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    Kids In Need Foundation and LOFT Launch Best In Class Teacher Grants

     | Nov 21, 2011

    The Kids In Need Foundation, a national, non-profit organization dedicated to providing free school supplies to economically disadvantaged school children and under-funded teachers, announces its third year partnering with LOFT, to support the Kids In Need Teacher Grants program. LOFT, known for feminine, versatile, stylish and affordable fashion, will provide the grant from the company’s LOFT Loves Teachers program for approximately 100 teachers, so they may purchase supplies needed to conduct innovative projects in their classrooms.

    Funding from $100 to $500 is available for original classroom projects. Grant requests may be submitted online at www.kinf.org through December 9, 2011.

    “The Teacher Grants program recognizes the creativity of teachers, as well as alleviating the need for teachers to reach into their own pockets to pay for materials to do special projects,” said Dave Smith, executive director of the Kids In Need Foundation. “We are proud to partner with LOFT Loves Teachers on this Best In Class Grants program, which allows teachers to create innovative experiences in their own classrooms.”

    LOFT Loves Teachers is dedicated to honoring the daily commitment teachers make in and out of the classroom and the intricate role they play in children’s lives. To further teachers’ efforts, LOFT has pledged $50,000 to the Kids In Need Foundation in support of the LOFT Best In Class Grants.

    “Our brand is committed to supporting educators in their efforts to enrich the lives of our nation's children. LOFT is proud to continue our dynamic partnership with the Kids in Need Foundation through the LOFT Best In Class Grants, dedicated to providing teachers with necessary classroom tools.” said Deborah Cavanagh, SVP, LOFT Brand Marketing.

    Kids In Need is encouraging teachers to register for LOFT’s teacher appreciation program at LOFTLovesTeachers.com and learn about all the perks LOFT offers educators, including an everyday 15% discount on full price merchandise, exclusive sweepstakes, style guides just for teachers, and more. For official rules and to enter, visit LOFT on Facebook at www.facebook.com/LOFT.

    “The purpose of the Kids In Need Foundation is to get free school supplies into the hands of kids who need them,” said Dave Smith. “The materials necessary to do these exceptional projects would not be available to students if it were not for the Kids In Need Teacher Grants program and the companies that sponsor it, so we are greatly appreciative of  LOFT’s participation.”

    For more information, visit www.kinf.org.

     


    Articles about Teaching Literacy on Reading Today Online
     
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    Digital Development

     | Nov 18, 2011

    by J. Gregory McVerry

    Dust covered digital video cameras, forgotten and abandoned. Ipod carts, untouched, and wrapped in plastic. Two thousand dollar bulletin boards, once thought to be Interactive Whiteboards-but now covered with handouts, hang in classroom across the globe. Unfortunately these three scenarios unfold too often in today’s classrooms.

    As the majority of educators clamor for computers, clickers, and cameras some schools never unlock the potential of transformative technology. Such calamities and wasted resources arise because districts invest more time and treasure in purchasing rather than professional development.

    When educators view technology as new tools instead of texts that require new proficiencies to participate in online spaces, they often exacerbate the problem by not engaging in effective professional development. This paradigm must shift. In fact the digital development of educators must focus on the long-term transformation of teaching.

    Massachusetts New Literacies Institute
    The 2011 Massachusetts New Literacies Institute is a collaborative project with the Massachusetts Department of Elementary and Secondary Education (DESE), the Lower Pioneer Valley Educational Collaborative (LPVEC), and the West Springfield Public Schools. The institute is lead by teacher leaders who attended last year’s New Literacies Institute and built on the foundation laid by leaders in the field of New Literacies.  The success of the program lead to the state of Massachusetts being recognized by the Partnership of for 21st Century Skills as a 21st Century Awardee.

    Blended Learning and ePortfolios Initiative
    The efforts of the Connecticut Technical High School System represent another model for ongoing digital development. The project is designed to support the development of New Literacies among students , enabling them to be successful either in career or college by using blended learning environments and ePortofolios to focus on “learning to be” a career pathway instead of “learning about” a career pathway. Through the use of Moodle for and Mahara as a social network for portfolio development 10,400 students who represent extreme social and economic disparities in our state and country will be connected in new and collaborative ways.

    Boston Commons: Common Core, Common Writing, Common Technology
    The Boston Commons project focuses on improving content area writing while aligning the curriculum with the technology components of writing outlined in the New Massachusetts Framework for Literacy and Language Arts. During a year long blended learning institute teachers receive training in research based writing methods, pilot the use of iPAD carts for writing, and engage in inquiry projects. Teachers attend full day institutes in the summer, engage in dialogue on a Moodle course, and will create anchor sets of annotated student writing to train other faculty.

    Keys to Success

    These professional development programs share three keys of success:

    1. Focus on Pedagogy
    Online tools shift faster than students grow up. No professional development model can be successful by simply focusing on the skills required to use a specific tool. Instead a pedagogical must be identified and then a variety of tools that enhance this pedagogical goal can be thoughtfully embedded.

    2. Embed Studio Time
    Curriculum writing takes time, and as literacy educators we know the practices employed by good writers. Still many professional development models do not offer workshop time for teachers to collaborate and create. Each of the three highlighted projects focused on developing teacher created products.

    3. Utilize Human Capital
    The greatest resource schools have are teachers. These three professional development efforts focused on building capacity to encourage growth long after the professional development providers have left. In each project a system was in place for one cohort to train the next.

    J. Gregory McVerry is an Assistant Professor at Southern Connecticut State University.

    This article is part of a series from the Technology in Literacy Education Special Interest Group (TILE-SIG).


     
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    Animals! Book Review Series - Number 2

     | Nov 16, 2011

    The parade of animals continues with this second installment of animal book reviews from members of the Children's Literature and Reading Special Interest Group (CL/R SIG) of the International Reading Association (IRA). Visit their website to join CL/R SIG or to read more about them. 

    Grades K-3

    Rohmann, Eric. (2011). Bone Dog. New York: Roaring Brook Press.

    Bone Dog book coverWhen his dog Ella dies, Gus lacks interest in regular activities. Although he doesn’t even feel excited about trick-or-treating, het puts on his skeleton costume and heads out. His outfit leads to a perilous situation when he runs into real celebrating skeletons. Luckily “skeleton-dog” Ella comes to his rescue and, with some dog-and-bone humor, helps to save the day. Rohmann’s signature black outlines and cartoonish figures suggest the fun of his Caldecott-winning My Friend Rabbit. However, here he places his main character in a more sinister state; skeletons crawl from their graves and threaten to eat Gus. The skeletons’ rounded features and silly word-play soften the scare, and a perfectly paced, wordless resolution will leave readers giggling. In addition to a hint of spine-tingling thrill, Bone Dog presents a relatable depiction of grief that can lead to meaningful discussions on loss and depression. This slightly edgy Halloween tale is a read-aloud for all seasons. - Lauren Aimonette Liang, University of Utah

    Taylor, Sean. (2011). Huck runs amuck. Illus. by Peter Reynolds. New York: Dial.

    Huck Runs Amuck book coverMountain goat Huck simply cannot live without plenty of yummy flowers to eat. When there are no more flowers in the mountains, he begins a pilgrimage to the city for more. After a series of near accidents, mishaps, and an encounter or two, Huck faces a dilemma. He happens upon a wedding during which the delectable flower-laden hat of Mrs. Spooner, the mother of the bride, is blown to the top of a church spire. When Huck races to retrieve the hat and devour the flowers, onlookers see his brave ascension and dub him a hero. Huck is truly on the horns of a dilemma, caught between doing the heroic, right thing and filling his belly with petals. Nobly resisting temptation, Huck climbs down, and returns the hat, with nary a nibble. There is a reward for Huck and a surprise for all the wedding guests. The illustrations, created from watercolor, ink, and tea, depict perfectly Huck’s passion for petals. - Barbara A. Ward, Washington State University 

    Srinivasan, Divya. (2011). Little Owl’s night. New York: Viking. 

    Little Owl's Night book coverIt’s night time, and while much of the rest of the world heads for their beds, Little Owl is wide awake. The curious owl watches his nocturnal friends become active and takes note of everything that’s happening around him, even the flights of moths and the movement of fog into a field. As dawn approaches, the tired owl begs his mother for a bedtime story. She obliges and describes how night ends and day begins, but Little Owl never hears the end of the story because he’s fast asleep. Young readers will request this title again and again when it's time for their bedtime reading, and their caregivers won't mind repeated readings because the text has a dreamlike quality about it. Drenched in rich colors, the illustrations also are appealing with wonderfully drawn pines, green grass, and animals with huge eyes. Even the end papers feature interesting details such as a raccoon reaching into a squirrel's treasure trove of nuts to steal an acorn or two. This is a great picture book debut from a new author/illustrator. - Barbara A. Ward, Washington State University

    Ehlert, Lois. (2011). RRRALPH. New York: Beach Lane Books/Simon & Schuster.

    Rrralph book coverWho wouldn’t want to spend time with a talkative and uniquely talented dog named Ralph? The narrator is convinced that Ralph can speak since in addition to his own name, he is able to vocalize sounds such as “roof,” “bark,” “rough,” “wolf,” and “yep” as he and the narrator stroll outside through the woods. Of course, Ralph’s responses are puns rather than examples of his sophisticated vocabulary. The use of different font colors helps readers distinguish between observations and spoken words. The illustrations are filled with found and hand-painted objects such as zippers, wood, buttons, twine, metal, bark, screws, textile fragments, and papers. A close look will reveal that the beak of the woodpecker on the title page has been fashioned from a screw. - Barbara A. Ward, Washington State University

    Gravett, Emily. (2011). Blue chameleon. New York: Simon & Schuster.

    Blue Chameleon book coverEven a chameleon can feel a little bit blue when he’s all alone and seems to have no friends. Without a friend or a welcoming place or anything to do, he sits alone and waits for a connection. His posture makes it clear that feeling blue is an evocative way to express someone’s feeling of profound depression. The blue chameleon quickly springs into action, though, once he sees potential friends in other objects and creatures. But he doesn't remain himself. Instead, as is characteristic of chameleons, he tries to mimic others in shape and colors. Thus, he molds himself into the yellow curve of a banana and the swirly shape of a snail in his attempt to be like them. At one point, he even remains quiet and unmoving like the rock he is trying to befriend, giving up after nothing happens. In desperation, he blends in with the book’s white pages, and readers can rub their fingers along the surface to feel his chameleon shape. Nothing works, and he remains lonely until he comes upon another chameleon, also searching for a kindred soul. The chameleon and his potential buddies roll, rest, bounce, swim, hop, and even hide in the book’s imaginative illustrations. - Barbara A. Ward, Washington State University

    Vamos, Samantha R. (2011). The cazuela that the farm maiden stirred. Illus. by Rafael Lopez. Watertown, MA: Charlesbridge.

    The Cazuela book coverIt all starts when a farm maiden decides to prepare rice pudding. The first step requires her to stir the pot, which she does. But she can’t complete the dish without some help, and eventually, the farm animals join her, churning the butter, producing the fresh milk, purchasing the sugar, and adding all the ingredients for a yummy dessert. But everyone gets so caught up in having a good time together that they almost forget to keep an eye on the rice pudding. The warm acrylic illustrations painted on grained wood complement this engaging and delightful bilingual cumulative story. Back matter includes a recipe for arroz con leche and a glossary of Spanish words. - Barbara A. Ward, Washington State University

    Numeroff, Laura. (2011). What puppies do best. Illus. by Lynn Munsinger. San Francisco: Chronicle Books. 

    What Puppies Do Best book coverGet ready for plenty of “Awww’s” when you read this book filled with puppies, puppies, and more puppies. Almost irresistible, puppies spill across the pages, dashing from their beds to awaken their human companions, jumping on humans’ beds, clamoring for walks, chasing balls, making new friends, and even learning how to retrieve and how to sit. They even offer slobbery kisses for anyone within reach, and anyone who sees them has no choice but to greet them with affection. In the end, readers are reminded what those of us who share our lives with dogs know: Puppies are exceptionally good at loving others and sharing their affection unrestrainedly. The watercolor, pen and ink, and pencil illustrations pay tribute to the spirited nature of puppies, always loveable even after they have just destroyed a couch cushion or a favorite shoe. Those loving, trusting eyes and the irrepressible nature of puppies make it hard to stay annoyed for long. - Barbara A. Ward, Washington State University

     


     
    Animals! Book Review Series - Number 1

    CL/R SIG's Previous Book Review Series

    Choices Reading Lists 

     

    IRA Special Interest Groups 

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  • Today marks the 10th anniversary for “I Love to Write Day.” My 5th grade students really do love to write. In fact, they are voracious writers. They can’t seem to get enough writing.
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    Making Every Day ''I Love to Write Day'' with Blogging

    by Julie D. Ramsay
     | Nov 15, 2011
    Today marks the 10th anniversary for “I Love to Write Day.” My 5th grade students really do love to write. In fact, they are voracious writers. They can’t seem to get enough writing.

    Through the years, I can’t say that my students have always said that. In fact, there was a time when I felt like I was pulling them through each and every writing project while they stubbornly dug their heels in and fought it. What changed?

    There are several contributing factors, but the one that seems to have made one of the biggest differences is that now my learners have a relevant reason to write and communicate. They have an audience who is going to read almost everything that they write thanks to the use of the digital tools we have access to in our classroom.

    When you come into our classroom, it is very rare that you don’t see one my students at a classroom computer, writing. As soon as that student finishes, you will find three or four more enthusiastic writers clamoring to get to the keyboard next. What are they doing?

    They are blogging.

    This is a tool that none of my students have ever used before they come to 5th grade. We spend the first week of school setting the groundwork by learning about netiquette and cyber-bullying. This leads us into many deep discussions which produces several lessons on blogging: what it is, how it’s used, its purpose, and its similarities and differences to other types of writing.

    One of my initial thoughts as I was leading my writers into blogging was that I wanted to give them the opportunity to reflect and share their thinking and learning on the different content areas with one other. This would encourage students who may not feel comfortable speaking up during a class discussion—due to special needs, English as a second language, low self-esteem, or shyness—to speak up and join the conversations. It would give everyone a voice.

    Another thought I had was that blogging would give me a lot of information about my learners. I knew I would be able to determine their understanding of content area standards, use of grammar and mechanics to get across ideas to their audience, personal challenges, and likes and dislikes. I felt confident that by my students using blogs I would be better able to tailor my lessons and mini lessons to their individual needs and interests.

    Our Tool of Choice

    For this adventure in writing, I chose to use KidBlog. What I like about KidBlog is that it allows the teacher to control what gets published and the audience that sees the blogs. We start off at the beginning of the year where only the people in our class can see the posts and comments. Then I gradually open it for family members to enter as guests and make comments. Once the students are ready for a much larger audience, I open it for comments from all over the world. If you are on Twitter, there is a hashtag, #comment4kids, where you can post that your students would like some comments. Educators and students from all over the world will post comments to the students’ blogs.

    For the entire year, I keep the feature where all posts and comments must be approved by me before they are published. I do this for several reasons. The most important one is so that I know all of the content coming out of our blogs. The second is that I want to make sure I don’t miss something important. If a writer demonstrates a weakness in subject-verb agreement or they misunderstand a math algorithm, I want to be able to quickly clear up that misunderstanding. Usually, I call them to the computer and have them explain to me what their thought process was when they wrote a particular post. Many times, they catch their own mistake. However, if they don’t, I have the opportunity to teach a quick little lesson. Since my students set goals, usually this becomes one of their goals until they feel like they’ve mastered it.

    Another reason I read everything my students write is because I want to make sure that there is nothing offensive or inappropriate published. Since we have a very diverse population in our classroom and in our audience, sometimes students forget about making the best choices for their entire audience. This is a powerful life lesson for learners to master.

    Setting Expectations

    Due to having an extremely prescriptive curriculum, we are lucky to have scheduled time for writing twice a week. Blogging addresses that limitation because students can work on their blogs from home or at school. They also have a scheduled time at least once a week during our reading block to blog for 30 minutes. Since many of my students arrive about an hour before school begins, they come to the classroom when I arrive and spend that time blogging as well.

    As with all of our projects, my students set the goals, expectations, or rubric. Since these are their blogs, they needed to establish the expectations, not me. Since the group of students changes each year, the expectations vary. After many conversations with my current students, they set expectations that addressed the craft of writing, grammar and mechanics, content, and safety.

    Were these the exact expectations that I would have set? Not necessarily, but these are their blogs, their writing, their conversations. This gives them ownership of their writing. These writers also understand that if at any point they don’t like these expectations, they can alter them because they belong to them.

    Goals Achieved

    So back to my original blogging goals. Did blogging serve as a way for my students to grow, reflect, connect, and join the conversation? Was I able to meet individual needs in each of my students? Yes…and much more.

    My students have found their voices. They reflect on their learning. They challenge one another’s thinking in a respectful manner. They share books, thoughts, feelings, and suggestions for tackling challenges they might be facing. I have been able to pinpoint misunderstandings or weaknesses much faster because they are writing and I’m reading their writing much more often.

    What I didn’t foresee was the amount of creativity that would flourish just by giving my students an audience with whom they could have a conversation about their writing. This year, my writers have composed poetry, short stories, talk shows, interviews, and fables. Their writing regularly includes book reviews for their peers. One student even wrote an open letter for our board of education about some changes she thought they needed to make. All of this amazing writing was student-driven.

    Because these students have a tool that supports the way today’s students want to learn and they were given the freedom to guide how they used it, my students have delved into new types of writing and have begun to share it with an audience that is active. Learners who told me just a few weeks ago that they hated writing are now excited with the anticipation of sitting down at a keyboard to compose something new for others to read.

    On this “I Love to Write Day,” my students will have surpassed 900 blog posts cumulatively. Do they love to write? Without a doubt! And your students can too by opening up their world of writing with blogging.

    Julie D. Ramsay is a Nationally Board Certified educator and the author of “CAN WE SKIP LUNCH AND KEEP WRITING?”: COLLABORATING IN CLASS & ONLINE, GRADES 3-6 (Stenhouse, 2011). She travels the country to speak, present, and facilitate workshops in applying technology to support authentic learning. Read her blog at juliedramsay.blogspot.com.

    © 2011 Julie D. Ramsay. Please do not reproduce in any form, electronic or otherwise.
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    Young Adult Book Review: Bronxwood

     | Nov 14, 2011

    by Judith A. Hayn

    Booth, C.  (2011).  Bronxwood.  New York, NY: Push.

    Bronxwood book coverBronxwood, a project housing unit in the Bronx, forms the focus of Coe Booth’s Tyrell series. Tyrell (2006) began his story which continues in the third novel. Now 16 and living with his best friend Cal and his brother, Tyrell still struggles against the odds to survive. The brothers deal drugs, but Tyrell refuses; he earns money by DJ-ing local parties, a talent he learned from his jailed dad. Using his party money, he yearns to reunite his mom with younger brother Troy who is in foster care. The novel covers only 23 days in August, and the action is fast-paced. Pops gets out of jail, demands Tyrell help him DJ, moves back in with Moms, and tries to beat the system to get Troy returned. Tyrell now has to decide where his own life is going. He can try the drug dealing trade, go back to his traitorous girlfriend Novisha, return to his parents’ new apartment with Troy, or convince his galpal Jasmine to pursue their growing attraction. Booth’s voice is streetwise, urban smart, and gritty with realism. The series, which also includes Kendra (2008), vibrates with the violence and chaos of teen survival in the city.


    Dr. Judith A. Hayn is an Associate Professor at the University of Arkansas at Little Rock. 

    This article is part of a series from the Special Interest Group Network on Adolescent Literature (SIGNAL)

     


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