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    Book Reviews: An Abundant Garden

     | Jul 04, 2012

    Gardens are a perfect way to engage young people in the process of learning, growing and harvesting plants. A simple pot, plant box or raised bed could become a garden at school or home. A garden has the potential to bring children, families and communities together to learn where food comes from and gain a better appreciation for how food impacts health. Below is a list of books from the International Reading Association's Children's Literature and Reading Special Interest Group (CL/R SIG). The titles in this column could accompany a garden unit.


    GRADES K-3


    Christensen, Bonnie. (2012). Plant a little seed. New York: Roaring Brook Press.

    Plant a Little SeedA community garden is the focus of this book as two gardeners, a young boy and a young girl, plan, plant, weed, water and wait for their garden. In simplistic rhythmic language, each page takes readers through the seasons of the garden with these children and their dog, and a family of rabbits that take an interest in the garden as well. An interested raccoon also appears in the corn. The actual waiting for signs of sprouts and imagining the rewards are part of the process of the garden and evidenced with each bold and energetic illustration as the end papers, front and back, add to the informational aspects of planting seeds and patiently watching them unfold. Teachers will find the lesson at ReadWriteThink “How Does My Garden Grow? Writing in Science Field Journals” a usable companion for this book.

    - Karen Hildebrand, Ohio Library & Reading Consultant


    Fry, Stella. (2012). Grandpa’s garden. Illus. by Sheila Moxley. Concord, MA: Barefoot Books.

    Grandpa's GardenYoung Billy and his Grandpa are planning a garden. Billy quickly learns that it is hard work to dig and loosen the soil, plant the seeds and do the required weeding. As the growing season moves through the summer months, Billy patiently watches the garden develop into the vegetables they planted. Fall brings the enjoyment of the harvested crop. The time Billy spends with Grandpa in learning the facts and background about creating and maintaining a garden strengthens that special bond between grandchild and grandparent. “Watching a Garden Grow” lesson idea is a ReadWriteThink connection to Grandpa’s Garden.

    - Karen Hildebrand, Ohio Library & Reading Consultant


    Grigsby, Susan. (2012). First peas to the table: How Thomas Jefferson inspired a school garden.  Illus. by Nicole Tadgell. Chicago, IL: Albert Whitman.

    First Peas to the TableBased on the true story of Thomas Jefferson’s pea-growing contest with his neighbors, Maya’s teacher begins a gardening project with her class. Maya and her classmates are challenged to raise peas in their school garden but they can also grow peas at home to race to see who can bring the “first peas to the table” contest, just like Thomas Jefferson did many years ago. Taking the challenge to heart, Maya reads and researches how to raise peas including information she found in Thomas Jefferson’s Garden Book. Maya and her friend Shakayla select different methods of growing their peas while learning about the scientific method in addition to historical background on America’s former president and his interest in agriculture. Additional background on Jefferson can be found at the end of the book. Teacher resources, coloring pages, a pea-growing contest and more can be found at the publisher’s website, or try Mrs. Obama’s pea salad recipe from the White House blog Obama Foodorama. 

    - Karen Hildebrand, Ohio Library & Reading Consultant

    Quattlebaum, Mary. (2012). Jo MacDonald had a garden. Illus. by Laura J. Bryant. Nevada City, CA: Dawn Publications.

    Jo MacDonald Had a GardenThe familiar Old MacDonald of folklore and song now has a young granddaughter, Jo, tending the garden with her cousin Mike. The two cousins work at planting and watering and weeding as they watch the garden grow. Written in the pattern of the traditional song, readers will enjoy singing along with each new turn of the page on the alert for new things happening in the garden. In addition to watching the plants get bigger, young readers will be watchful as critters start to appear and visit the garden. The book offers back matter to offer suggestions and tips for gardening. Teaching guides and downloadable activities are available at the publisher’s website.

    - Karen Hildebrand, Ohio Library & Reading Consultant

    Rosenberg, Madelyn. (2012). Happy birthday, tree!: A Tu B’Shevat story. Illus. by Jana Christy. Chicago, IL: Albert Whitman.

    Happy Birthday, Tree!The birthday of the trees or Tu B’Shevat is a Jewish holiday that celebrates trees and reminds us to take care of our earth. In vibrant watercolor illustrations Joni climbs the broad tree in her front yard. She sings Happy Birthday but notices the tree just stands there. Joni then convinces her friend to help organize a party. Together they give the tree water, make a soil cupcake and put a bird in the branches. The tree continues to be still, yet looks happier. The friend then suggests that maybe the tree wants to be with other trees so Joni persuades her mother to take them to a nursery to purchase a little tree. They plant the little tree across the yard from the big one so that they can be friends. Then they give each tree a party hat and promise to take care of the trees by protecting and watering them. Both trees wave their branches and rattle their leaves in happiness. The book closes with suggestions and ideas to help the Earth in the branches of a large tree on the end pages. 

    - Deanna Day, Washington State University Vancouver

    Spurr, Elizabeth. (2012). In the garden. Illus. by Manelle Oliphant. Atlanta, GA: Peachtree.

    In the GardenThis board book, for very young children, has only one or two words per page. First, a boy prepares the soil by spading the Earth, pulling weeds and making rows. Then he, “Digs holes. / Drops seeds. / Covers / Wets / Waits.” In one illustration readers will notice adults working in the garden, yet this child is able to do everything on his own. Rain and sun help the tiny green sprouts to peep out. Then the boy lies on the ground to observe the leaves, shoots and blossoms. Finally, the fruit appears to everyone’s delight! The simplicity and size make this the perfect book for budding gardeners. 

    - Deanna Day, Washington State University Vancouver

    GRADES 4-8

    Gourley, Robbin. (2011). First garden: The White House garden and how it grew. New York: Clarion. 

    First GardenFilled with watercolor illustrations that simply make readers lick their lips in anticipation of the healthy meals that can be made from these delicious fruits and vegetables grown in the White House garden, this book is also a tribute to sustainability. A perfect introduction to gardening, it is filled with Presidential history as well as ecological notes. This particular garden was planted in 2009 as part of the First Lady’s campaign for healthy eating, but it wasn’t the first time the White House's pristine lawns have been used for agriculture. In fact, in amusing vignettes, the author provides several examples of Presidents whose cows and sheep grazed on the lawn. She also includes Presidential quotes about gardening, making this a useful title for science and social studies. Not only does the garden provide food for the White House, but it also provides fresh vegetables for others as well, providing hands-on experiences for local school children about planting seeds and then nurturing the growing plants through each phase of the cycle of life. The theme of sustainability runs through the entire book, and a photograph of the White House staff, the First Lady, and the local children proudly displaying the fruits of their labor attests to the boost in self-esteem a project such as this one can have. The book also includes recipes using garden produce. This book might inspire other schools and communities to start digging and planting. 

    - Barbara A. Ward, Washington State University Pullman

    Potter, Ellen. (2012). The humming room. New York: Feiwel and Friends.

    The Humming RoomInspired by the classic The Secret Garden, this story begins with 12-year old Roo orphaned when her drug-dealer father is killed along with her mother. She is sent to live with a widowed reclusive uncle on Cough Rock Island in the St. Lawrence River in upstate New York. Her uncle travels most of the time so his assistant, Ms. Valentine is sent to fetch Roo and bring her to Maine to begin a new life in a very mysterious old mansion, formerly a tuberculosis sanitarium. Roo begins to explore and soon hears mysterious noises and sounds that eventually lead her to a homeless boy, a secret box under the floorboards and a hidden garden. This suspenseful ghost story can stand alone on its own merit but might also lead readers to the children’s classic, The Secret Garden. The Humming Room could become a companion piece and create a comparative discussion for students between the two books. A book trailer and author information including her Skype classroom visits can be found at the author’ website.

    - Karen Hildebrand, Ohio Library & Reading Consultant

    Silvey, Anita. (2012). The plant hunters: True stories of their daring adventures to the far corners of the Earth. New York: Farrar Straus Giroux.

    The Plant HuntersOur theme this week is about gardening and we tend to think about planting seeds, taking care of the garden and watching it grow. This book, The Plant Hunters, is about how scientists acquired many of those seeds. This reads like an adventure story as explorers from the eighteenth and nineteenth centuries traveled around the globe in search of new seeds and plants to bring back to North America. Many exciting, even life-threatening scenes unfold as these adventurers brave hazardous weather, dangerous animals and insects, and remote locations as they seek exotic and unusual plants. Using many primary sources and beautifully illustrated plant artwork, sketches and photographs, this volume opens the doors to the history behind many of the plants we enjoy today.Teachers can use the interactive white board activity from the New York Botanical Garden called “Become a Professional Plant Hunter”. From ReadWriteThink, teachers can find a research project for middle schoolers entitled, “Let it Grow; an inquiry-based gardening research project”.

    - Karen Hildebrand, Ohio Library & Reading Consultant

    GRADES 9-12

    Neff, Beth. (2012). Getting somewhere. New York: Viking.

    Getting SomewhereFilled with exquisite phrases amid a somewhat predictable plot line, this book describes an imaginary alternative to a detention setting for teen girls who have fallen off the beaten path. This may be the last chance for Lauren, Cassie, Sarah, and Jenna who end up working on a vegetable farm along with three women in rural Michigan. All of them have emotional baggage and complicated histories and secrets, which begin to be revealed over the course of the two months they spend planting, digging, weeding, and harvesting. At first, of course, each girl complains about having to work in the soil and labor in the hot sun, but over time they come to appreciate the food they are growing and the bonds they are slowly building. It is clear from the beginning that Lauren will have the most difficulty changing since she constantly plots to escape while the other girls seize the second chance and affection they are being offered by Ellie, Grace, and Donna, who are in charge of the farm and alternative program. For some, hard outdoor work, trust, and sharing are precisely what they need to change their live changes and stay on the road to recovery. Realizing that not every broken person can be repaired, readers will pity those who return to the same problems they left behind when they landed on the farm. 

    - Barbara A. Ward, Washington State University Pullman

    Obama, Michelle. (2012). American grown: The Story of the White House Kitchen Garden and Gardens Across America. New York: Random House.

    American GrownAfter planting a kitchen garden on the White House’s South Lawn in 2009, First Lady Michelle Obama and the White House staff were delighted as fresh vegetables, fruit, and herbs flourished in the garden. This book, filled with beautiful photographs of the plants, tells the chronological story of that garden seasonally from spring to winter. As is the case with any brand-new gardener, the First Lady describes her initial concerns about whether the seeds would sprout or the plants would grow. Just as any 4-H member knows, the hard work and worries are long forgotten once the plants begin to flourish and it is time to harvest the fruits and vegetables. Readers will surely want to try the recipes using the garden’s bounty. And maybe, just maybe, they will feel inspired to cultivate a garden in their own backyards or dedicate a small portion of their patio to gardening. The book also contains stories of other American gardens that are first steps in eating and living more healthily. It all starts with a small seed, as this book, perfect for sharing with the whole family, vividly shows. 

    - Barbara A. Ward, Washington State University Pullman

    Also, visit IRA's Common Core State Standards resources section to read Lesley Mandel Morrow's Reading Today article entitled "A Primary Grade Science Unit Using the Language Arts/Literacy Common Core State Standards".


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    TILE-SIG Feature on PD for Teacher Tech Geeks: Keeping Them on the Cutting Edge

     | Jun 29, 2012

    by Terry Atkinson

    During this past year, several university colleagues have joined me in observing local K-12 teachers described by their principals as distinguished for technology integration of their classroom teaching. With ISTE’s NETS-T standards in mind, we are particularly interested in several innovative teacher risk-takers who are not only open to trying new technologies, but also to putting them into students’ hands.

    Jim Harmon

    Jim Harmon from his 
    class website

    I reached out to a stellar example of such a teacher risk-taker after reading an article he authored in the June/July 2012 issue of ISTE’s Learning and Leading With Technology. Jim Harmon, like the teachers we observed, does not teach in a visionary school like those profiled in Schrum and Levin’s new book, Leading 21st Century Schools: Harnessing Technology for Engagement and Achievement. He teaches 10th grade English Language Arts at Euclid High School, an urban Ohio high school where the majority of his students are at-risk and receive little academic support at home. So, as Jim and I chatted, I focused not only on how and why he takes innovative technology risks with his students, but also on the kind of professional development that might potentially encourage innovators such as himself.

    His recommendations are as follows and relate directly to the support and sharing opportunities he has received from administrators in the Euclid City Schools:

    1) Put new technology tools into the hands of innovative teacher risk-takers. Support their efforts to use technology in ways that are novel and focus on student use, rather than instructional presentation. Expect that teacher attempts to implement new technologies will result in mistakes and honor this part of the learning process without reprisal.

    2) Honor “home-grown” talent and risk-taking from within school and district. Provide time for teacher collaboration and sharing. This is what Jim calls, “Trusting your teachers” to learn from and with one another…something that a consultant or “sage on the stage” from outside the school simply cannot provide.

    3) Encourage teacher risk-takers to investigate participation in challenging, high-quality professional networks and training. Provide related financial support and time to follow-up and collaborate afterward with colleagues. Jim reports that becoming an Apple Distinguished Educator and a Google Certified Teacher have opened doors to exploring new technologies that would have been unattainable on his own.

    4) Establish strong partnerships with nearby universities. Association with Cleveland State’s MUST program has placed Jim in a mentor leadership role with preservice teachers, challenging him professionally and providing nascent teachers with opportunities to integrate cutting edge technology while teaching in actual school settings. Innovative risk-taking teachers should be identified by teacher education programs and sought out as student intern mentors.

    For additional details, access the full interview transcript with Jim Harmon at http://scr.bi/jimharmon.

    Terry S. Atkinson, PhD is an associate professor of reading education and the graduate director of the Department of Curriculum and Instruction at East Carolina University in Greenville, NC.

    This article is part of a series from the Technology in Literacy Education Special Interest Group (TILE-SIG).



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  • Paul Bunyan is a mythical character who may or may not have sprung from earlier stories inspired by real lumberjacks who once lived in eastern Canada and northeastern United States. In PAUL BUNYAN, MY STORY, I had to decide which among the nearly endless tall tales told about Paul I would include in the book. I only scratched the surface!
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    Interviewing Paul Bunyan with David L. Harrison

    by David L. Harrison
     | Jun 28, 2012
    Paul Bunyan is a mythical character who may or may not have sprung from earlier stories inspired by real lumberjacks who once lived in eastern Canada and northeastern United States. In PAUL BUNYAN, MY STORY, I had to decide which among the nearly endless tall tales told about Paul I would include in the book. I only scratched the surface!

    June 28th is Paul Bunyan Day. It’s a good time for students to become better acquainted with Paul and his pals, learn some history, and practice writing skills. I suggest beginning with an interview. You’ll need the following characters: Mama Bunyan, Papa Bunyan, Baby Paul, Adult Paul, Babe the Blue Ox, Sourdough Sam the Cook, and the interviewer(s).

    Provide each cast member with a question the interviewer will ask and a prop (doesn’t need to be much) that helps them identify with their character. After the characters have had time to read and decide on their answers, let the interviewing begin. Here are examples of how the exchanges might go.

    Q: Mama Bunyan, when did you first know that your new baby was going to be so big?
    A: I knew when it took five storks to deliver him instead of the usual one.

    Q: Papa Bunyan, how big was your baby son?
    A: Three hours after he was born he already weighed 80 pounds. In a week he was wearing my clothes.

    Q: Baby Paul, were you too big for a baby buggy?
    A: Nope. My buggy was a wagon. It took two oxen to pull me.

    Are these fibs really meant to fool anyone? No. Tall tales told about a fictional character fall under the category of folktales. Paul Bunyan is a folk hero. His character depends on lots and lots of folktales that people have been making up about him for nearly one hundred years!

    Now that your students have had fun getting into the spirit of Paul Bunyan, it’s time for them to write a few tall tales of their own! Begin by listing your characters on the board (Mama, Papa, Paul, and so on) and brainstorming at least one question (prompt) for each so that your kids will have plenty of choices.
    • Sourdough Sam, what did you put in your pancakes for all those hungry lumberjacks?
    • Babe, describe how cold it was the day you fell in the lake when you were a calf.
    • Paul, what do you like to eat for lunch?
    Work out one or two responses on the board until your kids get the hang of it. Remind them that tall tales are usually outrageous exaggerations! (Hint: No telling what Sam put into those pancakes or how much of it!) Next, choose a new prompt and ask everyone to work on it independently. Sharing tales through read alouds reinforces the concept.

    Soon, your students will be writing a brand-new Paul Bunyan book! In the process, they will have practiced their skills in interviewing, reading, listening as writers, learning the difference between untruths and tall tales, exercising their imaginations, and writing new material that fits with existing patterns (that is, the Paul Bunyan myths from the North Woods).

    Thanks, Paul!

    David Harrison has published 80 books of poetry, fiction, and nonfiction for children. As Poet Laureate for Drury University he writes and hosts This Week with David Harrison, an ongoing podcast series of writing tips for use in elementary classrooms. David lives in Springfield, Missouri with his wife, Sandy, a former high school counselor.

    © 2012 David L. Harrison. Please do not reproduce in any form, electronic or otherwise.
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    Reviews of Multicultural Children's Books

     | Jun 27, 2012

    While many of today’s classrooms are filled with students who grew up just around the corner from the schools they now attend, many of the students in those same classrooms may be new to the United States and unfamiliar with the particular routines and practices of American schools. The language and pedagogy may be completely foreign to these youngsters, leaving them feeling isolated and disconcerted. Books for children and young adults offer one way to help students from various cultures feel welcome while also offering a promising avenue for teachers and students to learn about the similarities and differences that exist among cultures. For this week’s book reviews, members of the International Reading Association Children’s Literature and Reading Special Interest Group (CL/R SIG) examine some recent multicultural titles that have expanded what we know of the world.

    GRADES K-3


    Buitrago, Jairo. (2012). Jimmy the greatest! Illus. by Rafael Yockteng; Translated by Elisa Amado. Toronto: Groundwood Books/ House of Anansi Press.

    Jimmy the Greatest! A Colombian author and illustrator have crafted for young readers an inspirational story about a boy named Jimmy who thinks he wants to become a boxer. One small gym nestles among the many ramshackle houses in a small Caribbean village by the sea. Once Jimmy starts to hang out there, Don Apolinar, the gym’s owner, gives him a box of books and newspaper clippings about Muhammad Ali, often called “the greatest” by boxing fans. Jimmy reads all about the famous American boxer and starts running, shadow boxing, and training to become a boxing contender, even though someone has stolen his shoes. As Jimmy spends time learning the sport, he also notices that many villagers, including the gym’s owner, wish to leave their small village to find a better life. Jimmy discovers something about himself and decides to stay in the village and manage the gym for the community, even adding a library. Although young sports fans will enjoy this book, it is also a reminder to take pride in what are doing, enjoy the job you have chosen, and find pleasure in your surroundings. The 2010 Spanish edition of this book, Jimmy el más grande, has been nominated for the Best Books of the Year list by Venezuela's Banco del Libro.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Hughes, Langston. (2012). I, too, am America. Illus. by Bryan Collier. New York: Simon & Schuster Books for Young Readers.

    I, Too, Am AmericaIn this visually attractive book, illustrator Bryan Collier has artistically interpreted the 1925 poem by Langston Hughes, “I, Too, Sing America.” The book opens with a train whizzing along, allowing the visual images to tell the story of the Pullman railway porters. Relying solely on the sparse lines of Hughes’ poem, the Pullman porters’ story also unfolds pieces of African American history. As the porters clean up the cars after passengers have disembarked, they throw the debris, newspapers, books, and jazz records from the caboose. Field workers and others find these castoffs and learn more about their own history. Using the American flag “veiled” throughout each page, Collier depicts aspects of African American life. In the final scene, a young boy and his mother are looking out a train window that is travelling through today. Pair this poetic picture book with Patricia and Fredrick McKissack’s A Long Hard Journey: The Story of the Pullman Porter (2001) for more background information on the porters.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Krishnaswami, Uma (2012).  Out of the way! Out of the way!  Illus. by Uma Krishnaswamy. Toronto: Groundwood Books/House of Anansi Press.

    Out of the Way! Set in a small Indian village, this story that was first published in India follows a young boy who discovers a young tree sprouting in the middle of a path. He places rocks all around the tree to protect it from people traveling along this dusty pathway. As the path becomes a busier track, then a street and eventually a busy road, travelers begin yelling, “Out of the way, out of the way.” As time passes and the young boy becomes a man and the tree grows into a beautiful shady rest spot, a whole new appreciation for the tree develops, as it becomes a place of beauty. This author/illustrator team (yes! two different people with almost the same name) work together to create a story that gets busier and busier over the course of the text. The illustrations become more densely populated with people and activity as the tree continues to grow. Readers will have to look closely to see the passage of time as the little boy becomes a man while the story flows from page to page. This thought-provoking story presents a theme to celebrate progress as well as taking time to enjoy the moment … and the tree. Teachers will appreciate the activity kit and book trailer provided by the author/illustrator team found at the author’s website.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Ravishankar, Anushka. (2012). The rumor.  Illus. by Kanyika Kini. Toronto: Tundra Books.

    The RumorA grumpy fruit seller named Pandurang lives in the Indian village of Baddbaddpur. He is such a grouchy old man that no one really wants to be around him. One day, he coughs up a feather. He tells his wife about this unusual incident and asks her not to tell anyone. Since Pandu’s wife loves a little gossip, she tells her neighbor about the feather; the neighbor, in turn, tells another neighbor, who tells a friend, thus, spreading the feather story throughout the small village. However, each time the tale is told, details in the story change, and the feather gets bigger and bigger until eventually the story being told is that whole trees and birds’ nests are growing out of Pandurang’s mouth. The jewel-toned illustrations add even more humor to the story as Pandu’s face gets bigger and bigger throughout the book. When the story gets back to him, a very strange thing happens. He laughs out loud! Teachers may want to pair this book to with Pass It On by Marilyn Sadler as well as trying out the online Telephone Game activities

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Schmidt, Gary D. (2012).  Martín de Porres: The rose in the desert. Illus. by David Diaz.  New York: Clarion Books.

    Martin de PorresBorn in Lima, Peru in 1579 to the mother of an African slave and a Spanish nobleman, Martín de Porres faced poverty and endured prejudices due to his biracial identity. His mother wanted him to enter the priesthood, but because of his mixed blood he could not. Instead, he offered his services to the monastery where his talents as a healer became well known. Soon his ability to enact miracles made him famous and allowed him to finally be confirmed into the Dominican Order. Eventually, others came to consider him as “the rose in the desert” because of his many acts of kindness toward the poor and suffering. In 1962 he was canonized as the first black saint in the Americas. The beautifully colored illustrations provide an appealing backdrop for this patron saint of interracial justice while the text tells a truly remarkable and little-known story. For a short video and a more detailed look at the life of de Porres, check out the Catholic Church’s biographical background on their website

    - Karen Hildebrand, Ohio Library and Reading Consultant

    GRADES 4-5

    Coury, Tina Nichols. (2012). Hanging off Jefferson’s nose: Growing up on Mount Rushmore. Illus. by Sally Wern Comport. New York: Dial. 

    Hanging off Jefferson's NoseImagine envisioning a sculpture that would take 14 years and countless hours of blasting and carving to complete. This title provides interesting background on how Mount Rushmore emerged from the creative imaginings of Danish-American sculptor Gutzon Borglum to become an enormous rocky tribute to four American presidents. Although Borglum initiated the blasting and carving into the side of a mountain required by the project, he did not live to see its conclusion. When he died, his twenty-nine-year-old son, Lincoln, who had learned how to perform many of the jobs associated with the project, completed the massive project. The book contains fascinating details about how the faces were created from the rocky surface as well as how the crew rigged 500 steps to the mountain’s summit. The illustrations heighten reader interest, showing how the mountain and the presidential profiles dwarf the men climbing around them. Young readers are certain to wonder exactly how often those Presidential visages require a touch-up due to the effects of weather.

    - Barbara A. Ward, Washington State University Pullman

    Harris, Randal. (2012). Tua and the elephant. Illus. by Taeeun Yoo. San Francisco: Chronicle Books. 

    Tua and the ElephantTua often spends her evenings visiting the market near her Thailand home. Everyone greets her in a friendly fashion, sharing food and conversation, and becoming a part of her daily routine. One night, though, Tua stumbles upon a young elephant being abused by two men, Nang and Nak, who most likely stole the creature in the first place. The girl and the elephant bond immediately, and she knows that despite the consequences, she cannot leave it behind. She rescues the pachyderm, brings it home, and christens it Pohn-Pohn. Together, the two set off for an elephant refuge where Pohn-Pohn can live in peace. Along the way, they encounter all sorts of individuals willing to help them avoid the clutches of the men from whom Tua has taken Pohn-Pohn. The book offers glimpses into Tua's way of life as well as showing how men such as Nang and Nak try to take advantage of the country's natural resources, tourists and poor citizens. There are poignant scenes, of course, but there are also scenes filled with humor as Tua continually outwits the former owners of her new friend. Although the conflict about how Tua can keep her promise never to leave Pohn-Pohn while continuing her schooling is resolved rather neatly, the story leaves readers smiling because there are good people similar to those who rally around Tua in the world.

    - Barbara A. Ward, Washington State University Pullman

    Hiranandani, Veera. (2012). The whole story of half a girl.  New York: Delacorte Press.

    The Whole Story of Half a GirlSixth grader Sonia Nadhamuni has a mixed heritage with a Jewish mother and a Hindi father from India. Sonia has attended private school until now when her father loses his job. Public school is not an easy transition as other students question her mixed background by asking questions for which she does not always have answers. Struggling to find the group of friends where she fits best, Sonia waivers between the cheerleaders and the in crowd versus a friend who is not part of this group but whose ideals and sensitivities are more akin to her own. Additionally, her family life is falling apart as her father sinks into a depression and at one point even disappears. While looking for her father, Sonia searches within herself to discover who she really is. Sprinkled with humor and realistic characters and dialogue, the book is sure to appeal to readers who will like Sonia and appreciate the way she thinks through decisions about how to cope with her life. Teachers may want to visit the author’s blog for more background on this debut author for middle grade readers.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Patent, Dorothy Henshaw. (2012). The horse and the Plains Indians: A powerful partnership. Illus. by William Munoz. Boston: Houghton Mifflin Harcourt.

    The Horse and the Plains IndiansFilled with colorful modern photographs and archived photographs and artwork, this nonfiction title traces the bond between Native Americans and horses, a strong connection that continues even today. Not surprisingly, the Spaniards who brought horses to North and Central America were reluctant to allow the indigenous peoples they enslaved and mistreated to own or ride horses; nevertheless, they quickly saw how useful horses could be. The author describes how some First Nation peoples abandoned dogs as conveyors of their possessions once they realized how much more efficient horses were for those purposes. She does not stint in describing how the intrusion of white men and women on the Native American’s territory spelled disaster for their way of life.  As whites moved ever westward, snapping up the land, in some cases, all of the horses belonging to a tribe were destroyed in an attempt to force the members to become more agrarian. The descriptions and images of gear used with horses are quite interesting and insightful. Although fascinating, this book is also heart-breaking in its descriptions of the mistakes that were made and the unfair treatment of so many members of this horse-loving population.

    - Barbara A. Ward, Washington State University Pullman

    Steckel, Richard. (2012). Faith: Five religions and what they share. Photos by Michele Steckel. Toronto, Canada: Kids Can Press.

    FaithWhat is faith? This new picture book explains, “Faith is what is in our hearts and minds. Faith is when you trust something you cannot see or touch, but you believe it exists. Faith helps us feel peaceful and secure” (p. 4). Five of the world’s most widely practiced religions--Buddhism, Christianity, Hinduism, Islam and Judaism--are explored in depth in the book’s pages. Each of these religions has its own special stories, beliefs, spiritual leaders, sacred texts, clothing, symbols, place of worship and rituals. Children will notice that there are common links between each religion and that faith connects us rather than divides us. In addition, there are extension activities suggested throughout the book. For example, on the pages where prayer is discussed, children are given a challenge to “Think of something in your life that has particular meaning for you and create your own prayer” (p. 31). The back matter contains ideas for parents and teachers to promote tolerance and understanding. If we learn about other religions, respect can replace intolerance. 

    - Deanna Day, Washington State University Vancouver 


    GRADES 6-7

    Ellis, Deborah. (2012). Kids of Kabul: Living bravely through a never-ending war. Toronto: Groundwood Books. 

    Kids of KabulAfghanistan has been at war for decades, affecting the Afghan people on many levels. The country’s vulnerable portion of the population, women and children, has been affected in unexpected ways. Millions of Afghans have died, been injured, maimed, displaced and terrorized during the years of war. For this book, Deborah Ellis interviewed two dozen Afghan children who talk honestly about their lives. Each vignette begins with an introduction that includes some background information and an accompanying photograph of the interviewees and their homeland. Most of the interviews took place in homes, community centers or schools. These heartbreaking stories discuss how this never-ending war has caused poverty, child labor, abuse, addiction, death and illiteracy. Nevertheless, every child interviewed retains hope that Afghanistan will survive and that their generation will be the one to create change for their family and country. In addition to the often heart-rending yet hopeful stories, the book contains a glossary and a list of organizations and books to gain further information. 

    - Deanna Day, Washington State University Vancouver

    Engle, Margarita. (2012). The wild book. New York: Harcourt Children’s Books.

    The Wild BookOnce again author Margarita Engle draws on her Cuban heritage for a story about her grandmother at the turn of the century. Unable to learn how to read, her grandmother, Josefa, called Fefa, was diagnosed with “word blindness,” what we would call dyslexia today. As she struggles with this disability, her mother gives her a blank notebook where she can sketch images and jot letters or words. This gift becomes her wild book. Fefa’s mother loves words, especially poetry, and she tells Fefa to “Throw wildflower seeds/ all over each page” (p. 6). Offering hope to her daughter, she encourages her to “Let the words sprout/ like seedlings,/ then relax and watch/ as your wild diary grows” (p. 6). Fefa eventually learns to make sense of the letters that comprise words, a precursor to the ability to read, which comes a bit later. This spare novel in verse is set at a time in Cuban history where bandits roam the countryside and kidnap children for ransom. When one of those bandits gets a little too close, a poem saves Fefa and her family.

    - Karen Hildebrand, Ohio Library and Reading Consultant

    House, Silas and Neela Vaswani. (2012). Same sun here.  Somerville, MA: Candlewick Press.

    Same Sun HereTwo authors each take on the voice of a different character through letters as pen pals; one is Meena, a recent immigrant from India to Manhattan, and the other is River, a young boy from Kentucky who is part Irish and a little bit Cherokee. As the two become friends through their letters, they learn that despite their seemingly vastly different backgrounds, they have much in common. Both live in poverty; both have a deep affection for their grandmothers; both grandmothers share a love of nature and the environment; both have fathers who work far away, and both have mothers who are having difficulty coping with challenging situations. As Meena and River communicate and help each other through some of the tragedies that come their way, they become closer with each letter, eventually becoming each other’s best friend as they ponder everything from politics to environment to family and life styles. Teachers can find a discussion guide on the Candlewick website. 

    - Karen Hildebrand, Ohio Library and Reading Consultant

    Marsden, Carolyn. (2012). The white zone. Minneapolis: Lerner/Carolrhoda Books

    The White ZoneWar can make even the best of friends into enemies, and in the case of cousins Nouri and Talib who live in Baghdad in 2007 amid warfare, the conflict escalates quickly to unexpected levels. American troops patrol the city's streets, and strife between two religious sects, the Sunnis and the Shiites is disrupting any peaceful moments the city's residents manage to find. Nouri, a Shiite, blames his cousin, Talib, who is half Sunni, for the death of his uncle. At first, he internalizes his anger but eventually he shuns Talib and offers him only tiny amounts of food at family gatherings. Eventually, though, Nouri and his friends mount an intimidation campaign and throw a rock through the family's window. The book traces the hatred that grows and dissipates on the parts of both boys, once friends, that is only dispelled during an unprecedented snow storm. The author's sure-handed treatment of the boys’ vacillation between hatred and forgiveness make it clear that some actions are difficult to forgive. Both boys move quickly from being upset about a loss in the family to looking for someone to blame. The back matter describing the snowfall that temporarily eased tension between the two sides added to the story’s appeal, illustrating vividly the consequences of war, violence, and hatred on children as well as adults.

    - Barbara A. Ward, Washington State University Pullman


    Rosenthal, Betsy R. (2012). Looking for me. New York: Houghton Mifflin Books for Children.

    Looking for MeEleven-year-old Edith Paul often wonders if there is any place for her among a family with 12 children. Most of the housework and caregiving falls on her. When her teacher asks the class to write poems about their families, she is annoyed at first because she will need to write a lot more than her classmates because of her family’s size. This novel in verse, based on the growing up experiences of the author's own mother whose mother emigrated from Russia, highlights the tension between a family’s economic survival dependent on child workers and the importance of education. It also touches on prejudices toward Jews, Anglicizing the family name, bullying in school, and an unexpected death that leaves Edith thinking her family is not large enough, after all. Despite her father's lack of empathy for her goals, Edith eventually finds a way to reach her goals, thanks to support from an unlikely source. The book’s somber moments are offset by descriptions of hijinks such as the peanut butter bullet battle between the boys and the girls that leads to a ban on peanut butter in the house. Back matter includes family photographs, a glossary, and a nod to the author's relatives for their storytelling. This is an appealing story from a new voice with something important to say about finding one's way.

    - Barbara A. Ward, Washington State University Pullman

    GRADES 8-12

    McCormick, Patricia. (2012). Never fall down: A novel. New York: Balzer + Bray.

    Never Fall DownEleven-year old Arn Chorn-Pond’s village is overcome with soldiers who march everyone into the country. In this story based on actual events in Cambodia, Arn is separated from his family and soon learns that he and the other children are to be used as slave labor. Survival is tough on many fronts including the constant hunger since the prisoners are given only a handful of rice to eat each day. One day the soldiers ask if anyone can play an instrument. Although he cannot play an instrument, Arn, immediately volunteers and becomes a quick study as he sees this as an opportunity to survive one of the worst genocides of the twentieth century, The Killing Fields of the Khmer Rouge regime. As the war continues, Arn is forced to give up his flute, start carrying a gun and become an actual soldier. Somehow, he survives and eventually makes his way to the United States where he is able to tell his story. Readers may be interested in listening to this NPR interview with McCormick, a National Book Award finalist, about the book. Reading the book almost guarantees curiosity and a desire to learn more about Arn Chorn-Pond. A good starting place with a video can be found at Facing History. Also, read Reading Today's interview with McCormick

    - Karen Hildebrand, Ohio Library and Reading Consultant


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    In Writing, Nothing is Wasted

     | Jun 26, 2012
    TEACHING TIPS
    BY JULIE DANNEBERG
    Jun 26, 2012
     
    When I work with my middle school students as they conduct research projects, I find that often, their most pressing concern is to find out exactly how much (i.e. exactly how little) actual research they have to do in order to complete the assigned project. Of course, being the committed, diligent students we know middle school scholars to be, they explain that they don’t want to “waste” time doing research that they don’t need.

    Ironically, as a writer of both fiction and nonfiction, I often find myself faced with the same dilemma, only from the other side. I love doing research and can easily get caught up in the joy of tracing an interesting anecdote or tracking down a fascinating tidbit. As research or writing projects stretch out longer than I expected, I often find myself worrying that I am “wasting” time doing research that I don’t need, or tinkering with writing that doesn’t need to be tinkered with.

    Whenever I face this dilemma, however, I often comfort myself with the words and sentiment of Richard Bausch, in comments he contributed to a book about writing called OFF THE PAGE. Bausch, a professional writer, assures both the inexperienced and experienced writer that “nothing is wasted.” This simple phrase has become my mantra as I do research and as I write rough drafts and it is the response I use with my middle school students when they are wondering how much is too much.

    In OFF THE PAGE, Bausch tells about the first thing he ever published, a short story. But unfortunately, when he started writing it, he thought he was writing a novel. And he kept writing that novel to the tune of eight hundred pages. And only after he had done all of that writing did he realize that he didn’t have an eight hundred page novel but instead, a short story of less than one hundred pages.

    What did he do? He scraped most of his original work, whittling away the words until he found the story within.

    Obviously, Bausch spent a lot of time writing those eight hundred pages. Obviously, it hurt to let them go. But as told himself, “Nothing is wasted.” All of the writing, thinking, and research that went into his 800-page novel was the necessary knowledge base he needed in order to create the story that he eventually wrote.

    It is good to have the attitude that no research that you do is wasted, even the gathering of facts and information that isn’t put into your final piece. It is good to have the attitude that no writing that you do is wasted, even the writing that you have to throw away. This is an important mindset because it allows you, the researcher and the writer, the freedom, or maybe it is the courage, to take a risk and to invest time and energy and thought into tracking down information that might never get into your article or working on a piece of writing that may never get beyond a first draft. And even if that writing is eventually thrown away, even if that research doesn’t materialize, it pays off.

    How?

    Well, first of all, it is practice. Just as in sports, or music, or math, to get good at writing the writer needs to practice. A lot.

    Secondly, if you believe that everything you write must be good, you won’t be willing to write something bad. And if you aren’t willing to write something bad, than you won’t risk experimenting with something new, or playing around in a new way with something old. You will be stuck writing the same thing over and over again because that is what you know how to do. As we know, it is a risk to step out of one’s comfort zone, but it is only outside of one’s comfort zone that one gets better and learns something new.

    So, how does this thinking translate into the classroom, where you are limited by time and resources and student motivation? I believe that if you, the teacher, understand this concept and truly buy into this philosophy, you will automatically weave it into everything you do and teach in your writing classroom. It will help you, as the teacher, to keep your eye on the process more than, or at least as much as, the finished product. If you operate from this belief you will be more willing to encourage your students to take risks with their writing. You will say things like, “Have you ever thought about doing it another way? Try it and let’s compare the two versions and see which one you like better.” You will reward students who attempt something new even if their attempt isn’t a success. You will know that sometimes even though the writing is not a success, taking the risk always is. You will model this risk taking yourself when you show your students your mistakes or how you played around with a story, telling it from different perspectives or using a variety of formats.

    Another way to weave this philosophy into your writing classroom is to design assignments that encourage students to do more writing than they actually need to complete the assignment that is being handed in. For instance, novelists often write biographies for each of their main characters or write about events or situations that don’t take place in the story, so they know the whole back story for each character before they get started. You could require something like this to be handed in along with the finished fiction project.

    When I’m writing nonfiction and I get stuck, I often take a step back and write about my topic instead of working directly on it. For instance, when writing my picture book, MONET PAINTS A DAY, I wrote a reflection on Monet’s unswerving passion for his art, wondering on paper about where it came from and what fueled it. That, of course, morphed into a reflection on how I could create or follow my passions in my own everyday life, which then morphed into how to develop passion in my students. That thinking and wondering and writing eventually found its way back to my Monet biography in such subtle ways as my word choice when describing Monet’s work habits, and the facts that I decided to put in and those I chose to leave out.

    This kind of additional writing for both fiction and nonfiction is important. Although the exact thoughts or words might never end up in the finished product, the additional thought and research adds depth to what you write because it adds depth to what you think about your topic or your story.

    For me, “Nothing is wasted,” is a core belief I have that shapes my own writing and my teaching of writing. It is something that I hope comes through not only in the words I say but the choices I make, the ways I respond to my students and the assignments I give.

    If you believe it, you teach it—and I believe it!

    Julie Danneberg has taught reading and writing in both elementary and middle school. Currently she teaches 7th grade reading. In addition, Julie is the author of many books for children and young readers, including FIRST DAY JITTERS and her just-released picture book biography, MONET PAINTS A DAY. Visit her website at www.juliedanneberg.com.

    Are you a teacher whose class is participating in the 2012 NaNoWriMo Young Writer’s Program or has in the past? We want to hear from you! Send us an email at engage-membership@/.
    © 2012 Julie Danneberg. Please do not reproduce in any form, electronic or otherwise.


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