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    TILE-SIG Featured Blog: Kevin’s Meandering Mind

     | Apr 13, 2012

    by Joan A. Rhodes 

    Kevin’s Meandering Mind is a fabulous collection of literacy activities from Kevin Hodgson, a sixth grade teacher at William Norris Elementary School in Southampton, MA and Technology Liaison for the Western Massachusetts Writing Project. Readers of this frequently updated blog will find a wealth of classroom literacy activities as well as reflections on the daily events in the lives of students and educators working together to integrate technology and writing.

    Kevin's Meandering Mind

    Resource materials abound both in daily posts and in several sections in the sidebar. In the Workshop Resources section, Hodgson provides links to six resources ranging from Making Stopmotion Movies to using Webcomics in the Classroom. Of particular note, is an informative presentation, Threaded Adventures, which provides step-by-step directions for teaching students to develop Choose Your Own Adventure stories. Readers also have easy access to Hodgson’s personal examples of multimedia work, audiocasts, and student projects. Daily entries are categorized and easy to browse using the topic index in the sidebar.

    Hodgson believes that teachers of writing must be part of the creative process, modeling writing in front of students. Hodgson definitely practices what he preaches. He describes modeling writing in a variety of posts and includes his own work on his blog. Hodgson participates in the annual Slice of Life competition where he has contributed more than 150 entries over the past five years. Kevin’s Meandering Mind also includes an archive of Hodgson’s webcomic, Boolean Squared, which provides a humorous look at learning, teaching and technology.

    Hodgson invites input and comments to his blog. He notes that he wants to share his exploration of writing and teaching together with his readers as companions on a journey. Hodgson shares the challenges of working with adolescents in a digital world by not only describing school events, but by relating how the same issues play out in his family life. A series of posts related to the power of Facebook to create conflict that carries over into the classroom and home life were of particular interest among readers. The posts elicited multiple comments, suggesting that social media issues challenge many educators and parents.

    Fans of the Kevin’s Meandering Mind blog should also take a look at Teaching the new writing: Technology, change and assessment in the 21st-century classroom, a book edited by Hodgson and two colleagues from the University of Massachusetts Amherst, Anne Herrington and Charles Moran. No doubt, the text will offer additional creative means of incorporating technology with writing instruction!

    References:

    Herrington, A., Hodgson, K. & Moran, C. (2009). Teaching the new writing: Technology, change and assessment in the 21st-century classroom. New York, NY: Teachers College Press.

    Joan Rhodes is an Associate Professor and Chair of the Reading Program at Virginia Commonwealth University.

    This article is part of a series from the Technology in Literacy Education Special Interest Group (TILE-SIG).

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    Going Green with Children's Literature

     | Apr 11, 2012

    Later this month we will be celebrating Earth Day on Sunday, April 22, 2012. This week’s column from the International Reading Association Children's Literature and Reading Special Interest Group (CL/R SIG) promotes environmental stewardship through children’s literature. Helping children and young adolescents connect, experience and learn how they can make a difference in the environment is intertwined in all of these titles. 


    GRADES K-3

    Beard, Alex. (2012). Crocodile’s tears. New York: Abrams.

    Croc Tears

    Concerned because Crocodile is lying in the sun by the Mburu River with tears in his eyes, Black Rhino and Tickbird wonder what’s bothering him. Since they are leery about approaching him, they decide to ask the other animals. After much searching, they find Golden Eagle who offers his thoughts before sending them looking for Elephant who, in turn, sends them looking for Tree Frog. Their journey continues as each animal provides hypotheses but no real answers as to why Crocodile might be crying. They all agree that perhaps he misses the trumpeting of elephants, the tree frogs’ singing or possibly the patterns of butterflies’ wings. Eventually, Black Rhino bravely approaches Crocodile and receives a surprising but practical answer. The story has a traditional tale flavor to it, complemented perfectly by the pen, ink, and watercolor illustrations. Young readers will enjoy the repetitive nature of the story as Black Rhino and Tickbird seek answers to their questions, but they will also appreciate the book's implied message about endangered species and habitat. Back matter includes an Author’s Note describing Kenya’s Shompole Camp, an animal preserve that will benefit from the book’s sales, and a Glossary of Animals with photographs and thumbnail sketches describing the status of the threatened animals. 

    - Barbara A. Ward, Washington State University Pullman

    Brouwer, Sigmund. (2011). Justine McKeen: Queen of green. Illus. by Dave Whamond. Victoria, Canada: Orca.

    Mckeen

    This novel is perfect for beginning readers because it includes illustrations and eleven brief chapters. The book begins with the school bully, Jimmy Blatzo, depositing a juice can in the garbage. Justine digs through the trash to find the can and puts it in a recycling bin. This infuriates Jimmy, “You made me look bad. I’m not letting you get away with this” (p. 9). Justine responds to him in kindness and gives him brownies. Later she even asks for his help and explains to her friends, “When you criticize people they get defensive, it’s better to ask them for their help” (p. 42). Sprinkled throughout this book are environmental facts such as how much water is wasted when there is a leaky faucet and how farmers in Argentina are measuring the methane cows produce. Along with some friends, Justine builds a plastic-bottle greenhouse to grow vegetables for fundraising. Included in the back are notes for students and teachers about each chapter. 

    - Deanna Day, Washington State University Vancouver  

    Buchanan, Jane. (2012). Seed magic. Illus. by Charlotte Riley-Webb. Atlanta, GA: Peachtree.

    Seed

    Neighborhood children and Rose are looking for something beautiful in the city like the pictures of gardens they see in library books. The wheelchair bound, crazy Birdman in the park feeds seeds to the pigeons and the children wonder how he finds beauty and pleasure in that. He convinces Rose to take a handful of seeds home and place them on her windowsill and watch what happens. Through the ridicule of her brothers Natty and Toby, Rose is patient but skeptical. Then one day, birds discover the seeds and birds of all colors flock to the windowsill pecking for their dinner as they eat the seeds. The flash of wings is a beautiful and colorful sight as the illustrations use bright vivid acrylic paint and broad brushstrokes to portray the color and motion. 

    - Karen Hildebrand, Ohio Library & Reading Consultant

    Drummond, Allan. (2011). Energy Island: How one community harnessed the wind and changed their world. New York: Farrar, Straus and Giroux. 

    Energy Island

    So many times, it seems as though the world’s problems are insoluble, but this delightful picture book describes how one community on a small island in Denmark solved its reliance on nonrenewable energy. Now often called Energy Island because of the changes, Samso astoundingly--and energy-efficiently--reduced its carbon emissions by 140 percent in 10 years. No longer dependent on the nonrenewable fuel that had to be shipped to the island, its citizens now harness the wind and the sun and rely on biomass furnaces for their energy needs. The repetition of the apt phrase "Hold on to your hats!" and the appealing cartoon illustrations with smiling, if wind-blown citizens, offer an appealing, eco-friendly message offering alternatives to reliance on nonrenewable energy sources. Green sidebars on several pages provide additional information, and the author's note explains his own interest in telling this particular story. The fact that a teacher spearheaded the government's energy independence project adds to its appeal, making the book’s message even clearer: It could happen here, too, after all. 

    - Barbara A. Ward, Washington State University Pullman 

    Peck, Jan & Davis, David. (2011). The green mother goose: Saving the world one rhyme at a time. Illus. by Carin Berger. New York: Sterling. 

    Mother GooseThis is Mother Goose for Earth Day! With thirty very eco-friendly reworked Mother Goose rhymes, this collection of familiar poems makes a strong statement for recycling, ecology, water, light bulbs and other environmental concerns.  Authors Davis and Peck have teamed up to rewrite such tales as Little Boy Green, Old King Coal and the squeal of the three little pigs as they re-re-recycle all the way home. Carin Berger’s collage illustrations use many recycled materials, found art and recycled paper to support the text. Use with National Geographic Kids Green Tips for a science and literature connection:
    http://kids.nationalgeographic.com/kids/stories/spacescience/green-tips/

    - Karen Hildebrand, Ohio Library & Reading Consultant

    Walsh, Melanie. (2012). 10 things I can do to help my world. Somerville, MA: Candlewick. 

    10 Things

    Through eye-popping colorful acrylic illustrations, this simple book shows ten different green-friendly actions that can save energy and reduce the human carbon footprint. For instance, readers are reminded to turn off lights when they are not in the room or turn off the faucet when brushing their teeth. Each right-hand page flips up or down to reveal how that action can be kind to the Earth. Even the book itself is made from 100 per cent recycled materials. After reading this simple title, surely the least environmentally savvy individual will have no excuse for not taking at least one step to make a difference in the world. 

    - Barbara A. Ward, Washington State University Pullman   

    Yezerski, Thomas F. (2011). Meadowlands: A wetlands survival story. New York: Farrar, Straus, and Giroux. 

    Meadowlands

    The ability of human beings to heal or destroy is particularly evident in the inspiring story of the recovery of New Jersey’s 20, 000 acre Meadowlands. These wetlands were once home to several plant and animal species until industrialization changed all that. Concerned that the once-environmentally healthy area had become an ecological disaster, a dumping ground for trash and toxic industrial waste, several activists, government organizations, and regular folks helped the area recover. The turn-around began in 1969 once the state placed an embargo on dumping. Four decades later, the area consists of industry, housing, and businesses co-existing with 8,200 acres of wetlands, waterways, and open spaces, offering hope for the Earth's future. The text and pen-and-ink watercolors portray the domino effect that occurs as pollution is filtered from the water and soil, encouraging insects, birds, and fish to return to the area. The area’s recovery comes full circle with the encouraging birth of an osprey in a nest in the Meadowlands for the first time in several decades. Beautiful thumbnail illustrations of birds, plants, and buildings are drawn all across the book's border, some of birds, plants, and buildings, all with some significance to the environmental story being told here. 

    - Barbara A. Ward, Washington State University Pullman   

    GRADES 4-7

    Burns, Loree  Griffin. (2012). Citizen scientists: Be a part of scientific discovery from your own backyard. Photographs by Ellen Harasimowicz. New York: Henry Holt.

    CitizenWhat is a citizen scientist? The book opens with the definition “the study of our world by the people who live in it…All men, women and children who use their senses and smarts to understand the world around them can be citizen scientists” (p.5). Each chapter is divided by season and suggests projects for kids to become involved in like spring frog counting; summers photographing ladybugs, winter bird counting or fall tagging of monarch butterflies. Excellent photographs, diagrams, sidebars, and checklists make this book alive with information and intrigue. Collecting animal data with this hands-on approach gives the research process a life beyond a textbook or Internet. Take this book a step further and check out The National Wildlife Conservation website for the Citizen Scientist Program: http://www.nwf.org/Wildlife/Wildlife-Conservation/Citizen-Science/Citizen-Science-Programs.aspx or explore the author’s Research Trips at her website: http://www.loreeburns.com/research/trips

    - Karen Hildebrand, Ohio Library & Reading Consultant 

    Christie, Peter. (2012). 50 climate questions: A blizzard of blistering facts. Illus. by Ross Kinnaird. Toronto: Annick Press. 

    50 Climate Questions

    The six chapters in this informative but amusing book answer the burning questions many young readers have about climate changes, providing historical perspective on an issue that is a hot topic now, but actually has been important throughout Earth’s history. The questions and answers are provocative and intriguing, and the cartoons that accompany the text guarantee its kid appeal. Questions and answers, typically a page or two in length, range from the importance of gas, “planetary flatulence” (p. 5) as the author calls it, to the role of whale waste in fighting global warming. Even adults will be able to learn something from this unique approach to an ever-increasing environmental problem. Back matter includes an index, a bibliography, and suggestions for further reading. 

    - Barbara A. Ward, Washington State University Pullman   

    Kooser, Ted. (2012). The house held up by trees. Illus. by Ted Klassen. Somerville, MA: Candlewick.

    House

    Former American Poet Laureate (2004-2006) Ted Kooser turns his writing to the picture book genre. A young father and his two children live in an isolated house surrounded by woods. Father works diligently to keep the forest seedlings from sprouting in his year and spends years keeping his lawn free of the forest debris. As the children grow up and leave home and the yard work becomes too much for the father, he, too, eventually moves on leaving the house abandoned. Over time, the forest encroaches and the seedlings sprout into young trees. Trees sprout and blossom and grow right next to the house eventually lifting the house into its branches and continue to reach toward the sky. At the end of the story with the soft and muted colors of artist Ted Klassen, this quiet and gentle story speaks to the passing of time, the young and the old, and the results of continued growth with time. By the end of the book the reader is looking up through the trees at the house held up by trees. 

    - Karen Hildebrand, Ohio Library & Reading Consultant

    GRADES 6-8

    Hiaasen, Carl. (2012). Chomp. New York: Knopf Books for Young Readers.

    Chomp

    Middle grader Wahoo Cray has a rather unusual home life shared with his father Mickey’s monkeys, turtles, raccoons, snakes, and a twelve-foot long alligator named Alice. The family has fallen on difficult financial times, forcing Mickey to agree to allow a reality show to film some of the animals on his property. But the star of the show, Derek Badger, is all about showmanship and his own ego. Given to ordering around anyone near him and known for devouring some of the creatures he encounters on his faked adventures, Derek is determined to wrestle Alice. The battle doesn't turn out the way he expects, and the crew for the show moves on to another Florida location. Derek is beyond ridiculous with his spray-on tan, arrogance, pretentiousness and sweet tooth. Once Derek’s so-called wilderness reality show hires the Crays as consultants for their airboat trip through the Florida waterways, things go from bad to even worse. Wahoo’s classmate, Tuna, who is on the run from her abusive father, comes along with them, prompting her own father to track her down. Once Derek becomes convinced that he has contracted rabies from a bat he tried to eat, he heads for the Florida wilds. The paths of the two fathers inevitably cross, leading readers on a merry chase through the Everglades. The passages describing how the Everglades and portions of Florida have become overrun by exotic species released into the wild by their former owners after becoming too large to handle clearly show how humans’ careless actions have once again wreaked havoc on the environment. 

    - Barbara A. Ward, Washington State University Pullman

    GRADES 8-12

    Davies, Nicola. (2011). Gaia Warriors. Somerville, MA: Candlewick.

    GaiaFirst published in England in 2009, this is an updated handbook on the study of climate change and provides a wealth of information. Starting with the distinction between weather and climate and based on the Gaia definition posed by scientist James Lovelock, author Nicola Davies, a zoologist, explains the impact and eventual consequences of climactic change. The book offers a plethora of ideas to make the world a better and “greener” place to live for populations today and in the future. Profiles of people around the world who are making changes in lifestyles offer recommendations for others to help preserve our planet. The design and layout of the book make it very teen reader friendly and the author has given lists of resources to help readers find extended information. http://www.facebook.com/pages/Gaia-Warriors/172922985348

    - Karen Hildebrand, Ohio Library & Reading Consultant




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    Young Adult Book Review: Where Things Come Back

     | Apr 10, 2012

    by Judith Hayn

    Whaley, John Corey. Where Things Come Back. New York, NY: Putnam, 2011.

    Where Things Come Back

    Cullen Witter’s summer before his senior year in high school in small town Lily, Arkansas, opens with his identification of his cousin’s body, lying dead from an overdose in a morgue. From then on, the plot takes a fantastic ride into Cullen’s world, including his vivid imagination. An obsessed outsider shows up seeking the extinct Lazarus woodpecker, and then Cullen’s sensitive younger brother disappears. Woven into this is the story of a disenchanted teen missionary in Africa. How does this relate to Cullen and his fixation with a local town beauty and the temptation of a newly separated young woman, both exiles returning home? His best friend Lucas stands by Cullen throughout, but will this be enough to convince him that perhaps he can leave Lily, or will he, too, come back? Whaley won the Morris Debut Award and the Printz Award for Excellence in Young Adult Literature; this book offers a challenging, emotional ride for the reader. 

    Dr. Judith A. Hayn is an Associate Professor at the University of Arkansas at Little Rock.

    This article is part of a series from the Special Interest Group Network on Adolescent Literature (SIGNAL).


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    TILE-SIG Feature: In Defense of Narrative Texts and Online Tools For Composing Them

     | Apr 06, 2012

    by Greg McVerry 

    As curricula and classrooms transform to address the Common Core State Standards, our students will be better served with an increased focused on informational texts. In addition, I have written that when we discuss composing with digital texts and tools, the focus is too often on narrative texts. 

    Yet now I find myself, in the wake of a concentrated effort to limit the use of stories in schools, to come to the defense of the narrative. This, of course, includes the use of digital texts and tools.

    Bruner defined literature as “an instrument of freedom, lightness, imagination, and yes, reason. It is our only hope against the long gray night.” I agree. There is no better approach to understanding the human condition than through literature. I do not, like some national consultants who authored the Common Core, want to prepare students for the “real world” where “no one cares what you think or feel” (quote adapted to remove expletive).

    Instead I use literature to shape my students’ understanding of themselves and their world. I use literature so students can connect with the conflicts that capture the essence of humanity. I use literature in my classroom because it teaches my students what it means to be. We need to stand in defense of narrative texts. It is our only hope, “against the long gray night.”

    Introducing Plot Structure with Online Composition Tools

    I often use online composition tools to introduce plot structure to my students. I find this can add a fresh look to an issue many readers and writers struggle with.

    Google Search Stories

    For older students, who may be exploring how characters, events, and setting affect conflict and resolution, I use Google Search Stories. This tool allows you to create a short video by simply inputting text into a story maker. The tool then spins the tale and populates the story with images of search results from a variety of tools. 

     

     

    I have my students begin by first choosing a conflict and resolution. We then create a search story together. I then have them complete your standard plot organizer for the story we just created.  Finally they brainstorm their own story, complete a plot organizer, and then adapt the story to the search story maker.

    My Story Maker

    For younger students, my favorite tool for composing online narrative texts is My Story Maker from the Carnegie Library of Pittsburgh. The tool is a great way to introduce digital narratives to emerging readers and writers.

    Basically the story is authored with your students. They choose a character and a conflict. Then the authors can manipulate the characters on the page. As they add elements, the sentences are written for the students. It is a great tool to model plot structure. More importantly, the students can get a special access code to an online version of their story and share it with friends and family for up to a month after it’s been created.

    Greg McVerry is in the Department of Education at Southern Connecticut State University.

    This article is part of a series from the Technology in Literacy Education Special Interest Group (TILE-SIG).

     

     

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  • Come with me on a journey back in time to one of my favorite teaching moments ever. It was a beautiful spring day and despite the glorious distracting sunshine outside our window, my classroom was abuzz with the sounds of learning. My read aloud that day? Genius. That lesson on making connections across texts? A grand slam. The class project for the science fair? Someone show me the Nobel Prize.
    • Quiet! Teacher in Progress

    QUIET! Teacher in Progress: Rethink How You Think about Yourself

    by Mrs. Mimi
     | Apr 05, 2012
    Being a teacher means embracing constant change. Yet all too often, teachers are told when, how and why to change. In this monthly column, Mrs. Mimi takes on creating change for herself by rethinking old practices and redefining teaching on her own terms.

    Come with me on a journey back in time to one of my favorite teaching moments ever. It was a beautiful spring day and despite the glorious distracting sunshine outside our window, my classroom was abuzz with the sounds of learning. My read aloud that day? Genius. That lesson on making connections across texts? A grand slam. The class project for the science fair? Someone show me the Nobel Prize. The four thousand inevitable classroom interruptions? Handled. Without batting an eye.

    That magical day, the classroom organized itself, papers found themselves graded and filed, and the photocopier was working. And there wasn’t even a line!

    I walked home that day half expecting birds to land on my shoulder as I burst into song.

    What really happened? I went home to Mr. Mimi, who asked about my day, and said, “It was amazing.” To which he replied, “Because you’re amazing.” (Don’t you just love him?) To which I replied, “No, it was the kids. They’re amazing.”

    Most teachers I know are extremely self-deprecating. We love to joke about how many chocolates we’ve eaten off the secretary’s desk (“Seriously, I am such a PIG!”), make fun of ourselves when we accidentally pack up the kids 20 minutes early (“Guess I need a lesson in how to tell time!”), and put down our own profession constantly (“It’s not like rocket science.”).

    How many times have I overheard (or been a part of) the following conversation:

    Teacher 1: That lesson was amazing! I loved how you incorporated that read aloud.
    Teacher 2: Oh, well, my colleague and I wrote that lesson together.
    Teacher 1: It was a great choice of read aloud. Such a lovely mentor text!
    Teacher 2: Yeah, well, you know, the librarian pointed it out to me.
    Teacher 1: And your kids! They were so engaged!
    Teacher 2: I guess it’s just one of those days. Tomorrow will probably be a mess…

    Hey, Teacher 2? JUST SAY “THANK YOU.”

    Yes, your colleague worked on the lesson with you and yes, the librarian showed you a great book, but YOU made that lesson sing with your fabulousness. Own it.

    You need to own it. Not only for your sense of self but for the kids. (I know. I just pulled the “do it for the kids” card…one of the lowest cards to pull on a teacher. Please know that I would not pull this card without just cause.)

    As teachers, we need to own our expertise and not be so ready to throw the baby out with the bathwater every time a new-fangled curriculum or mandate comes along. Own what you know. Own your years of experience, your successes, your institutional knowledge. Own that “special something” that makes our job indescribable and impossible for anyone who has not walked in our shoes to understand.

    Oh, and can you own it fast? Maybe you haven’t heard, but this little thing called The Common Core State Standards for English Language Arts and Literacy is coming and it’s already getting off the exit and is like ten minutes from your house, so you might want to roll out the welcome mat and put a fresh pot of coffee on.

    Read the standards for which you will be responsible. I mean, really read them. Then read the standards for the grade levels above and below you. Now, get out your highlighter and/or favorite teacher pen (because I know you have one) and take notes. Underline words. Circle stuff. Do whatever you have to do to understand what is being asked of us in a deep, knowledgeable way.

    And then, with the all the confidence you have mustered from owning what makes you a master of your craft, come to the table with a plan, an interpretation of the standards, a way of reaching this goal, something. Save the gossip and kvetching for a glass of “soda” with your colleagues (because you know Mrs. Mimi understands your need to vent, and vent you shall).

    Stand up to own this change before someone with a power tie comes along and owns it for us.

    Mrs. Mimi is a pseudonymous teacher who taught both first and second grades at a public elementary school in New York City. She's the author of IT'S NOT ALL FLOWERS AND SAUSAGES: MY ADVENTURES IN SECOND GRADE, which sprung from her popular blog of the same name. Mimi also has her doctorate in education from Teachers College, Columbia University.

    © 2012 Mrs. Mimi. Please do not reproduce in any form, electronic or otherwise.
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