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  • Unfortunately, the plight of child soldiers—the focus of WAR BROTHERS: THE GRAPHIC NOVEL by Sharon E. McKay and Daniel Lafrance—has become a topic that we are all too familiar with, especially after the KONY 2012 campaign, which sought to bring attention to the issue. WAR BROTHERS: THE GRAPHIC NOVEL is based upon McKay’s 2008 novel of the same title. The story features Jacob and his school friends and their experiences, after being kidnapped from school, of serving as child soldiers in the Lord’s Resistance Army (LRA) in Uganda.
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    Putting Books to Work: McKay and Lafrance’s WAR BROTHERS: THE GRAPHIC NOVEL

    by Aimee Rogers
     | Aug 13, 2013
    WAR BROTHERS: THE GRAPHIC NOVEL (Annick Press, 2013)
    Written by Sharon E. McKay and illustrated by Daniel Lafrance
    Grades 6–12

    Unfortunately, the plight of child soldiers—the focus of WAR BROTHERS: THE GRAPHIC NOVEL by Sharon E. McKay and Daniel Lafrance—has become a topic that we are all too familiar with, especially after the KONY 2012 campaign, which sought to bring attention to the issue. WAR BROTHERS: THE GRAPHIC NOVEL is based upon McKay’s 2008 novel of the same title. The story features Jacob and his school friends and their experiences, after being kidnapped from school, of serving as child soldiers in the Lord’s Resistance Army (LRA) in Uganda. Both the original novel and the graphic adaptation are based upon true events and extensive research.

    As stated above, stories like these have become well-known, but McKay’s text has several features that make it a unique and high-quality version of these events. Jacob and some of his friends manage to escape their LRA captives and eventually return home, but McKay doesn’t end the story here. Instead, she follows her characters as they try to rebuild their lives. Although certainly victims of the LRA, many of the returned child soldiers are viewed as dangerous; in some ways they’re seen in the same light as the leaders of the LRA. By continuing the story McKay provides a more complete picture of the long lasting impact of being forced to serve as a child soldier.

    The second feature of McKay’s work that sets it apart is the quality of the graphic novel adaptation. Much of this can be attributed to Lafrance’s visuals. Lafrance is particularly skillful in his use of color, especially in enhancing emotions, throughout the text. Varying perspectives are another visual strength of WAR BROTHERS: THE GRAPHIC NOVEL.

    Finally, McKay and Lafrance don’t attempt to soften the horrors experienced by this group of child soldiers, but neither do they seek to glorify the violence either. While the topic and the events make this book inappropriate for younger audiences, the sensitivity with which the violence is handled does not preclude younger readers from experiencing the text.

    The one drawback of the text is that while it fosters an emotional connection between the characters and the readers, it does not provide suggestions for steps readers can take to help stop the practice of using child soldiers. However, while the text does not provide guidance for action, readers and educators can find, create, and contribute to these opportunities themselves.

    Cross-Curricular Connections: History/Social Studies, Geography, Politics, Service Learning, Language Arts/English, Visual Literacy

    Ideas for Classroom Use:

    Next Steps

    As noted above, WAR BROTHERS: THE GRAPHIC NOVEL does not provide any suggestions for how readers can help to end the use of child soldiers. However, the Internet is full of resources and recommendations for action. Educators and students can work together to harness the passion fueled by WAR BROTHERS and focus it towards ending the practice of child soldiers.

    Teachers can organize this activity in numerous ways, including having small groups find or design a way to help the cause. They can then present their ideas to the class, and the class can choose between all of the proposed methods. Students can prepare for these presentations by using the Persuasion Map Student Interactive from ReadWriteThink.

    For older students, this activity provides an opportunity to dive deeper into researching nonprofits and their practices. Unfortunately not all organizations make the best use of the funds raised on their behalf, nor utilize volunteers to their full extent. Savvy contributors and volunteers often research organizations before contributing time or money. These same approaches can be used to evaluate the media and to strengthen critical media literacy skills.

    Translating into Another Format

    Many people might be surprised to read about child soldiers in a graphic novel. However, the graphic novel format can be used to tell almost any story.

    In this activity, students will translate a portion of WAR BROTHERS: THE GRAPHIC NOVEL into another format. For example, students can write a short story based on part of the story. Students could also assume the identity of a character from WAR BROTHERS and write a letter from that perspective. Songs, timelines, or even Facebook pages—the possibilities for alternate formats are unlimited.

    This activity will foster students’ ability to read and understand information in a variety of formats. It’s particularly targeted toward understanding visual information to the extent necessary to present it in a different format.

    Paired Reading

    SON OF A GUN by Anne de Graaf, previously published in the Netherlands, would provide a beautiful companion text to WAR BROTHERS: THE GRAPHIC NOVEL. It tells the story of a brother and sister who were captured and forced into service in the Liberian Civil War. This 2013 Batchelder Honor Winner (awarded to books previously published outside of the United States in another language and later translated into English and published by an American publisher) is based upon interviews with former child soldiers. On deGraaf’s blog, she posts pictures from her research in Liberia.

    Additional Resources and Activities:

    WAR BROTHERS: THE GRAPHIC NOVEL Workblog
    THE WAR BROTHERS: THE GRAPHIC NOVEL Workblog is a unique resource for this text as it provides insight into some elements of the book’s creation. Lafrance supplies some before and after sketches as he plays with different artistic techniques in order to find the perfect way to illustrate the story. There is also a tab for latest news about the LRA and additional web resources. This may be a good starting point for finding service projects and more information.

    Amnesty International Child Soldiers
    Amnesty International’s fight for human rights extends to child soldiers. While there are many sources regarding child soldiers on the Amnesty International websites, the above link is for a unit on child soldiers including lesson plans and suggested activities.

    Emmanuel Jal TED Talk: The Music of a War Child
    Prior to becoming a hip-hop star, Emmanuel Jal was a child soldier in the Sudanese rebel army. The stories from this time in his life, which began when he was seven years old, fill his songs. Jal has dedicated his life to fighting poverty and child warfare. The TED talk includes several of Jal’s songs, which likely will appeal to middle and high school viewers.

    Timeline Student Interactive
    ReadWriteThink.org is a collaboration between the International Reading Association (IRA) and the National Council of Teachers of English (NCTE); the site provides a plethora of resources for a wide span of grades and subjects. This popular interactive guides students through the process of organizing information in timeline form and results in a polished finished product. It’s particularly useful for the “Translating into Another Format” activity outlined above.

    Aimee Rogers is a doctoral student at the University of Minnesota studying children’s and adolescent literature. Prior to her return to school, Aimee taught high school students with special needs, in a wide variety of settings, for ten years. She misses working with adolescents but is developing a passion for working with undergraduate pre-service teachers. She has a growing interest in graphic novels for children and young adults and is making them the focus of her dissertation.
    © 2013 Aimee Rogers. Please do not reproduce in any form, electronic or otherwise.
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  • InvisibilityJudith Hayn from the Adolescent Literature SIG says, "Fans of the genre will love this riveting novel" by Andrea Cremer and David Levithan.
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    Young Adult Book Review: Invisibility

     | Aug 13, 2013

    by Judith Hayn

    Cremer, A. & Levithan, D. (2013). Invisibility. New York, NY: Philomel Books.

    InvisibilityStephen and Elizabeth share a love story set in NYC; however, this 16-year-old boy was born invisible, and new neighbor Elizabeth is the only human who has ever seen him. Told in alternating first-person accounts, the story follows the pair as they determine to free Stephen from his grandfather’s punishment. The vengeful old man cursed his wayward daughter through a cloak of invisibility for her son. Indeed, Stephen is the focal character here, and his voice is poignant and powerful; he lives isolated in an apartment although financially supported by an absent father who remarried after he left them. His mother has died, and he is indeed alone, wandering the city isolated in his own shell.

    This changes after Elizabeth, her mother, and younger brother Laurie move to NY from Minnesota after Laurie was savagely beaten by gay bashers. Her mother works many hours, which leaves the trio of teens able to focus on the curse and attempt to reverse it. Cremer and Levithan create a tale of love and magic in their first collaboration. Traveling with this paranormally gifted couple through a city populated by cursecasters and spellseekers results in a tension-filled tale as the inevitable violence threatens and then erupts. Can the forces of justice ever truly prevail over the malevolent? Can love really conquer all? Fans of the genre will love this riveting novel.

    Judith HaynDr. Judith A. Hayn is a professor at the University of Arkansas at Little Rock.

    This article is part of a series from the Special Interest Group Network on Adolescent Literature (SIGNAL).

     

     

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  • Regie RoutmanRegie Routman says, "Noticing and celebrating what students and teachers are doing well is not a frill or mere paying of compliments."
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    To Raise Achievement, Let’s Celebrate Teachers Before We Evaluate Them

     | Aug 12, 2013

    by Regie Routman

    None of us perform or learn well in a culture where fear trumps joy and mistrust prevents risk taking. Yet, strict accountability measures for teachers and principals are making our educational climate one of increasing apprehension and distrust. Fueled by a belief that teachers aren’t competent enough, rigorous and scientific evaluation systems are being touted as the route to more effective teaching and higher student achievement. Teachers are increasingly being evaluated under tougher, more complicated guidelines with an overreliance on test data to measure student growth. While principals may gain useful data with the new systems, the cost is high. The additional evaluation pressures on teachers and principals are leading to increased job loads and unhealthy, intimidating school cultures that are driving competent educators away from the profession. 

    Regie Routman with Student
    Celebrating a student’s writing on
    making the world a better place


    Regie Routman and Laurie Espenel
    During an instructional walk, celebrating 
    fifth-grade teacher Laurie Espenel as an
    excellent teacher of writing


    Let’s imagine another scenario and mind set. Instead of beginning with required evaluations, official observations, and worry about meeting the new Common Core State Standards, we begin with celebration and what’s going well—noticing and commenting on the principal’s, teacher’s, and student’s strengths. Starting with genuine celebration is a necessity for creating a school culture where raising and sustaining student achievement is possible. Teachers, principals, and students need to feel they belong to a collaborative community where their unique talents are recognized and appreciated. In my forty-five years of teaching, coaching, and leading, I have never seen increased and sustained literacy achievement without a collaborative, knowledgeable, and trusting school–wide culture.

    What Real Celebration Is

    Noticing and celebrating what students and teachers are doing well is not a frill or mere paying of compliments. It is honestly and specifically acknowledging a positive behavior, action, or learning activity. It requires re-visioning what we see, say, and do when we walk into teachers’ classrooms. It is how we must begin every professional development encounter and meeting, by celebrating something—a task, part of a lesson, work sample—that a teacher or student has tried, accomplished, risked, or succeeded at. It is only when we feel valued that we are open to suggestions and can willingly consider necessary changes. Starting with celebration makes it possible to build a climate of trust where the principal is welcome in the classroom every day, teachers share collective responsibility for all the school’s students, and learning from and with each other is part of the school’s culture.

    I apply celebration to all the work I do in schools, and it is the first step for raising expectations for what’s possible. For the past fifteen years, I have been working in diverse schools and classrooms in the United States and Canada. Using a weeklong residency model where I gradually release instructional responsibility to teachers, the principal, and the students, each morning teachers at and across grade levels are released to observe me teach reading and/or writing to the same class of primary students and to a separate class of intermediate students.

    I developed this professional development model when I realized teachers and administrators needed to see “What does it look like and sound like to teach reading and writing effectively?” and “What does it look like and sound like to celebrate a teacher’s efforts and a struggling child’s learning?” Teachers and the principal observe the impact of genuinely celebrating each child as a writer and reader and each teacher as a professional. After each lesson, we meet as a whole group to debrief, and our professional literacy conversations extend throughout the day and week.

    Regie Routman's Winnipeg Workshop

    Still smiling after a long day: Teachers at our February 2013 writing residency in Winnipeg, Canada

    Instructional Walks

    A crucial part of the residency work is ensuring that the principal is a positive and strong instructional leader who knows literacy. Therefore, every afternoon, I demonstrate and coach the principal in what I call instructional walks. I enter each classroom with a mindset of what the teacher is doing well, whether it be some small aspect of the classroom environment, student engagement, level of questioning, or purposefulness of the work. I model the language and demeanor of what to say to the teacher and how to say it, what to look for in a highly functioning reading-writing classroom, and how to take specific but nonjudgmental notes that comment primarily on what the teacher is doing well while also noting particular concerns and school wide patterns of strengths and needs. Starting with what’s going well building-wide, we present our school wide observations, without blame, to the whole staff and jointly decide—considering all available sources of data—what our school wide focus needs to be.

    The tone and purpose of these instructional walks is paramount. It is not a “gotcha” situation. Many teachers who are used to a walkthrough process that feels judgmental have told me how devalued they have previously felt from negative feedback or the lack of feedback and/or fearful about how the observational information might be used.

    Our first purpose in the instructional walks is to build on teachers’ expertise and gain their trust; I find something to celebrate and honestly comment on it. It is likely that if students are doing something well, it is because of the teacher’s behaviors and actions. I never leave the classroom without speaking directly to the teacher about something positive I have noticed. There are several reasons for that decision. I believe it is disrespectful to come into a teacher’s classroom, take notes, and leave without giving positive feedback. Also, as with students, every time I am in a classroom is an opportunity to teach. Thirdly, I know from experience that giving positive but honest feedback builds a trust and gives dignity, energy, and encouragement to teachers. Someone has noticed what the particular teacher is doing well, and that genuine respect can be transforming.

    Transformative Feedback

    A few years ago, on an instructional walk, I celebrated a teacher for her demonstration writing, which was highly visible on a chart stand in her classroom. Clearly, she had been attending to the morning’s demonstration on writing for an authentic audience and purpose and was following our recommendation of “try it, apply it.” Her writing, where
    she thought aloud in front of her students as she wrote, was full of vivid language, cross-outs, and additions that showed rethinking and revisions, and a compelling lead and satisfying conclusion. Her first response when I commented specifically on all she had done well was, “This isn’t very good.” But once convinced that I was sincere, she burst into a big grin. Sensing I had her confidence, I asked, “Would you like any suggestions?” She was hungry to know how she could improve her writing and the students’, and we engaged in a lively conversation.

    In a follow-up residency a year after that instructional walk, the teacher confirmed that the positive, specific feedback she received that day was a life-changing turning point for her. Not only did she develop into an excellent teacher of writing who is always striving to get better, she became a leader in the school change process. In fact, she moved from a teacher who had been viewed by some colleagues and administrators as difficult and a resister to one who is now seen as inspirational. She has become a positive team player who reaches out to colleagues to share her knowledge and to encourage and support them. She is a valued and trusted member of the learning community, and her transformation has impacted the entire staff.

    Additionally, because of her close bond with her principal, which began through frequent instructional walks and the corresponding celebrations, she now welcomes her principal into her classroom as a trusted colleague and coach. Formal evaluation visits are separate, and because of the shared trust that has developed between the teacher and the principal, these evaluations are not seen as threatening or devaluing but, rather, as helpful.

    Getting the Full Measure

    You cannot get the full measure of a teacher through lesson plans, extensive checklists and rubrics, and time-consuming evaluations. In fact, such evaluation can be counterproductive. In focusing on checking off all the bits and pieces, you lose the essence of the individual you are observing. The whole truly is larger than the sum of its parts. The effectiveness of a teacher, like the effectiveness of an artist, musician, or any other professional, cannot be quantified through a formula or composite of complex, evaluative measures. Whatever evaluation process we eventually wind up with, it must be respectful to the teacher, principal, and student and worthy of the time and effort that process takes. And it must begin with celebration!

    Regie RoutmanRegie Routman is a national teacher and author whose current work involves weeklong school residencies where she demonstrates effective literacy teaching in diverse classrooms. Her latest book is Literacy and Learning Lessons from a Longtime Teacher (International Reading Association, 2012). Visit her website at www.regieroutman.org for more information on her PD offerings, books and resources, and blog. She can be reached at regieroutman@gmail.com.

    This article was published in the June/July 2013 issue of Reading Today. IRA members can read the interactive digital version of the magazine here. Nonmembers: join today!


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  • Clarisse Olivieri de LimaClarisse Olivieri de Lima's deforestation lesson features poetry-writing using technology tools from ReadWriteThink, Poetry4Kids, and more.
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    TILE-SIG Feature: Concrete Poetry as a Way to Enhance Written Language Skills

     | Aug 09, 2013

    by Clarisse Olivieri de Lima

    As the technology coordinator of a private K-12 school in Rio de Janeiro, Brazil, I face lots of challenges every day, trying to find new and creative ways to use technology effectively to improve learning. However, there is a special issue related to students' literacy skills that worries me.

    I have been noticing that the massive use of technology for the so-called digital natives is affecting the way students develop their composition tasks. It is common, for example, to hear students asking teachers, "Can I write this 'normally' or should I write it like an essay?" Interestingly, "normally" refers to their current "dialect" based on interactions through the Internet, where the use of acronyms and words such as blog, wiki, or chat is predominant.

    A 2006 Pew Internet report titled "The Future of the Internet II" suggested that Internet use might create new dialects in the English language. But as I have observed, these changes in dialect seem to be happening in every language. It seems that the Internet and the use of new digital media is creating a whole new language to promote collaboration and communication. My fear is that this new internet-based-common-media-language may cause the disappearance of more formal written language, as I see happening on a daily basis in my students’ written work at school. These observations cause me to wonder: Where are we headed in thinking about the skillful use of written language? What is the future of literature and other narrative genres in an Internet-based world?

    Intrigued by these questions, I am constantly looking for new ways to integrate technology into the curricula, especially into the language arts curriculum. One of the projects that I put together along with an interdisciplinary group of Portuguese science and arts teachers involved the creation of concrete poetry.

    By definition, concrete poetry (or shape poetry or visual poetry) is poetry whose visual appearance matches the topic of the poem. The words form shapes, which illustrate the poem’s subject as a picture, as well as through the literal meaning of the selected words. And concrete poems don’t have to rhyme! You can learn more from Poetry4kids.com’s How to Write Concrete Poetry.

    In my school, 6th graders crafted concrete poetry examples like the ones shown below as part of a unit about deforestation and its consequences for people. Using a presentation program, students wrote their poems using clear descriptive language and shaped their sentences in the format of pictures related to the theme (respectively a tree and an axe). They chose the size and colors of the words, and the best disposition for the elements in the poetry. Then they animated each section, which added a rhythmic element to their poem.

    tree poem

    axe poem

    During the project, students were able to hone a variety of literacy and language skills such as synthesis, analysis, clarity, and creativity while they developed new conceptual ideas about deforestation in their writing in a very enriching way. 

    To get you thinking about the possibilities with your own students, you might enjoy exploring examples of student-created concrete poetry compiled at Poetry Soup, or you might be inspired by extension activities such as the Wild About Woods Concrete Poetry website or those from IRA’s ReadWriteThink website, including an Interactive Theme Poem Generator for younger students or Discovering Poetic Form and Structure Using Concrete Poems for older students.

    In summary, I believe this type of concrete poetry project provides a model for teachers who wish to improve students’ written language usage while also using technology to engage them in animating the words and sentences in order to provide movement to their poetry. In addition, this form of writing offers a creative outlet for students to communicate their thoughts, stimulate their autonomy, and promote the skillful use of narrative language.

    Clarisse Olivieri de LimaClarisse Olivieri de Lima is the Technology Coordinator of a private K-12 school in Rio de Janeiro, Brazil.

    This article is part of a series from the International Reading Association Technology in Literacy Education Special Interest Group (TILE-SIG).


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  • On a visit to the home of one my Hmong students ten years ago, his father and I had this conversation (through an interpreter): FATHER: I love what my son showed me he was doing in the school computer lab last week during Open House. I wish we had a computer here so I could use it to learn English—the adult school is so far, I don't have a driver’s license because you need to speak English to pass the test, and the bus takes so long. ME: Do you think other Hmong parents feel the same way?
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    Using Tech to Teach English

    by Larry Ferlazzo
     | Aug 08, 2013
    On a visit to the home of one my Hmong students ten years ago, his father and I had this conversation (through an interpreter):

    p: Enokson via photopin cc
    FATHER: I love what my son showed me he was doing in the school computer lab last week during Open House. I wish we had a computer here so I could use it to learn English—the adult school is so far, I don't have a driver’s license because you need to speak English to pass the test, and the bus takes so long.

    ME: Do you think other Hmong parents feel the same way?

    FATHER: Oh, yes. We were all talking about it at the Open House.

    ME: Well, if you could bring them together for a meeting, maybe I could get the principal and other teachers there, too, and we could see if there would be something we could do together to get computers in homes. I can't guarantee anything, but it's worth talking about.

    FATHER: Yes! How soon could we meet?!

    That conversation led to a pilot project where our school provided computers and home Internet access to twenty families, and then an expanded program doing the same to fifty more. Immigrant students in those families quadrupled the progress in English assessments made by students who did not have home Internet access. We had, and continue to have, a school-wide commitment to improving reading by encouraging students to read high-interest books of their own choosing. Though the use of technology, our immigrant students were able to access thousands of higher-level "talking books" that provided audio and visual support for text, along with benefiting from numerous other online tools.

    Our program was named the 2007 Grand Prize Winner of the International Reading Association Presidential Award for Reading and Technology.

    We subsequently expanded it even further by cooperating with the Sacramento Mutual Housing Association, a nonprofit housing developer which housed a number of our families (and others) to provide more in-depth computer skills training along with English support at their affordable housing complexes.

    The brutal impact on school funding caused by the recession forced us to stop our home computer project three years ago, though its loss for our families has been somewhat mitigated by a number of factors:

    The increasing affordability of computers and Internet access, and its increased accessibility due to the FCC's new rules on cable companies providing hardware and DSL to low-income families, particularly those with school-age students.

    The advent of smartphones, though they also offer their own challenges to student use.

    The dramatic increase of free online sites that allow teachers to set-up virtual classrooms and allow them (and parents) to monitor student progress. During the life of the home computer project, parent commitment to accountability was key to its success, and these new sites make it even easier.

    Recent well-publicized studies report that just providing free computers to students does not generate academic gains. Those results should be no surprise to educators.

    The key to the success of our home computer project, and the continued use of technology by our students to enhance reading and other English skills, is twofold:

    Training for teachers, parents and students and weekly monitoring and accountability.

    Building a partnership between those same three stakeholders in developing all aspects of the program, including weekly monitoring and accountability, so that it meets the self-interests and helps further the goals of everyone involved.

    Without both of those key elements, it's unlikely that just about any program—technology or nontechnology related—is going to be successful.

    For further information, a collection of resources, including in-depth descriptions and research on our home computer project and similar programs, can be found at The Best Resources For Learning About Schools Providing Home Computers & Internet Access to Students.

    Larry Ferlazzo has been a teacher at Luther Burbank High School is Sacramento, California for the past ten years. He's authored five books on education, writes a weekly teacher advice column for EDUCATION WEEK TEACHER, and a monthly post for THE NEW YORK TIMES on teaching English Language Learners.

    © 2013 Larry Ferlazzo. Please do not reproduce in any form, electronic or otherwise.


    Technology Tools to Transform Teaching

    Text, Search, Capture, and…Learn? Using Cell Phones to Engage 21st Century Learners
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