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    Get to Know the 2012 Annual Convention Authors: Colleen AF Venable

     | Apr 24, 2012

    Creator of the Guinea PIG: Pet Shop Private Eye comic series and the Fluff in Brooklyn series, writer and artist Colleen AF Veneble will be on the Graphic Novel Author Panel on Wednesday, May 2, at the IRA Annual Convention in Chicago. (The "AF" stands for Ann Felicity, her two middle names, and she explains on her website that there is a long story about why she has two middle names and why there's no punctuation between them.) In this interview with Reading Today, she shares how books helped her as a hyper kid and how she's influencing kids' reading habits today. 

    Colleen AF VenebleReading Today: What got you interested in writing books for children and young adults?

    Colleen AF Venable: To say I was a hyper kid is a huge understatement. I was always in trouble at school, made to sit at THAT DESK—you know, the one right by the teacher, the one just far away from the other students so my hyperness would be quarantined. But a few teachers figured me out and one of them was smart enough to start to give me books to quiet me down, including a copy of The Westing Game. I read it first when I was ten and have re-read it every year since: hysterical, an amazing ensemble cast with a shin-kicking heroine whose own hyperness helps her solve the mystery. The writing is so crisp that even the finest editor would have trouble finding single word to take out. And that ending, OH THAT ENDING, gets me every time! That was the same year I decided to become a writer. I wanted to write something that made me feel the way The Westing Game did. I wrote my first "novel" then, a mystery about a talking killer whale, a sleepover club, and a time traveling Sherlock Holmes who asked me to be his new assistant. It was eight handwritten pages and I was so proud of it that I even sent it to a publisher. I'm convinced its horribleness must have made it to some editorial assistant's bulletin board. After that, I wrote constantly. It was fourth grade, and my friends all still wanted to be ballerinas but if you asked me I already knew I wanted to write funny books for kids when I grew up.

    RT: What do consider your best book to date and why?

    CAFV: As voted by kids at classes I've visited, #3 The Ferret's a Foot from my Guinea PIG: Pet Shop Private Eye series. It's when the characters finally come into their own, and even with all the silly running gags, it's a great stand-alone. The mystery involves word play, someone changing the signs on the animals tanks during the night—Chinchillas become Gorillas and Snakes become Shakes. It's the sort of book that would have cracked me up in elementary school, and based on the letters I've been getting kids today aren't all that different.

    RT: What can attendees at IRA Chicago expect to hear from you?

    CAFV: How to inspire all those other hyper little kids that are always in trouble and ways of using graphic novels in the classroom to inspire kids to read more, write more, and look at books a new way.

    Visit www.colleenaf.com for details about her books, art, projects, and printable PDFs to make or color Hamisher and Sasspants comics! For more information about the 2012 IRA Annual Convention in Chicago from April 29 to May 2, visit www.iraconvention.org.

     

    Colleen AF Venable Will Be There…Will You?

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    Get to Know the 2012 Annual Convention Authors: Annie Barrows

     | Apr 23, 2012

    The New York Times bestselling author of The Guernsey Literary and Potato Peel Pie Society and the Ivy and Bean series, Annie Barrows is part of the Early Literature Author Panel on Monday, April 30, at the IRA Annual Convention in Chicago. She shares her blinding moments of realization and the jewel-laden landscape of her imagination in this interview with Reading Today

    Annie BarrowsReading Today: What got you interested in writing books for children and/or young adults?

    Annie Barrows: When I left publishing to become a writer in 1997, I began by writing for adults. But very soon afterwards, my house started to fill up with children, and in short order, I was spending all my time with kids, I was talking only to kids, I was reading only kids’ books—and I was fascinated. Grownups, on the other hand, began to seem rather pallid and strange. They were interested in terrible things like real estate, for example. I had less and less in common with them, and I couldn’t think of a thing I could write for them that they would like. 

    Then I had a blinding moment of realization. Here’s what happened: when my older daughter turned seven, she ran out of things to read. Magic Tree House, check. Junie B. Jones, check. We went to the library and looked around and found—nothing! Or not much, anyway. I was appalled. This is terrible, I thought. This is a disgrace! Someone should get busy and make a book for seven year olds! Right this minute!

    And then I thought: Wait a second. I’m a writer. I could do it. 

    So I did.

    RT: What do consider your best book to date and why?

    AB: My best book is always the one I just finished. The one I just finished is completely fabulous—perfect, in fact. It requires no editing, because every word is mined from the jewel-laden landscape of my imagination. My characters are adorable; my plotting is snare-drum tight; my sentences are symphonic; and my themes are radiantly clear while at the same time being liberating and provocative. My God! What a book!

    And then I put it in a drawer for two weeks. When I take it out again, something awful has happened to it. It’s not perfect; it’s not even really good. It’s flawed, at best. My characters have become glib; the plot is okay, except for that weird part right before the end; my sentences are drearily similar; and what the heck is this book about?

    Clearly, there’s something the matter with my drawer.

    RT: What can attendees at IRA Chicago expect to hear from you?

    AB: In general, I’m opposed to the idea that the reluctant reader needs curing, because it contravenes my basic unshakable belief that what kids want isn’t wrong. Who am I to say that a kid is wrong to dislike reading? Nobody goes around telling grownups they’re wrong if they don’t like sports or opera or cubist paintings. I want kids to read because I like reading, and I go about persuading them to join me in my pleasure the same way I’d go about persuading someone to listen to opera—hit the high points, make it vivid, tell a story—but I don’t think either of us is defective if it doesn’t take. I might think a kid who doesn’t read is boring, but there’s nothing wrong with him.  

    I don’t write in order to persuade kids to read; I write in order to give kids a good time. I don’t want them to do or be anything particular.  I believe—rightly or wrongly, who knows?—that this is what makes the Ivy and Bean books especially appealing to kids who have been categorized as reluctant readers.

    Visit www.anniebarrows.com for more information about Barrows, her books, "and some other stuff, too." Also read her article on Engage. For more information about the 2012 IRA Annual Convention in Chicago from April 29 to May 2, visit www.iraconvention.org.

     

    Annie Barrows Will Be There…Will You?

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    In the Exhibit Hall at the 2012 Annual Convention

     | Apr 23, 2012

    You’ll want to hit the ground running the moment you arrive at the 2012 IRA Annual Convention in Chicago. There will be a vast array of tools and services on the exhibit floor to sharpen your literacy teaching techniques and invigorate your learning experience.

    Convention Exhibit Hall

    Get your start in the IRA Bookstore, stocking publications to expand your mind, T-shirts and other IRA gear to show your pride, and refreshments to keep you on the move. Here’s a quick overview of some other services so you know what’s what. 

    Technology Row

    New for 2012 is a little haven we call Technology Row, featuring cuttingedge tools for use in literacy education. Participating exhibitors include Logical Choice, School Improvement Network, Wiley-Blackwell, and AWE Digital Learning Solutions. Technology Row is located right next to the IRA Bookstore. Technology Row exhibitors include: 

    • Logical Choice: A leader in advancing technology for the classroom and campus into the next century. 
    • School Improvement Network: Helping teachers with a suite of on-demand products designed for their professional development.
    • Wiley-Blackwell: Publisher of awardwinning encyclopedias, books, scholarly journals (including IRA’s The Reading Teacher, Journal of Adolescent & Adult Literacy, and Reading Research Quarterly), and online resources.
    • AWE Digital Learning Solutions: Creating digital learning solutions for classrooms, afterschool programs, libraries, and media centers that help children “learn how to learn.”

    Non-Profit Row

    IRA council and affiliate representatives along with our partners in the literacy world will be on hand to answer your questions and share their latest efforts to improve, promote, and advance literacy education. Non-Profit Row is next to Technology Row and the IRA Bookstore.

    21st Century Classroom

    Want to get a peek at the classroom of the not-so-distant future? Scholastic is sponsoring a comprehensive training center to help you connect with the students of today and tomorrow in Booth 1014. You’ll get expert insights on making an impact with technology and learn how to plug it all in to your classroom. Renowned educational leaders including Tim Rasinski and Ted Hasselbring will be on hand with tips, tricks, and techniques.

    IRA WebStation

    Need a computer bigger than the one you carry in your pocket? We’ve provided two WebStations with fast, trouble-free connection enabling you to check email, like us on Facebook, or print your boarding passes for the return flight home. You’ll find one at McCormick Place West Hall F2 and the other in the common area adjacent to the General Session.


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    Get to Know the 2012 Annual Convention Authors: Deborah Ellis

     | Apr 20, 2012

    Deborah Ellis has written many influential books based on the stories of children dealing with war, disease, poverty, and injustice. This Canadian author of The Breadwinner, Parvama's Journey, and Looking for X participates in the International Authors Panel with Patricia McCormick on Tuesday, May 1, at the IRA Annual Convention. She shares details of her beginnings, inspirations, and future work in this interview with Reading Today

    Deborah EllisReading Today: What got you interested in writing books for children and/or young adults?

    Deborah Ellis: I fell into writing for children by accident. In the late 1990s, Groundwood Books held a competition for folks who had never published a middle-grade novel before. As an unpublished writer, I entered every contest that came along, so I wrote something and sent it off. The book I wrote--Looking for X--didn't win, but Groudwood still published it. Around that time I was getting involved with solidarity work for women in Afghanistan, and was over in the Afghan refugee camps in Pakistan listening to the stories of survivors of the Taliban. I heard a lot of the kids' stories, and decided to write The Breadwinner, which Groundwood also--bravely--published. And that has led to more opportunities.

    RT: Which of your books do you consider your best and why?    

    DE: This is a difficult question to answer. In terms of the most important, the best ones are the books of interviews I've done with kids affected by war, AIDS, and injustice. Having them talk directly about their lives is more valuable than anything I could write. In terms of fiction, No Safe Place (about kids from different parts of the world seeking a home) presented a challenge in that I'm still learning how to write from multiple points of view without making a big mess or driving my editor (the long-suffering Shelley Tanaka) bonkers.

    RT: What can attendees at IRA Chicago expect to hear from you?

    DE: My new book is a collection of interviews I did with children in Kabul last year. They talked about how their lives have changed--and not--since the fall of the Taliban. I'll share some of their stories. I'll also talk about the two books that came out last fall. One, No Ordinary Day, is about kids affected by leprosy in India. The other, True Blue, is a small town murder mystery that tests the friendship and character of two teenaged girls. But I'll also go off on tangents about war, choices, and hope. 

    For more information about the 2012 IRA Annual Convention in Chicago from April 29 to May 2, visit www.iraconvention.org.

     

    Deborah Ellis Will Be There…Will You?

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    Get to Know the 2012 Annual Convention Authors: Sneed Collard

     | Apr 19, 2012

    Nature and science author Sneed B. Collard III is part of the Nonfiction Author Panel on Tuesday, May 1 at the IRA Annual Convention. He discusses the transition from marine biologist to author as well as how the field of publishing nonfiction is changing in this interview with Reading Today

    Sneed B. Collard IIIReading Today: What got you interested in writing books for children and/or young adults?

    Sneed Collard: By the time I finished my marine biology degree at U.C. Berkeley, I’d come to the realization that there were already enough scientists to “save the world.” There weren’t, however, enough people communicating the vast knowledge scientists had accumulated. I first felt motivated to write science as a way to educate people about the sheer wonder of our planet, and how we needed to change our activities to protect it. I thought that children were the logical place to start. Children, after all, exude curiosity and they naturally understand the importance of protecting what’s around us. When I began writing, though, I also discovered that I just loved the writing process, and that my writing voice was very much compatible with young audiences of all ages. Although I do frequently write for adults, my real passion is conveying information and telling stories to younger readers, whether they are just cracking their first books or pursuing the throes of teenaged interests.

    RT: What do consider your best book to date and why?

    SC: A tough question because I’ve written so many types of books and for so many ages. As far as my older/middle-grade science, I’d say The Prairie Builders and Monteverde—Science and Scientists in a Costa Rican Cloud Forest. Both of these broke new ground in presenting original information to children, and I think my passion for the topics comes through. As far as my younger science books, I’d have to go with Wings, which not only features some of my best prose, but spectacular art from Robin Brickman. As for my novels, I’d have to say Double Eagle and my newest mystery Hangman’s Gold. I especially enjoyed the research for these two thrillers, spending many days on Dauphin Island, Alabama and in the Montana ghost town of Bannack, where the books take place.

    RT: What can attendees at IRA Chicago expect to hear from you?

    SC: In my panel with Jim Murphy, I plan to focus on two main topics. One is the background story and process I use to create some of my newest non-fiction books including “Lizards”, Global Warming, and The World Famous Miles City Bucking Horse Sale. I’ll place special emphasis on how the nature of a topic influences my research strategy for the book. The second theme I plan to explore is how the changing publishing climate is impacting the quality and availability of non-fiction children’s books, how authors are responding, and what that might mean for the future.

    Learn more about Collard on this website and on the Charlesbridge website and on his . For more information about the 2012 IRA Annual Convention in Chicago from April 29 to May 2, visit www.iraconvention.org.

    Sneed Collard Will Be There…Will You?

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