often show the actual size of the beetles. Facts about numerous species, habitats, physiology and unusual characteristics coupled with beautifully detailed illustrations make this a bug-lovers delight. Readers may enjoy writing some buggy poetry from a lesson found at ReadWriteThink. They can learn more about this author on the 7 Impossible Things before Breakfast blog or visit the author/illustrator’s website.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Joyce, William. (2012). The fantastic flying books of Morris Lessmore. Illus. by William Joyce & Joe Bluhm. New York: Simon & Schuster/Atheneum.

    The Fantastic Flying BooksA bibliophile's delight, this marvelous picture book pays tribute to the wonder of reading, writing, and books. After a storm scatters the words in the bookish Morris Lessmore's manuscript, he heads off on a journey to find them. Eventually, he ends up in a place "where many books apparently 'nested'" (unpaged) and becomes their caretaker. The description of how the books refused to stay organized and mixed themselves up is delightful as well as the comment that even while Morris aged, the books never changed as time passed. The multimedia illustrations are stunning, and just as delightful as the story being told in this book. Anyone who loves reading or simply delights in filling shelf after shelf with well-thumbed books will cherish this imaginative title.  Every line of text and illustration exude a bibliophile’s single-minded passion, and as in the case with all great books, there's something new to enjoy upon subsequent reads. There could be no more appropriate tribute to those tireless promoters of books, Bill Morris and Coleen Salley.

    - Barbara A. Ward, Washington State University Pullman

    Katz, Jon. (2012). Lenore finds a friend: A true story from Bedlam farm. New York: Henry Holt.

    Lenore Finds a FriendFinding friends with whom to play or eat lunch isn’t always easy. Just like humans, dogs sometimes have those same problems. In bright photographs readers meet Lenore, a black Labrador retriever, who perseveres and finally makes a friend. As a puppy Lenore tried to make friends with a rooster and donkey, but they crowed or kicked her. Even another dog, Rose, was too busy herding sheep to be friends with Lenore. One day, Lenore meets a grumpy ram named Brutus and gives him a big kiss on his nose. Brutus has never been kissed before and doesn’t know what to do. The next day Lenore returns and kisses Brutus on the nose again. Rose tries to interfere by barking and growling at this odd animal pairing, but Lenore doesn’t give up. The next morning she returns to the pasture and finds Brutus. They touch noses, eat grass and hang out together. Lenore has finally found a friend. Teachers could make a T-chart and invite students to list all of the different things Lenore did to make friends. On the other side of the chart students could discuss what they could do to make friends.

    - Deanna Day, Washington State University Vancouver

    King, Martin Luther King, Jr. (2012). I have a dream. Illus. by Kadir Nelson. New York: Schwartz & Wade Books/Random House.

    I Have a DreamOn August 28, 1968, on the day of the March on Washington, D.C., Martin Luther King, Jr., delivered his famous “I Have a Dream” speech on the steps of the Lincoln Memorial. The publishers have included a CD of the actual speech in this beautifully illustrated version of the famous speech. Taken page by page, Nelson’s oil paintings make Dr. King’s ideas come alive for young readers today. Each page and double-page spread represent the concepts that Dr. King was so emphatically purporting at the time, representing peace and justice and freedom in a world where blacks and whites would live together in harmony. Readers will want to watch Kadir Nelson discuss this new book from his speech at Book Expo America or watch Martin Luther King give the original speech at You Tube. Teachers might like to try the interactive “Word Mover for ‘I Have a Dream’” from ReadWriteThink.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Klise, Kate. (2012). Grammy Lamby and the secret handshake. Illus. by M. Sarah Klise. New York: Henry Holt.

    Grammy LambyAfter hearing or reading this fun picture book, children will automatically use “the secret handshake” when they hold a family member’s hand. Larry, who was a little lamb, didn’t care for his Grammy. When Grammy visited she talked too much, sang too loudly during church and dreamed of taking Larry to exotic places he didn’t want to visit. Grammy taught him a secret handshake, yet he imagined it meant, “Please (squeeze). Go (squeeze). Away (squeeze)” (unpaged). But Grammy’s boisterous attitude proves to be helpful when a summer storm tears a hole in the family’s roof. She immediately begins patching and repairing the home while telling wonderful stories to Larry. Then Grammy helps rebuild the community school and church. Her sewing machine also comes in handy as she makes clothes and curtains for anyone who needs them. Larry begins to see his grandmother in a different light, and when it is time for her to return home he has a special present that accompanies the secret handshake. For more information about the author read her Engage blog post "Beyond the Notebook: Start with a Transcript."

    - Deanna Day, Washington State University Vancouver

    Kooser, Ted. (2012). House held up by trees. Illus. by Jon Klassen. Somerville, MA: Candlewick.

    House Held Up by TreesA house stands alone on a lot from which all the trees have been cleared. There are trees on both sides of the lot where the two children who live in the house love to play, but no trees near their home. Although seedlings from the trees land on the house's lawn, the father vigilantly removes them. The author never explains why he has this obsession to maintain a pristine, treeless lawn, but he spends a great deal of time doing so. Time passes, the children grow up and move away, and the father decides to sell the house. Strangely, no one is interested in buying it, and eventually seeds sprout and grow, surrounding the house and lifting it from its foundation. Although every word in this story is memorable, one phrase in particular describes the gentleness of the trees as they support the house "as if it was a bird's nest in the fingers of their branches" (unpaged). Long after the original homeowner has given up his battle against the trees, they have forgiven him and keep the forgotten house intact, supported in its branches. The gouache illustrations on every page are memorable, in some places showing the greenery that creeps steadily along the house's walls. The way the illustrations and text mark the inevitable passage of time and honor nature's ability to heal the wounds caused by humanity stays with readers even after the book is on the bookshelf.

    - Barbara A. Ward, Washington State University Pullman

    Maclear, Kyo. (2012). Virginia Wolf. Illus. by Isabelle Arsenault. Toronto, ON: Kids Can Press.

    Virginia WolfThis picture book is based on the lives of famous writer Virginia Woolf and her older sister, painter Vanessa Bell. One day Virginia wakes up and feels wolfish, making wolf sounds and acting strangely. Through the accompanying mixed media illustrations of ink, pencil, watercolor and gouache, children will notice that Virginia is in bed with the covers pulled high, disguised like a wolf. In addition, her bedroom floor looks like a tornado has swept through the room. In order to change Virginia’s mood, Vanessa tries just about everything: painting a picture, wearing her favorite dress, offering treats and making faces, but Virginia exclaims, “LEAVE ME ALONE” (unpaged). After a while, Vanessa lies down beside her sister and asks where she would like to fly. Virginia then begins to paint a beautiful place where there are no doldrums. This perfect place has candy blossoms, purple butterflies, lollipop trees and fields to roam in. Virginia’s mood finally changes from down to up. In one of the final illustrations the wolf masquerade is clarified. All children have gloomy, grumpy or growly days and will be able to relate to this humorous and exquisitely illustrated book.  

    - Deanna Day, Washington State University Vancouver

    Smith, Lane. (2012). Abe Lincoln’s dream. New York: Roaring Brook Press/Macmillan Publishers.

    Abe Lincoln's DreamSmith sets the tone for this book in the opening wordless panels with a frightened dog (Roosevelt’s Scottish terrier, Fala) roaming the White House. Readers quickly learn that other Presidential dogs who lived in the White House as well, feeling especially terrified of one particular bedroom. The storyline then changes to a school tour of the White House on President’s Day. However, one young girl, Quincy, has slipped away from the school group when she spies a very tall pale man in a stovepipe hat walking through a wall. At that moment, Quincy meets the ghost of Abraham Lincoln. Through simple humor and complex questions Quincy and Abe become friends, and she brings Mr. Lincoln up to date on what has been happening since 1865. Hand in hand, Quincy and President Lincoln fly over many national monuments until Abe is feeling better about the current state of affairs in the country. This beautifully told story uses subtle illustrations and varying sizes of typography to create an atmosphere of quiet reflection that Lincoln has fulfilled his dream of unity. Teachers might like to introduce the book with this very well done book trailer or visit the author’s website.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Woodson, Jacqueline. (2012). Each kindness. Illus. by E. B. Lewis. New York: Nancy Paulsen Books/Penguin Publishers.

    Each KindnessChloe and her friends do not want to play with the new girl, Maya. Maya is wearing old and worn hand-me-down clothes and brings old toys to school. When Maya asks the girls to play with her on the playground, they ignore her. As the school days go by and Chloe and her friends refuse to include Maya, Maya continues to play by herself. One day, her classroom seat is empty, and Chloe wonders where Maya might be. Eventually the teacher announces that Maya and her family have moved away. The teacher goes on to share a lesson about the ripple effect of your actions. Chloe feels guilty for the way she treated Maya and realizes that there is no way to take back her cruel actions. This author-illustrator team has created another emotionally appealing book similar to their earlier title The Other Side (2001), providing readers with two books with similar themes to compare and contrast. The cover of the book is especially discussion-worthy. Readers may enjoy an interview with the author on The Brown Bookshelf blog

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Zalben, Jane Breskin. (2012). Mousterpiece. New York: Roaring Brook Press/Macmillan.

    MouseterpieceJanson the mouse lives in a corner of the art museum, and each night she explores the area around her. One night she comes upon a part of the museum she has never seen before that contains the modern art wing. She is amazed at the art work and a whole new world opens up for her. When the wing is closed for renovation, she is cut off from her new discoveries. However, this spurs her to create her own art. Soon paintings from Janson appear that look unsurprisingly familiar – spinoffs from the masters she observed in the modern art wing. When the director of the museum finds her artwork, he arranges for an exhibit of her work, especially those pieces that are actually her own original style. The end of the book features thumbnail pictures and information of all the artists that Janson enjoyed during her tour of the modern art wing. Readers can check out the activities the author has prepared on her website. Teachers might enjoy the article by T. Lee Williams from The Reading Teacher (2007) entitled “Reading the Painting” at Exploring Visual Literacy in the Primary Grades.”

    - Karen Hildebrand, Ohio Library and Reading Consultant

    These reviews are submitted by members of the International Reading Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Reading Today Online. The International Reading Association partners with the National Council of Teachers of English and Verizon Thinkfinity to produce ReadWriteThink.org, a website devoted to providing literacy instruction and interactive resources for grades K–12.

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    The Quest, Part 4: Some Shall Not Pass

    by Mary Cotillo, Erin O'Leary and Kathleen McNeice
     | Dec 11, 2012
    In the spring of 2012, a group of English Language Arts educators from Franklin, MA, launched a highly successful middle school reading program around The Hunger GamesIn this five-part special series, the teachers who orchestrated the whole-school read will detail, step-by-step, this year’s initiative. Parts I and 2 focused on how the team made this year’s book selection, The Hobbit, and encouraged student participation. Part 3 looked at some unexpected pitfalls the group faced based on book selection. Now, in Part 4, Mary Cotillo, Erin O’Leary, and Kathleen McNeice talk about how they decided which readers were granted passage to see the film adaptation—and why some participants will not be going.

    hobbit readingBilbo Baggins was swept into a grand adventure without having to prove his burglary skills to the dwarves who employed his services. So, a savvy, finagling middle schooler may inquire, why do I have to prove anything to you? Why should a voluntary activity have a qualifying quiz?

    For the straight-A, join-everything, honesty-is-a-virtue kids, you are right. They don’t need it. But let’s think about the hobbits. As much as we love books and reading and fully expect others to match our enthusiasm, we are also teachers of early adolescents. And realists. And we know that if kids catch wind of an opportunity to leave school to watch a movie, they’re going to be lining up. To maintain legitimacy it becomes necessary for students to demonstrate that they earned the reward. After all, this isn’t a school-wide film viewing initiative. It’s a school-wide literacy initiative.

    And here’s another thing we learned this year. When choosing a book that leans a tad toward the more challenging end of the spectrum, having a qualifying quiz gives students an opportunity to feel pride and success. They get to feel good when they know the answers, bask in the congratulations of the teachers handing them their permission slip, and maybe even indulge in a heel click or two on their way back to class.

    Call it reaping, call it riddling, call it whatever fits your book best—but make sure you do it. We were clear from the outset (okay, most of us were clear) that this is a celebration of the book. And when you have book nerds running this thing, you’ll want to be sure that everyone is there because they, too, read and loved the book.

    We brainstormed a list of 70 or so questions and vetted them in our classroom after school. If all four of us couldn’t agree on the answer, or recall it quickly enough, it was out. We also made sure the questions were from different parts of the book (I already admitted the book nerd thing). The more questions you can create, the better. Choose three questions per sheet, require the kids to answer two out of three correctly, and there you go.

    When will you conduct your winnowing? Our prior experience was to go to the students in the classrooms. This proved difficult and time consuming. Students were missing—at band, activities, or getting extra help. This also took us away from the students that needed OUR help during this time.

    So, this year, we made the better decision to have the students come to us. And what better time for a captive audience than during their lunch? It did require giving up our quiet lunch time to query these Tolkien enthusiasts; however, it was well worth the sacrifice when you see students ten deep in front of you waiting for their turn. We had to push students into the cafeteria to eat their lunch first so we could stagger the masses.

    We had 10 different versions of our quiz for the hobbits to choose from. A frequent question was “What if I don’t pass?” We encouraged everyone, not allowing any student to set themselves up for failure. We told them, “If you read the book, have confidence that you will be successful!”

    We also knew that everyone wanted to be included.

    hobbit test2With that in mind, the quizzes were answered at separate tables with no opportunity for sharing answers. There will always be the students that didn’t do the work but don’t want to miss out on the fun. We cheerfully asked everyone before they picked their quiz when they finished the book. The majority of the kids cannot help but be honest. If they said they weren’t done we didn’t let them take the quiz. This is ultimately better for the student since one question was about the end of the book. In order to pass the student would have to get the other two correct. We simply told these kids to finish the book and come back.

    When they finished, the moment of truth was at hand. And believe me, these kids were nervous. Some prayed. Some closed their eyes while others bounced nervously from foot to foot. Honestly, they had worked hard and needed to feel that it was all worth it. You are that litmus test. If you are enthusiastic, chances are they will be too. To every student that passed came a heartfelt congratulations and the reward in the form of a movie poster (thank you, Warner Brothers!) and a permission slip to join us on the first part of our adventure, a private screening of the movie at the local theater. In addition, kids got high fives, atta boy/girl, woo hoos and pats on the back and everyone walked away feeling that they had won the race.

    Not everyone will pass.

    First, let me reassure you that we’re not out to trick anyone. The questions we chose are designed to assess comprehension, not inferencing skills or analytic ability. If a student happens to pull three questions and really and truly “blanks,” we’ll happily let them try again. Sometimes kids get anxious; in those cases, we verbally quiz them away from the crowds, usually posing such open-ended prompts as, “Tell me about the book.” But even after you account for legitimate lapses in memory, test anxiety, allergies, color blindness, and cholera, you are going to have a few cherubs who just can’t answer the questions. What then?

    Then they don’t go.

    It takes willpower. It won’t always be easy. In this EGAT (Everybody Gets a Trophy) world, it’s hard to see a kid lose. You likely will have a sweet little girl who swears—with tears in her eyes—that she really did read the book, and turning her away may be the hardest thing you have to do. But be strong! We speak from experience when we say those sweet little girls have admitted to reading plot summaries on Wikipedia in an effort to pass the quiz.

    You may have parents sending e-mails 18 minutes after dismissal the last day of quizzing, challenging your judgment and demanding a retake. It’s possible you’ll have colleagues who ask you to make an exception for a kid who would just be devastated if they didn’t get to go. Stay Strong. You aren’t being mean; you are upholding high standards. There is a significant difference!

    Here’s the deal. The majority of these kids will be back next year. And maybe even the year after that. And if we bend the rules for one kid who later brags that she didn’t really read the book, then we’ve lost credibility not just for this year, but for the foreseeable future.

    We all know this, but it bears repeating: students learn more from failure than from success. The students who choose not to participate this time around may later come to regret it. They will remember that feeling and it may be just the push they need to take the chance next time.

    The challenges Bilbo faced on his journey only served to make him more resolute, further developing his character. Don’t rob kids of the chance to grow. If you plan your quiz questions carefully and are confident in the legitimacy of the process, sit back, stick to your guns, quiz the kids, and watch the triumphant readers parade back to lunch.

    Mary Cotillo, Erin O’Leary, and Kathleen McNeice all teach at Horace Mann Middle School in Franklin, MA.

    Read the rest of the series here:

    Six Buses: The Quest for School-Wide Reading Begins!

    The Quest, Part 2: Monday Morning Hobbit-Backing

    The Quest, Part 3: Goblin Caves and Spider Webs

    The Quest, Part 5: The Journey Pays Off in Unexpected Ways

     
    Read More
  • Hold FastJudith Hayn calls Blue Balliett's Hold Fast "a must read for those twelve and younger as the author’s play with language and words creates a lyrical read."
    • Blog Posts
    • Teaching Tips

    Young Adult Book Review: Hold Fast

     | Dec 11, 2012

    by Judith Hayn

    Balliett, B. (2013). Hold fast. Scholastic Press.

    Hold FastHold Fast is the latest in Blue Balliett’s popular mysteries featuring young adolescents. Dashel Pearl lives in a Chicago high rise apartment with his wife Summer and their daughter Early and young son Jubilation. Dash has a job working at the Harold Washington Public Library, but one day he just disappears one cold afternoon. 

    Where is Dash? What will happen to the family now that there is no income? Early uses the rhythms of words that her father loves and taught to her as she tries to unravel the mystery. After a violent break-in, the family flees their cozy home for the uncertainties of the urban homeless shelter system.

    Early is a delightful, charming heroine, whip-smart and resourceful. While her mother sinks into depression over their plight, the young girl keeps searching. She unites with a fascinating set of characters in her quest to clear her father of stealing rare books and reunite this shattered family. Balliett interweaves the serious problem of homeless children and the damage the shelter system wreaks; however, Early’s story is one of redemption and hope, a triumph of the human spirit in one shelter kid. The book is a must read for those twelve and younger as the author’s play with language and words creates a lyrical read.

    Dr. Judith A. Hayn is an associate professor at the University of Arkansas at Little Rock.

    This article is part of a series from the Special Interest Group Network on Adolescent Literature (SIGNAL).

    Read More
  • Tired of filling all your classroom wall space with charts, construction paper, and poster boards and then wondering how to recycle all that paper when it gets replaced with new charts and posters? Have you considered the reasons for inviting students to represent their thinking through visual texts? And have you tried using Glogs as an alternative?
    • Blog Posts
    • Teaching Tips

    Teaching Tips: Going Graphic with Glogs

    by Diane Lapp
     | Dec 10, 2012
    This post originally appeared on the Engage/Teacher to Teacher blog in May 2011.

    Tired of filling all your classroom wall space with charts, construction paper, and poster boards and then wondering how to recycle all that paper when it gets replaced with new charts and posters? Have you considered the reasons for inviting students to represent their thinking through visual texts? And have you tried using Glogs as an alternative?
     
     
    A New Reason
     
    Often students are asked to create PowerPoint presentations, posters, and other visual texts to answer a series of questions that you have identified. But answering teacher-initiated questions make students collectors of, and responders to, information. If you want to encourage students to critically examine issues, to note concerns, to generate questions, and to use images to share their perspectives about what they are reading and thinking, creating a Glog provides an excellent opportunity for their voices to be visually represented.

    A New Type
     
    A digital poster called a Glog allows students to interactively engage, create, and share information. Students can add images, videos, music, flashcards, and much more to their web-based Glogs that can be used for retellings, as study guides, or to share information, a perspective, or a critical stance. Incorporating a Glog as visual media is not confined to the elementary grades or to the reading of literature. Glogs can be used at any grade level and in content classrooms, as shown by the examples that follow.
     
     
    Consider some of these ideas for creating a Glog:
    • Collaborative groups can create Glogs about books they are reading during literature circles. They can pose questions that they might like to ask the author or a character.
    • Students can create reviews of books they are reading. When seeking a new book to read, students can access each other’s reviews and get acquainted with their points of view.
    • Groups of students can each study an author, including books written, style, genre, etc. and then create an author study Glog to share the information. They might identify their concerns or share their insights about issues being presented by the author. For example they might ask Sharon Draper if she experienced a personal loss that allowed her to so deeply describe the feelings of Andy in Tears of A Tiger.
    • Students can create Idiom Glogs, Simile Glogs, Homophone Glogs, and others about tricky literary concepts. They can then offer tips on how to use these.
    Learning About Glogs

    To get started visit http://www.glogster.com/.

    Glog Projects

    Here are a couple of instructional examples that illustrate students sharing their voices and perspectives through a Glog.
     
     
    3rd grade Reading/Language Arts: Teacher, Kelly Johnson

    Purpose:
    Create a Glog of a fairy tale character that conveys perspective differently than implied in the original text.

    Task: After selecting a fairy tale, students worked in groups of three to think and talk about each character’s perspective of what was, or had occurred in the tale, and the perspective the author was creating. They were tasked with selecting one of the characters and retelling the fairy tale from a different perspective. For example, Cinderella could have left her slipper at the ball because she had not really liked the Prince or had not wanted to go to the ball. The wicked stepsisters could have been shown as sisters who were always bullied by Cinderella because she was prettier than they were. Students were asked to also discuss how the readers would perceive these character changes: Who would be the hero, the empowered, and the victim?

    Ms. Johnson had assigned this task because she was attempting, within the context of critical literacy, to encourage her students to understand that in every story and situation they should analyze whose position is being supported by the author and whose voice is being ignored or silenced. After selecting their tales and characters, and creating the new perspective, students were then invited to share the selected character’s new perspective within the context of a Glog. Each group was asked to include photos and other visuals representing the new perspective. In addition, students were asked to include illustrations representing the setting. Students were able to scan in their own sketches of the scenes. Students could also include current or classical music that best illustrated the complexity of the problem being faced by the character. The solution to the dilemma was also to be included in the Glog in the form of a video the students created, a written paragraph, or an audio recording from the students themselves.
     
     
     
    11th grade Social Studies: Teacher, Javier Vaca

    Purpose:
    Create a Glog persuading support for the “home front” efforts during WWI.
     
    Task: Students worked as partners studying one of the following topics (Building Up the Military, Organizing Industry, Mobilizing the Workforce Ensuring Public Support; view an example here). Using a chapter from their social studies text, and related articles found via the Internet, their task was to first identify text-based visuals and information that had promoted “Home Front” support for WWI. Next, they interrogated the texts to determine who was being either supported or forgotten and what views were being either promoted or ignored. They then figured out ways to entwine their perspective as a way to communicatively engage with the author, and, finally, to use visuals to persuade others to their stance. Before beginning, students decided that they could persuade and inform by using visuals as well as words, and that they could then persuasively share their information within the context of a Glog.
     
     
    Benefits to Learning

    These Glog projects supported the students in comprehending and then synthesizing the text-based information. Working as partners/teams, students were identifying, locating, and interrogating texts, and then discussing their thinking in order to negotiate the images and slogans that would persuade the audience viewing the Glog to view “home front” war support through the stance of the creators, or to have new insights and feelings about a fairytale character. In addition to reading information and reporting it in their own words, these students were also creating visual texts representing the newly learned information through images designed to persuade or to illustrate a new perspective.

    Diane Lapp, EdD, is a distinguished professor of education at San Diego State University and an English teacher and literacy coach at Health Sciences High and Middle College.

    © 2012 Diane Lapp. Please do not reproduce in any form, electronic or otherwise.


    TILE-SIG Feature: Create a Multimedia Poster Using Glogster

    Engage: Plugged In
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