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  • jane austenJudith Hayn from SIGNAL reviews a spy story for young teens and tweens and a book for older teens who enjoyed Sense and Sensibility.
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    Young Adult Book Reviews: Ruby Redfort Take Your Last Breath and Jane Austen Goes to Hollywood

     | Jun 11, 2013

    by Judith Hayn

    Child, L. (2012). Ruby Redfort take your last breath. Somerville, MA: Candlewick Press.

    McDonald, A. (2013). Jane Austen goes to Hollywood. Somerville, MA: Candlewick Press.

    ruby redfortA recently published book for middle school girls, recommended for summer reading fun, features heroine Ruby Redfort—the most recent Lauren Child character to star in her own series. Ruby at 13 is a full-fledged Sprectrum secret agent due to her amazing skills as a code cracker and her performance in previous adventures. This escapade is set in the mysterious waters off the coast of an English village where Ruby lives. A search for sunken treasure, attacks by nefarious pirates, unexplainable oceanic behavior, whispering voices speaking only to young people, and murderous villains beset Ruby as she tries to solve the puzzles and save some lives. She is aided by the family “butler” Hitch, her Spectrum mentor and by Clancy, her best friend who is the only outsider who knows about her employment. The plot moves at a wicked pace, but Ruby is the driving force of the story with her predilection for irreverence, along with her ever-present curiosity. Tweens and young teen girls will adore Ruby and this sea saga filled with predictable and unpredictable perils; an interactive website helps the reader connect and join the hunt.

    jane austenOlder teens will lap up Lauren Child’s adaptation of Sense and Sensibility and appreciate the two sisters who relive the familiar story, with just enough differences exist to keep the reader guessing. Grace and Hallie lose their father twice, first to a gold digging young step-mother and a new baby brother; then Dad dies unexpectedly. He has no will, so Portia tosses the girls and their flighty artist mother out of their San Francisco mansion. Mom’s wealthy cousin/TV producer Auggie and his youthful former starlet wife lend them a fabulous guest house, but the family must move to L.A. At 16, Grace is quiet and studious, always the peacemaker, who has fallen for Portia’s younger brother in what seems to be unrequited love. Older sister Hallie is the tempestuous drama queen who flips over a rising rock star, and her adoration derails her quest to be an actress. The plot twists and turns in true Jane Austen fashion, providing a rollicking and relaxing vacation read.

    If you like the way books like these reach out to teens, join SIGNAL, the Special Interest Network—Adolescent Literature, and receive YAL themed journals with more reviews and teaching ideas.

    Dr. Judith A. Hayn is an associate professor at the University of Arkansas at Little Rock.

    This article is part of a series from the Special Interest Group Network on Adolescent Literature (SIGNAL).

     

     

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  • Learn what a "MOOC" is and how to use them to learn to develop your online identity, your classroom website, and your own content.
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    TILE-SIG Feature: Teachers as Composers, or “Makers” of Online Information

     | Jun 07, 2013

    by W. Ian O'Byrne

    We often spend time discussing ways to embed reading and writing instruction into classroom activities. As an extension of this work we try to identify ways to embed digital texts and tools into these literacy activities. The posts from Reading Today Online are an excellent resource to think critically about possible ways to enhance teaching and learning. For this post I would like to discuss ways that we can empower teachers as composers, or "makers" of online information.

    Much of the work integrating online information into the classroom consists of reading online, multimodal content. Writing, or constructing online content is a great way to turbocharge classrooms using digital texts and tools. Of course there are numerous challenges and concerns when having students construct, make, or write online information. I think the first step should be having teachers initially compose, or "make" online information for the classroom. I have argued that teachers should not only have an online identity, but also a vibrant classroom website that acts as an educational resource for students and parents. To get started, build your own website for free at Google Sites or Wikispaces. I would then suggest enrolling in a MOOC this summer to build content to add to your website.

    There are numerous MOOCs online that will help teachers build the skill set necessary to empower teachers as makers of online information. For those of you that are a bit suspicious of the label "MOOC"…don't be. MOOC stands for Massive Open Online Course. Some of the MOOCs that I have been involved with lately can be described as free, open, educational resources. 

    I recently have been involved in (and challenged by) the Mozilla TeachTheWeb MOOC. I'm also looking forward to the Making Learning Connected MOOC being developed by the National Writing Project. Finally, I have been developing my own MOOC focusing on ways to authentically and effectively embed new literacies in the CCSS. Some of the content in these classes may seem a bit above what you believe you can do with technology. The power in these classes really is the community associated with the learning environment. Additionally, since MOOCs are open and online, they frequently make all resources and student exemplars available online to view. This means that you can work through in privacy, at your own speed, and use the work of others to scaffold your own progress.

    To get started, I suggest you first start up your own classroom website using a free tool like Google Sites or Wikispaces. Then sign up for one of the MOOCs I listed above to learn this summer. If you’re interested in learning more, or need more support, please contact me at the information below and I’ll help you make the leap.

    teacher learner

    Image CC by opensourceway

     

    w ian o'byrneW. Ian O'Byrne is an assistant professor in the Department of Education at the University of New Haven. You can follow him on Twitter (@wiobyrne), at Google+, or contact him at wiobyrne@gmail.com.

    This article is part of a series from the Technology in Literacy Education Special Interest Group (TILE-SIG).

     

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  • As a classroom teacher (or geek) who finds learning about reading research not only interesting but also imperative in making me a better teacher, I really enjoyed the IRA Outstanding Dissertation Research Poster Sessions. Each year IRA selects ten finalists and one winner of this prestigious award. These finalists are among the next generation of researchers who will influence our profession, and many of their studies have direct implications for classroom practice.

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    A Teacher's Perspective on This Year's IRA Outstanding Dissertation Finalists

     | Jun 07, 2013

    Amy Correa Nell Duke
    by Amy Correa, Chicago Public Schools
    with Nell Duke, University of Michigan
    June 7, 2013

     

    As a classroom teacher (or geek) who finds learning about reading research not only interesting but also imperative in making me a better teacher, I really enjoyed the IRA Outstanding Dissertation Research Poster Sessions. Each year IRA selects ten finalists and one winner of this prestigious award. These finalists are among the next generation of researchers who will influence our profession, and many of their studies have direct implications for classroom practice.

    As a case in point, one of this year’s finalists was

    Reading Across Multimodal Texts in History by Michael Manderino, Ph.D.

    This was a timely study. As the Common Core State Standards emphasize the use of literacy in history and other subjects, language arts and content teachers will need to think carefully about how to scaffold students from general sense making to discipline-specific reading. This study involved examining how high-school students read multiple texts of different modes (audio, video, graphic, written cartoons) as they worked to answer an historical question.

    The researcher studied two students—one a more proficient reader and one a less proficient reader—especially closely. He found that neither student attended much to who produced the sources they were reading, something that is very important to historical reading. This made me think about my own teaching of historical reading. Perhaps I can do more to encourage my younger students to start paying more attention to the production of the sources they read. Another finding was that, as they engaged with more sources, in particular sources beyond written text alone, the gaps between these two students’ learning and performance narrowed. This reminded me of this importance of encouraging students to use a wide range of texts, including video, audio, and graphics, to develop their knowledge related to topics I assign.

    This is only one of many interesting and consequential studies among the finalists for IRA’s Outstanding Dissertation Award. For a complete list of this year’s finalists, as well as the Award winner, please see below.

    IRA Outstanding Dissertation Award Winner 2013

    Byeong-Young Chou, dissertation from the University of Maryland; chaired by Peter P. Afflerbach; dissertation title: Adolescents’ Constructively Responsive Reading Use in a Critical Internet Reading Task

    Abstract: The Internet is central to understanding literacies in the 21st century, and explication of reading strategies situated in Internet settings contributes to both our understanding of reading and our support of students in the Internet age. This study investigated the complexity of Internet reading strategies used by seven accomplished high-school readers. Individual participants read with the Internet, with a goal to develop critical questions about a contemporary, controversial topic. Internet reading strategies were analyzed using participants’ verbal reports, triangulated with complementary data (e.g., computer screen-recordings). Results describe the nature and sequences of readers’ strategies (categorized into realizing and constructing potential texts to read, identifying and learning text content, monitoring, and evaluating), the roles these strategies play in Internet reading, and also the interactive patterns of strategy use among individual readers. Implications of Internet reading strategy use for theory and practice are discussed.

    Byeong-Young Cho's dissertation

    IRA Outstanding Dissertation Award Finalists 2013

    Vicki S. Collet, dissertation from the University at Buffalo, State University of New York; chaired by Mary McVee; dissertation title: The Gradual Increase of Responsibility: Scaffolds for Change

    Vicki S. Collet's dissertation

    Rebecca S. Donaldson, dissertation from the Utah State University; chaired by D. Ray Reutzel; dissertation title: What Classroom Observations Reveal About Primary Grade Reading Comprehension Instruction Within High Poverty Schools Participating in the Federal Reading First Initiative

    Rebecca S. Donaldson's dissertation

    Darcy Anne Fiano, dissertation from the University of Connecticut; chaired by Mary Anne Doyle; dissertation title: Primary Discourse and Expressive Oral Language in a Kindergarten Student

    Darcy Anne Fiano's dissertation

    Lindsay P. Grow, dissertation from the University of Kentucky; chaired by Janice F. Almasi; dissertation title: The Identity Development of Preservice Teachers of Literacy in Field Experiences Considering Their Prior Knowledge

    Lindsay P. Grow's dissertation

    Andrew P. Huddleston, dissertation from the University of Georgia; chaired by Donna Alvermann; dissertation title: Making the Difficult Choice: Understanding Georgia's Test-Based Grade Retention Policy in Reading

    Andrew P. Huddleston's dissertation

    Charlene Martin, dissertation from the University of Oklahoma; chaired by Priscilla Griffith; dissertation title: A Study of Factors that Contribute to Pre-Service Teachers' Sense of Efficacy for Literacy Instruction

    Charlene Martin's dissertation

    Elizabeth L. Jaeger, dissertation from University of California, Berkeley; chaired by P. David Pearson; dissertation title: Understanding and Supporting Vulnerable Readers: An Ecological Systems Perspective

    Elizabeth Jaeger's dissertation is not available on a website, but a summary of it can be obtained by e-mailing Elizabeth at elizabethjaeger56@gmail.com.

    Michael L. Manderino, dissertation from the University of Illinois at Chicago; chaired by Cynthia Shanahan; dissertation title: Reading Across Multiple Multimodal Texts in History

    Michael Manderino's dissertation

    Darcie D. Smith, dissertation from the University of Nevada, Reno; chaired by Shane Templeton; dissertation title: How Do 4th, 5th, and 6th Grade Students’ Categories of Cognitive Reflections in Interviews on Derivational Morphology Compare to Their Upper Level Spelling Inventory Orthographic Knowledge?

    Darcie D. Smith's dissertation

     


    Reader response is welcomed. Email your comments to LRP@/

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  • Recently, I joined seven other authors—Jeffrey Salane, Tui T. Sutherland, Kari H. Sutherland, Sarah Mlynowski, Josanne La Valley, Geoff Rodkey, and Rita Garcia-Williams—on a panel at New York’s excellent Books of Wonder. The title of the panel was “Middle-Grade Adventures.” Within the group, there were some pulse-quickening stories of dragons and renegades, heroes and refugees, mermaids and magic mirrors. These were adventures in the classic sense of the word.
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    Adventures in Growing Up

    by Elisabeth Dahl
     | Jun 06, 2013
    Recently, I joined seven other authors—Jeffrey Salane, Tui T. Sutherland, Kari H. Sutherland, Sarah Mlynowski, Josanne La Valley, Geoff Rodkey, and Rita Garcia-Williams—on a panel at New York’s excellent Books of Wonder. The title of the panel was “Middle-Grade Adventures.” Within the group, there were some pulse-quickening stories of dragons and renegades, heroes and refugees, mermaids and magic mirrors. These were adventures in the classic sense of the word.

    My debut novel, GENIE WISHES, is a relatively quiet book—a slice-of-life book. It’s a ten-year-old girl named Genie’s first-person account of her fifth-grade year, during which she is elected to be her class blogger and must regularly and publicly address the school’s assigned blog theme of Wishes, Hopes, and Dreams. The story isn’t set in a fantastical world. There’s not a single death-defying dash. The only nonhuman creature is a fluffy lap dog named Lulu, and at one point in the book, what’s at stake is a hamster eraser. At first, I wondered how GENIE WISHES and I would fit into this adventure panel.

    But then I remembered that adventures come in many flavors, and that my book contained the kinds of adventures that kids confront every day. The way friendships can change over time and cliques reorganize a class. The way socioeconomic differences you never noticed before can gradually become apparent when you’re older. The way a body can turn hilly and smelly and start sprouting hairs like a Chia Pet, all because you’ve hit a certain age. (Honestly, is there any crazier or more inevitable experience than puberty?) These were, in fact, adventures—adventures in growing up.

    And Genie does take risks in the book—not Indiana Jones-type risks, but risks nonetheless. For instance, putting herself up for class blogger at all is a bit nerve-wracking for this relatively quiet girl. Then she has to figure out what to write about. And later, she has to gather her might to tell the boys in her class what she thinks of some of the pranks they’ve been trying. And though her single dad is a sweet, gentle guy, it still takes some courage to ask him to take her bra shopping or encourage him to sign up for an online dating service. No fifth-grade year, or any year for that matter, is without some degree of risk.

    When I was a kid, I read all kinds of books, books about dark hallways and poltergeists and girl detectives and the rest. But the book I cherished—the only one I reread again and again, in the apartment I shared with my mother—was ARE YOU THERE GOD? IT’S ME, MARGARET. That book felt like a cross between a best friend and an older sister. It delivered exactly what I needed in my own middle-grade years, and even a bit beyond them. It was funny and serious and intimate and revealing. It filled in the outlines of the anatomy books I’d seen, addressing feelings and practicalities that those books did not. ARE YOU THERE GOD? IT’S ME, MARGARET did for me what it did for so many of the other girls I knew. It humored and entertained us while also teaching and reassuring us.

    It wasn’t until I’d finished writing GENIE WISHES that I realized how much it owed to this Judy Blume classic. Although Margaret and Genie confront somewhat different challenges in the course of their stories (for instance, Genie isn’t dealing with the questions of religious identity that Margaret faces, and Margaret is a bit older), the characters share a fairly direct, confessional tone.

    Authors write the books that they’d like to read, and children’s authors are no exception—they’re just writing for the younger selves they remember being. So, because I’ve always loved illustrated books, I also did line drawings to accompany the story, drawings of everything from Genie’s favorite flats to the “little Mom shrine” (a photograph and a bottle of her deceased mother’s perfume) she keeps in her room.

    When I talk to kids who’ve read GENIE WISHES, girls especially, I get the sense that the book has done for them what I hope it would have done for me when I was their age. It has addressed the valid and serious issues that they confront on a daily basis while also providing some levity and reassurance that they have within them what they need to weather change in their lives. It’s a slice-of-life book, and I wanted it to be the most accurate, all-encompassing cross-section of one particular girl’s life that I could make it. Growing up is a part of life, and life is weird and funny and grim and joyous and short and long and tedious and invigorating—in short, it’s an adventure.

    Elisabeth Dahl writes for children and adults from her home in Baltimore, Maryland, where she also works as a copyeditor. GENIE WISHES (Amulet Books/ABRAMS, April 2013) is her first book. Her website is ElisabethDahl.com, and on Twitter she’s @ElisabethDahl.

    © 2013 Elisabeth Dahl. Please do not reproduce in any form, electronic or otherwise.


    5 Questions With... the legendary Judy Blume!

    On a Writer's Journey, Finding a Fellow Traveler
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  • So June is finally here. FINALLY. Or maybe you’re feeling like it sneaked up on you in the dark and shouted, “Boo! I’m here sucker!” scaring the you-know-what out of you as you frantically tried to organize piles and deal with typical end of the year nonsense (read: paperwork). Regardless, June is here and that means so is the end.
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    June Days: At the End, A New Beginning

    by Mrs. Mimi
     | Jun 05, 2013
    Being a teacher means embracing constant change. Yet all too often, teachers are told when, how and why to change. In this monthly column, Mrs. Mimi takes on creating change for herself by rethinking old practices and redefining teaching on her own terms.

    p: Chris Costello via photopin cc
    So June is finally here. FINALLY. Or maybe you’re feeling like it sneaked up on you in the dark and shouted, “Boo! I’m here sucker!” scaring the you-know-what out of you as you frantically tried to organize piles and deal with typical end of the year nonsense (read: paperwork). Regardless, June is here and that means so is the end.

    Isn’t it strange that my life as a student and an educator translates itself into a bizarre notion of what constitutes a year? Most people think about endings in December…I think of December as the middle. Granted, we get to pause a bit and rethink routines or what have you, but when I think of endings, I think of June. June is the time for reflection and taking a deep breath. (December, on the other hand, is about holiday-fueled panic and leaving work in the dark.)

    But back to this year and this particular ending. I don’t know about you, but this year kicked my had its way with was hard. As in, “so hard that I’m not sure I’ll be the same when I come back in the fall to begin another year” hard.

    Unraveling and implementing the Common Core State Standards pushed me to question everything I think about best practices. I mean, those babies are intense. Over and over again, I wondered, “Am I this intense? How can I ensure that I am doing my job and teaching with these standards in mind and at the same time hold on to those parts of my teaching that I believe in the most? Can I see myself through these standards? How do I do this and not lose myself?”

    It felt like I could never do enough. I couldn’t be in enough places at once, read enough books, write enough blog posts, call enough parents, or craft enough original units of study. With so much new-ness (and not enough-ness) this school year, I often was left feeling like I had lost my grip.

    And now that we are at the end, I guess all the soul searching, self-doubt, and confusion feels like it may have been worth something. While I’m not who I was in September (a.k.a, a teacher’s January), I like to think I’m a stronger, more thoughtful version of myself. One that is steeped (we’re talking full to the brim) in the Common Core State Standards, is clearer on the practices which feel good to me and good for children, and is more conscious of the rhythms of teaching and how they effect me (and those who are forced to live with me….sorry, Mr. Mimi!) so deeply.

    I think one of the biggest lessons I’ve learned this year is how far I can bend and just how much I can give to my practice in the classroom. I used to feel like a human pretzel with unlimited energy and willingness to do whatever it takes. No teacher bag was too heavy for my commute home, no booklist too long for me to tackle, no project too intense for me to take on.

    I’m going to let you in on a little secret: There is no way that that life is sustainable or even…sane. Now, let’s not get it twisted—I am not en route to Slacker-ville. I will always stay up too late, read too many children’s books, and spend an unusual amount of time thinking about work. That is who I am. But I also read PEOPLE magazine, love playing Legos with the Mini, and enjoy laying in the grass of my new big-girl yard on a sunny day. That is also who I am.

    So, with this ending right around the corner, I feel like I’ve finally settled (or maybe resettled) into who I am, how intense I am about my job and just how much I can handle before snapping.

    Keep your fingers crossed that I can hang on to this feeling once the new (school) year begins…

    Mrs. Mimi is a pseudonymous teacher who taught both first and second grades at a public elementary school in New York City. She's the author of IT'S NOT ALL FLOWERS AND SAUSAGES: MY ADVENTURES IN SECOND GRADE, which sprung from her popular blog of the same name. Mimi also has her doctorate in education from Teachers College, Columbia University.

    © 2013 Mrs. Mimi. Please do not reproduce in any form, electronic or otherwise.
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