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    Putting the Social in Social Media

    By Peg Grafwallner
     | Dec 07, 2016
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    I am a novice at social media. It’s not that I’m opposed to it—quite the contrary—social media, even for all of its perceived negatives, can open up an exciting world to our students and provide them with experiences that some of them only dream of.

    As educators, we are encouraged to use social media in our classroom. Students might write blog posts about what they’re learning, or they might use YouTube to create a podcast, or they might create Twitter accounts for special interest projects.

    Just as we are encouraged to write when our students write or read when our students read, are we using social media to expand our repertoire of learning and are we becoming involved in experiences we once only dreamed of?

    Selfishly, I began tweeting as a way to gain a following for my website. I thought all those who followed me on Twitter would naturally follow my website. I began “following” nearly 1,000 people, assuming they would return the favor. However, I soon realized it was nearly impossible to be a mindful follower or an inspirational communicator if one is following too many people. I soon narrowed my following and, as a result, noticed the same educators joining Twitter chats I joined.

    One name that kept popping up in various educational twitter chats was Robert Ward, a middle school ELA teacher from Los Angeles, CA. During mutual chats, I noticed that his comments were similar to mine and we often agreed on various educational best practices. In addition, I would often receive a “like” or a retweet on my specific comments, most often from Robert. Eventually, when I noticed Robert joining a Twitter chat, I would join that chat, too.

    Recently, Robert published two books: The Firm, Fair, Fascinating Facilitator: Inspire Your Students, Engage Your Class, Transform Your Teaching and its companion workbook, The Teacher Tune-Up. Robert shared this exciting news on Twitter, and I offered him hearty congratulations.

    I have tried for three years to earn a publishing contract and have been turned down more times than I can count. However, when I saw Robert’s good news, I wasn’t bitter or resentful. I was truly happy for him.

    I direct messaged (or DMed) him via Twitter and asked if he could give me some writing tips. What could I do to help move toward that elusive publishing opportunity? What pointers could he suggest that would help make my writing more publishing worthy?

    He messaged back and gave me some great ideas, but his response wasn’t enough. My next question was Can we set up a phone appointment to discuss, in depth, what I could do to get my book published?

    Robert responded, and next thing I knew, we were on the phone, for more than an hour, sharing writing tips and publishing ideas. But the best part was that talking to Robert was like talking to a work colleague, a cheerleader, and a really honest evaluator all at the same time. There was no competitive spirit, just an opportunity to grow together to become the best teachers and learners we could be.

    We have traded blog sources, and he graciously offered to publish one of my original pieces on his site. To reciprocate, I’ve invited him to jointly moderate a Twitter chat with me in March. We have built a social media relationship and, although one might think that a relationship launched on social media site is nothing more than two people trying to “one-up” each other, it’s far more.

    Social media has given me the opportunity to meet someone who I would never have met. It is that profound gratitude that encourages me to build my professional network. I don’t “follow” every educator just to increase my Twitter numbers; I am drawn to a select few who have the same question I do: What can we learn from each other that will help us to support our students?

    I have no doubt that Robert and I will meet someday, maybe at a conference in Milwaukee, a workshop in Los Angeles, or a vacation to the west coast or Midwest. We’ll laugh, listen, learn, and lead, remembering that it all began with a “like”!

    peg grafwallner headshotPeg Grafwallner is an instructional coach with Milwaukee Public Schools. Learn more about Peg on her website.


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    How My ILA Membership Supported My Transition to a District Literacy Coach

    By Staci Kaplan
     | Dec 01, 2016

    LT343_ReflectionsI began a new position as a district literacy coach this fall after 13 years as an elementary school teacher.

    How did I get here?

    It’s largely thanks to the International Literacy Association (ILA), which helps educators move from teacher to leader by facilitating teacher growth through open dialogue about literacy and a commitment to increasing literacy in their communities.

    I first heard the title literacy coach while studying for my master’s in literacy education at Teachers College. However, it was my membership and involvement with ILA that inspired me to become one. I joined ILA in December 2014 and two months later received my first copy of The Reading Teacher. For several days I proudly displayed the journal on my coffee table, too excited to open it. Then on a cold and sunny winter morning, I sat down, coffee in hand, picked up the journal and began to explore. Enthralled, I read page after page.

    In “View From the Chalkboard,” teachers welcomed us into their classrooms. I knew I wanted to do that; I wanted to share. A month later, my first-ever article was accepted for publication. I wrote about my experiences with classroom talk, a practice that transforms a collection of students into a community.

    ILA allowed my voice to be heard and made me realize teachers as leaders matter.

    That was a big moment for me. I changed my focus from being an elementary school teacher for a classroom of students to becoming a teacher leader. I was motivated to dig deeper and find ways to connect with other teachers and make an even greater impact on students’ achievement in literacy. In March 2015, I received my first copy of Literacy Today. I gazed at its full-page advertisement for the ILA conference in St. Louis. I wrote a letter to my administrator requesting funding, it was approved, and off I went. During my four days at the conference, my brain was buzzing with new ways to make a difference.

    After returning, I ran into my principal’s office holding a book I purchased at the conference, telling her how it can help teachers with feedback and goal setting. “Why don’t you give a Lunch and Learn?” she said with a smile. My principal shaped my professional learning plan and, by November, I was surrounded by a group of 15 teachers who all wanted to connect, learn, and grow. Their enthusiasm encouraged me to expand and share with teachers across our district.

    I returned from the ILA conference in Boston in July, this time focusing on literacy leadership and engaging classroom instruction. After hearing Linda Gambrell of Clemson University at the Research Institute, I was inspired to embark on a yearlong mission to increase students’ reading motivation through access, relevance, and choice. I participated in sessions on mind-set, making learning visible, coaching for growth, and thinking like a leader.

    With ILA by my side, I am learning to be a leader who creates knowledge along with administrators, principals, teachers, parents, and students, to be a literacy coach who designs a space with love, hope, trust, and humility.

    From teacher to leader, that is how I came to be here.

    staci kaplan headshotStaci Kaplan, an ILA member since 2014, is a literacy coach for Summit Public Schools in New Jersey. Along with crediting ILA for guiding her in her career, she is also very thankful for the support and guidance of Lauren Banker, principal of Washington Elementary School in Summit.

    This article originally appeared in the November/December 2016 issue of Literacy Today, ILA’s member magazine.

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    Giraffes, Hawaii, and Bloom’s Taxonomy

    By David G. Gardner
     | Nov 22, 2016

    GiraffesFor more than 60 years, generations of teachers have used Bloom’s Taxonomy in their planning and teaching.

    The taxonomy is a means of categorizing the level of abstraction, specificity, and complexity in the questions and tasks we pose to our students. There are six levels in the taxonomy: Knowledge/Remembering,  which is the lowest level and is characterized by simple recall of facts. Next is Comprehension, which includes inference, compare and contrast tasks, and understanding information. The third level is Application, solving problems and using knowledge. Analysis asks students to look for patterns and organize parts. Synthesis is where new learning takes place, using existing knowledge and ideas to formulate new ones and to bring together knowledge and facts from different areas. The final level, Evaluation, is assessing what has been learned, including one’s own ideas.    

    Although all six levels are important, my experience as a mentor teacher, plus discussions with colleagues, revealed that many teachers concentrate heavily on the first three levels (i.e., knowledge/remembering, comprehension, application), neglecting the last three (i.e., analysis, synthesis, evaluation).

    This is unfortunate, because learning does not take place in the first three levels, but in the last three. One reason for this neglect is that many teachers find it difficult to incorporate the entire taxonomy into their planning and teaching. Yes, it can be difficult initially, but if we want to facilitate new learning, using all six levels is critical.

    I offer here a research/writing project, suitable for fifth grade and up, that effectively incorporates all levels of Bloom’s Taxonomy.  The following are the guidelines I gave my students.

    Giraffes in Hawaii

    There are giraffes in Africa but none in Hawaii. You live in Hawaii, and you’ve always loved giraffes. You decide you are going to bring giraffes to live in the wild in Hawaii, but you realize you can’t just go out and bring over a bunch of giraffes. There are many things you have to know, many questions you have to identify and answer first. Once you have the answers to your questions and the knowledge you need, you can decide whether your project will work. Here, then, is your assignment:

    After researching giraffes and Hawaii, write a comprehensive report stating whether you believe healthy giraffes brought from Africa will survive in Hawaii. “Survive” here means three things: they will remain healthy, they will reproduce, and their offspring will remain healthy and reproduce.

    Step 1: Make a list of all the questions you need to answer.
    Step 2: Research “giraffes” and “Hawaii” to answer the questions.
    Step 3: From your research, draw conclusions about the possibility of giraffes surviving in Hawaii.

    Remember: There is no right or wrong answer in this assignment. You will be graded on three things: the quality and completeness of your questions, the quality of your research (these two account for half your grade), and how well you support your final conclusion, that giraffes will or will not survive in Hawaii.

    Compare this kind of task with simply assigning students a report on giraffes or on Hawaii. Either one of these addresses only the first three levels of Bloom’s Taxonomy: knowledge, comprehension, and application. True, the assignment will sharpen research skills and may add somewhat to the student’s overall body of knowledge, but it does nothing to require or even encourage original thinking. Postulating the survival of giraffes in Hawaii, however, requires students to think at all six levels of the taxonomy. They have to know, comprehend, and apply what they know, organize it, relate knowledge from different areas to help them draw conclusions and, finally, assess their conclusions. Even the first step in the assignment, making a list of questions to be answered, requires all six levels. Questions about food, climate, terrain, and predators all require a student to organize information so as to make comparisons between Africa and Hawaii.

    Without question, of all the hundreds, if not thousands, of reports I’ve read as a teacher, “Giraffes in Hawaii” were the most interesting and the ones that demanded the most of my students.

    david gardner headshotDavid G. Gardner is an education professor at Antioch University located in Seattle, WA. 


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    Thinking Like Writers: The Writing Argument Project

    By Arina Bokas and Jessica Cleland
     | Nov 17, 2016

    ThinkstockPhotos-120743420_x300How we approach teaching language arts writing is affected by the influence of the digital era. On the one hand, there is the unprecedented importance placed on writing as a means of connecting, sharing, and relating among people.  On the other hand, the fast-paced nature of our times often results in writing that looks more like a blurry snapshot than carefully crafted art.

    It is no longer enough to teach strategies like the five-paragraph essay for writing success: an introduction, a conclusion, and three body paragraphs, connected by a general idea expressed concisely in a thesis. Students need to gain awareness and understanding about writing and their own role as writers.

    To offer our students an opportunity to access their own thinking about writing and to do so in a multiage setting to garner deeper insight, we embarked on the Writing Argument Project—a multimedia exploration of the changing nature of writing.

    The project

    Eighth-grade language arts students and second-year college students who enrolled in Freshman Composition entered a video dialogue to produce a series of 12 short videos about the role of writing in today’s world and their own lives.

    To make this project important to students, part of their overall grade was assigned to the Writing Argument Project portfolio and participation in video production. The portfolio included written reflections, video contributions, and artifacts that captured students’ attention.

    Every video explored one important question related to writing. As a class, students brainstormed and selected this question, followed by discussions in smaller groups to further assess complexity and decide which specific aspect of the question to include in a video. For example, one video explored the question “What is good writing in the digital age?”Subcategories selected by groups were truth, ethics, speed, and clarity.

    There was minimum direction as to how groups should produce their 20- to 30-second clips. Some groups had each member introduce his or her artifact, some groups selected a spokesperson who combined the ideas from the entire group, and some groups opted to act their ideas out. Clips were recorded by either the instructor or students and then assembled into one video that was shared with their partners.

    When a video was received, it was viewed in class and discussed according to these prompts:

    • How is it similar to the ideas we explored?
    • What new angle/perspective does it bring?
    • How is it allowing us to build our argument further?
    • What question would we want to explore in the next video?

    The format of short videos, without a lot of room for elaboration, encouraged students’ thinking to focus. The multiage setting added to the experience: The college students were amazed by the younger kids’ energy, enthusiasm, and fresh look on things, and the eighth graders benefited from a sense of responsibility to self and others.

    Growth

    As the project progressed, students were getting increasingly excited to both receive a video response from their partners and to create one of their own. Their portfolio reflections captured a shift in both groups’ dispositions towards writing (with certain similarities and differences, most likely due to their ages).

    Here we have a couple examples that show how students started to identify themselves as writers in the 21st century:

    “In this century almost everyone writes every day. It may be a book or an essay for school, but it’s also in the emails we send, the text messages and even just the captions on pictures for Instagram. I might not have a big role in writing in this century, but I do still have one, however small it is.”

    “You don’t have to publish books or even be a gifted writer to be heard and understood. I believe that this is a very good thing—voices are being heard and just about anyone can hear them. Just as anyone can speak, anyone can listen.”

    Furthermore, both groups came to the realization that writing can be a powerful tool for change in the 21st century. However, younger students attached more meaning to writing as a way to affect change than did their college counterparts. As one student recorded, “Writing is a very powerful and effective tool. It can be used for many things, such as starting a local article to bring changes to your town or city.”

    College students, on the other hand, showed a larger shift in their thinking about the writer’s ability to clearly deliver a message to the reader: “This project made me think about how what I write communicates to the reader and gave me more appreciation for the art of writing: to think more, to go more in depth.”

    The Outcome

    The Writing Argument Project made students recognize that no matter how big or small the contribution, it matters. Whether composing an essay for a class, writing a speech to deliver to the United Nations, or simply sending a text about spaghetti noodles, their writing matters. Above all, it is their voice that matters most, and writing is a way to make that voice heard.

    arina bokas headshotjessica cleland headshotArina Bokas, Ph.D., is the editor of Kids’ Standard Magazine and a faculty member at Mott Community College in Flint, MI. She is the author of Building Powerful Learning Environments: From Schools to Communities and a producer of The Future of Learning TV Series. Connect with Arina on her website. Jessica Cleland is an eighth-grade Language Arts teacher and a Culture of Thinking coordinator at Clarkston Junior High School in Michigan. She has presented at professional development conferences around the world.

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    Using the Right Strategy at the Right Time

    By Julie Scullen
     | Nov 16, 2016
    Scullen 111616

    When I tie my shoes, I no longer say to myself, “OK, first make a bunny ear….” I never once took a quiz on the steps of shoe tying in order to prove I understood the bunny strategy.

    Literacy strategies should be just like that: Students are weaned off of them when they are no longer needed or when a particular strategy proves to be unnecessary, impractical, or ineffectual.

    Teachers are always on the lookout for the newest strategy to fix student literacy issues. Websites like Pinterest and Teachers Pay Teachers are full of strategy examples (unfortunately, many pilfered from the work of others and recycled with a new graphics) to distill the process of comprehension and understanding into an acronym. We can teach students to UNRAAVEL, RAP, UNWRAP, SCRIP, GIST, SOAPSTONE, THIEVES, SWBS, KWL, or SQ3R their text. These strategy acronyms are printed on posters, charts, and packets of worksheets. The hope is that if students memorize and follow all the steps in the acronym, “deep comprehension” (feel free to substitute other phrases like “fabulous writing” or “high-level thinking” as needed) will result.

    Consider lit circles. Although intended as a way to help students practice critical conversation about text through various lenses, lit circles can easily become packets of role sheets completed before a mechanical and disjointed conversation—a round robin exercise that is little more than having students read their role sheet aloud. The goal of academic conversation is lost because the completion of the role sheet is what students see as their focus.

    Don’t misunderstand, I think strategies have value.

    However, I worry that a hyper-focus on steps and acronyms distracts from the real purpose of teaching strategies, which is to give students a way to organize information in text and encourage deep thinking when necessary.

    Role sheets, acronyms, and posters are tools, meant to be temporary. The goal is to teach students to understand when a strategy would be helpful and give them options when they need to use them—and when they don’t.

    The bunny strategy for shoe tying might not work for everyone. My little brother learned it as “wrap it around the loop and push it through.” With my own kids, I found it easier to just buy them shoes with Velcro straps.

    Just as every student doesn’t need a reading strategy in every instance. Voracious readers who love to share their ideas do not need to be reminded to stop and annotate every new plot point to prepare for a small group conversation. In fact, stopping the flow of the reading becomes frustrating and cumbersome, doing more harm than good.

    Strategies and acronyms themselves can easily become the learning target instead of comprehension and understanding. Students are sometimes quizzed and tested on the acronyms, not the learning gained from the text. If you give a quiz or assignment to make sure students can label the parts of the strategy, you might be missing the point.

    Let’s look at a couple of examples where the assignment focused more on the parts of the strategy than on the actual learning students should be doing:

    Example 1: “Okay, students! For full credit, you need to find and annotate six examples of places where you visualized and four examples of places you made text-to-text connections. You also need to stop and make at least three predictions as you read your book independently.” What if these particular annotations don’t make sense with the students’ text? What if they get wrapped up in the reading and forget to stop?

    Example 2: “Good morning, learners! We have been talking about context clues. In your packet you need to show you can label what you have learned. Does each passage selection contain a definition/explanation clue, a contrast/antonym clue, or an inference/general clue?” Should the point of the lesson be to identify the clue correctly or to determine the meaning of the word based on the clues given?

    Strategies are meant to be temporary. They are meant to give students a way to organize their thinking, to support and nurture their success until the thinking process reaches automaticity. The goal is to teach students to understand when a strategy might increase their understanding and then allow them to use their chosen strategy flexibly, according to their task and need.

    Here’s my advice for deciding when to use a strategy in class:

    Be selective. Before you introduce a strategy, ask yourself the following questions: How many of your students need this type of strategy? Is it useful in other situations or disciplines? Is it for fiction or nonfiction? Is it too complicated or cumbersome?

    Be flexible. Make sure students know that some strategies will be more helpful to them than others in certain texts. Remind them they can choose what makes sense for them.

    Be careful. Strategies are intended as a means to an end. They are not the end.

    Julie Scullen is a former member of the ILA Board of Directors and also served as president of the Minnesota Reading Association and Minnesota Secondary Reading Interest Council. She taught most of her career in secondary reading intervention classrooms and now serves as Teaching and Learning Specialist for Secondary Reading in Anoka-Hennepin schools in Minnesota, working with teachers of all content areas to foster literacy achievement. She teaches graduate courses at Hamline University in St. Paul in literacy leadership and coaching, disciplinary literacy, critical literacy, and reading assessment and evaluation.


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