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    The New NAEP Assessment You Probably Haven’t Heard of (but May Find Interesting)

    By Paul Morsink
     | May 24, 2019

    In 2013, I wrote a Literacy Daily post about a new National Assessment of Educational Progress (NAEP) assessment then in development—the Technology and Engineering Literacy (TEL) assessment. I was excited about the TEL because, unlike the biannual NAEP reading assessment, the TEL promised to tell us something about U.S. students’ 21st-century digital literacies—such as their ability “to employ technologies and media to find, evaluate, analyze, organize, and synthesize information from different sources.”

    The TEL was first administered nationwide in 2014, and then again four years later in 2018. The 2018 results are now available, and together with the 2014 results, and side-by-side with the NAEP reading assessment data, they make for interesting reading. Following are some highlights.

    • In 2018, 46% of eighth-grade students performed at or above the Proficient level on the TEL assessment. (By comparison, in 2017, 36% of eighth-grade students performed at or above the Proficient level on the NAEP reading assessment.)
    • From 2014 to 2018, eighth graders’ scores on the TEL assessment rose significantly—from 43% at or above Proficient in 2014 to 46% at or above Proficient in 2018. (By comparison, eighth graders’ achievement on the NAEP reading assessment has stalled—dropping from 36% at or above Proficient in 2013 to 34% in 2015 and then recovering to 36% in 2017.)
    • On the TEL, as on the NAEP Reading assessment, female students outperform male students. Further, from 2014 to 2018, the gap between female and male students’ performance widened significantly, with the average score for male students increasing only slightly over that four-year period, and with the increase in the average score for female students accounting for most of the overall growth from 2014 to 2018.
    • From 2014 to 2018, the percentage of black students scoring at or above Proficient on the TEL assessment jumped significantly from 18% to 23%. (By comparison, from 2013 to 2017, the percentage of black students scoring at or above Proficient on the NAEP reading assessment increased only slightly, from 17% to 18%.)
    • On the TEL, the connection between parental education level and student performance appears to be weakening. In 2014, students whose parents finished high school significantly outperformed students whose parents did not finish high school. In 2018, that gap had closed. (By comparison, the NAEP reading results from 2017 show a significant gap between these groups—unchanged since 2013.)

    What does it look like to score at or above Proficient on the TEL?

    The TEL assesses eighth graders’ technology and engineering literacy through interactive scenario-based tasks. Students are challenged to enact “practices” that include “analyzing information,” “developing solutions,” and “communicating and collaborating.”

    Examples of tasks on the TEL include the following:

    • Creating website content to promote a teen recreation center.
    • Evaluating provided information to explain how to fix the habitat of a classroom iguana.
    • Selecting images to be used on a website advertising a television show about the Andromeda Galaxy and correctly citing an image’s source.
    • Developing an online exhibit about Chicago's water pollution problem in the 1800s.

    To do well on these tasks, students need to show they can perform the following tasks:

    • Gather information through browsing and searching.
    • Identify distortion, misinterpretation, or exaggeration of information.
    • Analyze and evaluate information or data to solve a problem.
    • Adjust a text’s content based on knowledge of audience and the communication method being used.

    All these complex skills mobilize and build on more foundational reading comprehension skills and strategies. For example, to answer a question that asks students to read first-person statements from a variety of stakeholder perspectives about the pollution of the Chicago River and then match those statements to third-person “summary descriptions” for an online historical exhibit (see the screenshot below), students first need to comprehend the gist of each individual statement on its own before connecting it to a “summary description” that restates that gist in more general terms.

    new-naep copy

    Similarly, for a question that asks students to choose and sequence audio clips to accompany an animation showing the stages of Chicago’s response to its water pollution crisis, students need to be able to put narrative segments in chronological order before choosing the particular segments that most clearly and helpfully describe what is visually depicted in each of the four consecutive parts of the animation.

    new-naep-2 copy

    To learn more about TEL assessment items, consider visiting the NAEP TEL website. Among other things, it provides a number of “live” sample tasks that you can attempt as if you were a student taking the TEL—with the difference that your submitted answers will be instantly scored and returned with feedback. For each scored item, you can also see the percentage of eighth graders who answered that item correctly.

    Why do we need two NAEP assessments to inform us about how our students are reading?

    As you explore the TEL and the insights it offers into how U.S. students are developing as 21st-century readers, you may find yourself asking why the NAEP reading assessment hasn’t evolved to keep up with the times. Why do we now need to consult two NAEP assessments to find out how U.S. students are reading?

    One plausible answer is that, to maintain the value of the NAEP as a barometer of long-term trends in literacy achievement, it’s important to be cautious about making changes that could compromise this function. If the 2019 NAEP reading assessment were abruptly revamped, we could no longer compare the 2019 scores with scores from previous years.

    This being the case, however, we might expect the NAEP reading assessment not to abandon more traditional genres, text formats, and reading tasks, but rather to expand its scope to include additional items focused on 21st-century digital texts, skills, and reading tasks.

    There are indications in the the 2017 NAEP Reading Framework that, starting this year, we may finally begin to see some movement in this direction. There are plans to gradually shift to “digital administration” of the reading assessment on NAEP-provided tablets and to include some items reflecting “a wider range of texts, including those coming from digital sources that may involve dynamic features such as video, animation, or hyperlinks.”

    In the meantime, I am grateful for the TEL assessment. It contains valuable data and insights. And the fact that it’s a separate NAEP assessment that now needs to be referenced whenever we talk about “the NAEP’s latest reading results” is, upon reflection, not a bad thing. It serves as a reminder of what has been true all along—that reading takes many forms, that we need to keep revisiting and expanding our definitions of literacy, and that single assessments tend to give only a partial picture of what our students know and can do.

    Paul Morsink is an assistant professor in Reading and Language Arts at Oakland University in Michigan.

    This article is part of a series from the International Literacy Association Technology in Literacy Education Special Interest Group (TILE-SIG).

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    Literacy, Design, and Collaboration: Mapping the Ocean Floor With Bloxels

    By Lindsay Yearta and Abigail Wenger
     | May 21, 2019
    Bloxels copy

    The NMC/CoSN Horizon Report: 2017 K–12 Edition identifies "Advancing Cultures of Innovation" as a key trend toward accelerating innovative technology adoption in education. In these cultures of innovation, learner-centered classrooms provide space for students to conduct research, collaborate, and create in real-world contexts.

    While integrating technology can increase student engagement, this integration must be done in a purposeful way. With the lack of appropriate and timely professional development, this can be difficult to conceptualize. Although more classrooms are receiving digital tools, and many teachers want to be able to use these tools in an authentic, targeted manner, a nationwide survey conducted by Samsung has shown that 60% of teachers say they need more training to do so.

    Although blogs such as Literacy Daily do not replace the need for professional development, they do allow us to share ideas that have worked in our classrooms so other educators can adapt and implement to fit the needs of their students. With this in mind we share how Abigail, a teacher candidate, integrated science, language arts, and technology in her fifth-grade classroom this spring.

    Mapping the ocean floor with Bloxels

    When asked to design a lesson on ocean floor landforms, Abigail decided she wanted to do so in a way that would purposefully integrate technology and authentically engage students. She did this by providing fifth-graders with the opportunity to build a digital model of the ocean floor using Bloxels, a digital platform for creating video games in the classroom.

    After a brief mini-lesson, each of Abigail’s five groups worked together to research their assigned ocean floor landform: continental shelf, continental slope, abyssal plain, mid-ocean ridge/rift zone, and trenches. Groups used books, articles, and credible online sources to conduct research. Each student was given a research log to organize their learning.

    Once the groups had gathered enough information about their ocean floor landform, each table was given a Bloxels design sheet. The small groups collaborated to take what they learned about the ocean floor landform and create a design for the Bloxels video game. Students used different colors to represent different features such as blue for water, green for terrain, purple for an enemy, and yellow for a coin. Designs were creative and scientifically accurate.

    Students then translated self-guided, landform research into unique features for their portion of the game. One group researched what kind of sea creatures lived in their part of the ocean in order to select one as an enemy. After learning that seashells were commonly found in their section of the ocean floor, another group decided the coins in the video game would be seashells. The mid-ocean ridge/rift zone group included exploding orange blocks to represent underwater volcanoes.

    Learning about landforms

    Next, each group shared their learning about the landform they studied. The class compared Bloxel design ideas to a diagram of the ocean floor and gave each other feedback. Each group designed one portion of the ocean floor, one column comprised of two boxes, that when combined formed the complete ocean floor (see the above image). For example, the continental shelf group found that their landform is a gently sloped piece of the continent that shifts land to sea. This group’s contribution to the video game can be seen in the first column; notice the player begins on continental shelf. When the game starts, the player zooms in here and navigates through each component of the ocean floor. The player must make it all the way across the ocean floor and out of what can be seen in the last column, the trench. The group that researched trenches learned that landform is long, narrow, and is the deepest part of the ocean floor.

    The groups went back to their working stations, revised their designs, and transferred their landform model to the Bloxels app. Each group was required to include at least one white text box that identified the landform and explained its key characteristics.

    At the end of this integrated learning segment, students had conducted research and collaboratively designed and refined a video game to represent their understanding of the ocean floor. Students were engaged from beginning to end. They shared their learning with the class through discussions and with the teacher through detailed exit tickets that provided a clear snapshot of individual student learning. Through research and collaboration, students, motivated to build a video game, went above and beyond the teacher’s expectations by adding details such as making the player’s enemy a research-based creature from that specific ocean landform zone.

    Other ideas for incorporating video game building in the elementary classroom include: rewriting the ending of a book, writing math problems that players must solve to progress through the game, and creating a storyline in which a soldier must move through each of the major WWII battles.

    Lindsay Yearta is an assistant professor of education and the Singleton Endowed Professor at Winthrop University in Rock Hill, South Carolina. Her research interests include digital literacies and the utilization of technology to empower students. You can find her on Twitter @Lyearta.

    Abigail Wenger is a rising senior at Winthrop University. She is studying early childhood education and will complete her year-long internship in a kindergarten classroom in the coming school year. You can find her on Twitter @Ms_Wenger.

    This article is part of a series from the International Literacy Association Technology in Literacy Education Special Interest Group (TILE-SIG).

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    Preparing Preservice Teachers in the Digital Age Through Real-World Classroom Connections

    By Katie Kelly
     | May 10, 2019

    preparing-preservice-teachersTeacher education programs have a responsibility to prepare candidates to effectively incorporate instructional technologies in the classroom. Although considered tech-savvy, many preservice teachers’ expertise remains in social networking. Thus, preservice teachers need frequent opportunities for experiential learning with instructional technology to design purposeful use of technology for learning outcomes.

    In my literacy education courses at Furman University, I embed technology practices into assignments to expose preservice teachers to meaningful real-world interactions with students in addition to their required face-to-face classroom field experiences. For example, we have used a variety of platforms such as Lino, Edmodo, and Kidblog to engage in digital book clubs with elementary learners. This real-world experience provided the preservice teachers with opportunities to practice assessing readers’ comprehension. Using a digital conferring approach, preservice teachers facilitated online conversations to nudge children to deepen their thinking about text. This experience helped them differentiate instruction based on formative assessment practices and tailor support for individual learners.

    More recently, we have used FlipGrid as a platform to confer with young writers. After learning about the importance of making books with emergent writers, kindergarten teacher Cynthia Thompson created a FlipGrid for her students to share their first published books with an authentic audience. Not only could the children listen to their peers reading their writing, but families could also listen to the children sharing their masterpieces.

    Additionally, by viewing a wide range of published writing in Ms. Thompson’s class, my preservice teachers deepened their understanding of the individualized nature of writing. They learned that the kindergartners wrote on a range of topics such as lost dogs, kindness, being thankful, and Batman of course. They also became aware of the wide range of abilities within one given class. The FlipGrid provided the preservice teachers with an opportunity to practice conferring with emergent writers. They analyzed the writing samples, considered instructional implications, and recorded a personalized video response for each child to give them feedback about their writing and development as writers.

    As one preservice teacher said, “We were able to connect with students in a different state and help them build confidence in their writing through video. This not only helped us learn about giving feedback to students but allowed these students to share their writing. They were able to work on presenting skills like projection and fluency in reading, and they really enjoyed hearing our responses to their work.”

    There are endless possibilities for the use of FlipGrid in the classroom including book talks, retellings or think-alouds about text, sharing steps for solving a math problem, and conducting a science experiment. Preservice teachers enrolled in my content area literacy course used FlipGrid to share book talks to help expand their peers’ repertoires for use of children’s literature across the curriculum.

    In each of these instances, the preservice teachers learned how digital platforms can be used to leverage formative assessment practices and individualize instruction while increasing their motivation and confidence for embedding technology in their own future classrooms.

    In order to prepare preservice teachers for today’s digital landscape, it is essential to embed authentic technology-enriched learning experiences throughout teacher preparation programs to expand learning through meaningful hands-on application.

    Katie (Stover) Kelly is an associate professor of education at Furman University in Greenville, SC and coauthor of From Pencils to Podcasts: Digital Tools to Transform K-6 Literacy Practices (Solution Tree), Smuggling Writing: Strategies That Get Students to Write Every Day, in Every Content Area, Grades 3-12 (Corwin), and Reading to Make a Difference: Using Literature to Help Children Think Deeply, Speak Freely, and Take Action (Heinemann). Follow her on Twitter @ktkelly14 and her blog at bookbuzz.blog.

    This article is part of a series from the International Literacy Association Technology in Literacy Education Special Interest Group (TILE-SIG).

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    Supercharged Read-Alouds

    By Mary Moen
     | May 03, 2019
    just-pick-anything

    Teacher led read alouds are a powerful instructional activity. Decades of research indicate that the read-aloud experience at all grade levels benefits students’ development as readers and their success in school. That’s great news, but what is a post about good, old fashioned read-alouds doing in a blog post about teaching with technology?

    As a professor in a school library media educator preparation program, I have had the opportunity to observe dozens of school library candidates during their student teaching. Many are expanding and enriching the read-aloud experience using digital resources and technologies. Following are examples of how these candidates supercharge their read-alouds with technology.

    • Bring the book’s author and illustrator to life by integrating engaging, age-appropriate digital resources such as videos, interviews, blogs, and websites about them into the read aloud experience. For lower elementary students, videos on authors such as Kevin Henkes demonstrate that authors and illustrators have a craft and a message specifically for them. Authors such as Cece Bell may inspire older elementary students. Bell’s talk about why she wrote El Deafo (Abrams) helps students understand her perspective and connect with her as a real person. Older students may enjoy websites of their favorite authors. Neil Gaiman’s site encourages individual exploration by providing content about his work, new releases, essays, FAQ, and even a message board for fans to interact with each other.
    • Connect the subject matter of your read-aloud book to issues in the wider world and as well as to content across the curriculum by using maps, videos, websites, music, and virtual tours. If you are reading a story about penguins, show a map and short video of penguins in their habitat. Follow up by modeling inquiry research on penguins, climate change, and its effect on habitats by accessing and searching the school’s educational databases. Play a recording of the recycled orchestra of Paraguay's music after reading Ada's Violin (Simon & Schuster) and collaborate with the music teacher on an interdisciplinary project. Familiarize students with the setting of a book by using Google street view and travel videos. As virtual and augmented reality becomes more common in education, content created with a virtual reality app, such as Tour Creator, is an exciting option.
    • Use digital resources to help connect students to the subject matter of a read-aloud book. If you’re reading a book about snakes, for example, you can show students which snakes can be pets or what snakes live in your state.  Sharing a book about ducks? Have students sing and dance to "Six Little Ducks," available on streaming sites like Spotify. Take advantage of the ideas for extension activities available on author websites, reading organizations like ReadWriteThink.org and even those posted by individuals, such as this video for kids on how to draw Mo Willem’s Piggie character. Make sure you vet resources for appropriateness, content, and quality. The goal is to find audio, visual, and other digital resources that facilitate student immersion into the time, place, culture, and/or topic of a story to increase comprehension and deepen connections with books.

    To help select the resources for your technology-enhanced read-aloud, ask your school librarian for help. They have been trained to provide resources and are willing instructional partners. To organize your enhanced read-alouds, create a slide deck with an introduction to the book and links to the resources.  The slide decks can be used year after year and updated quickly. Have fun creating a supercharged reading experience for students at all grade levels.

    Mary H. Moen is an assistant professor and coordinator of the School Library Media program at the Graduate School of Library and Information Studies at the University of Rhode Island. Connect with her on Twitter @mary_moen.

    This article is part of a series from the International Literacy Association Technology in Literacy Education Special Interest Group (TILE-SIG).

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    Broadcasting Literacies on the Local Frequency: Using Radio Productions to Amplify Children’s Community Interests

    By Cassie Brownell
     | Apr 26, 2019

    broadcasting-literaciesIn the years since Hurricane Katrina made landfall along the Gulf Coast, education within the city of New Orleans has continued to shift. Immediately following the storm, many schools received technology donations, including interactive whiteboards and touch technologies, such as tablets. More recently, as charter schools continue to take hold in the city, educational and community leaders are seeking new ways to engage children and youth in literacies and community.

    As a former early childhood educator in New Orleans, I have been privy to many of these original ideas on my return trips to visit family and friends. Yet, much of this important equity work remains peripheral to traditional conversations about school reform within the city. Given this, and because New Orleans will play host to the ILA 2019 Conference in October, I wish to highlight one group fostering new opportunities for children and youth to engage with/in their city.

    Be Loud Studios (a newly formed nonprofit organization) exemplifies educational innovation by amplifying the voices of young people as they share ideas about—and happenings within—their communities. Under the lead of two seasoned educators—Diana Turner and Alex Owens—Be Loud Studios originated as a part of the larger curriculum at Bricolage Academy, an elementary school whose “overriding educational philosophy strives to develop students into creative problem solvers who will change the world.” Turner, a literacies interventionist, and Owens, the lead teacher in the school’s makerspace, wished to merge their expertise to give students, as Turner described, “a chance to talk about what’s going on in their communities.” Through their collaborative efforts and with support from school leader Josh Densen,BricoRadio—a weekly show dedicated to voicing the interests of Bricolage students— first aired in late January 2018.

    Through the process of composing each episode, students engage in schooled notions of reading, writing, and making as they investigate and follow stories, write scripts, read and listen to their recordings, and make cuts to their final productions. Because show production requires print-based communication, Turner and Owens have had the chance to rehearse word-level skills such as phonics with targeted students. However, the teachers also use the opportunity to discuss the ideological nature of literacies, particularly when literacies are viewed as an autonomous skill set, by answering the question “Why do I have to learn this?” head-on. “With BricoRadio,” Turner argued, “we have a chance to make things like phonics relevant” by showcasing how print-based reading and writing can facilitate wider communication in new ways. Still, Turner and Owens are clear that BricoRadio should not only be perceived as an intervention for students who are seemingly “behind” based on standardized measures. Rather, these educators argue that, as Turner stated, “everyone can learn from being on the radio,” particularly because “kids have something to talk about.”

    Now in its second season of production, Turner and Owens’ desire to center youth voices shines through in each episode. From the first segment to their newest release, the youth-run show reflects the students of Bricolage’s interests and curiosities in a meaningful way. For example, during the two seasons already produced, students have discussed their beloved New Orleans Saints and slime-making alongside the removal of local statues of Confederate leaders and the national Black Lives Matter movement. In this way, Turner and Owens offer students not only the opportunity to practice print-based and digital literacies but also open new avenues  to examine social issues.

    Following the great success Turner and Owens experienced with BricoRadio, the two teachers plan to extend their reach into other pockets of the community. “Kids want to do this,” Turner stated, “and they need to do it, too.” With the understanding that not all schools have the capacity or infrastructure to facilitate this kind of learning, the duo established Be Loud Studios to support children across formal and informal contexts in producing their own shows. Using the lessons learned as facilitators of BricoRadio, Turner and Owens hope to increase children and youth’s competency and proficiency as digital producers—not just consumers—throughout New Orleans. Together, the two plan to bring together different networks for the city’s young people to voice their concerns while improving access to digital literacies, beginning in July 2019, when they will launch a series of workshops through their youth summer camp.

    Stay tuned to BricoRadio’s Instagram for new episodes from the students of Bricolage Academy and, if you’re attending the ILA conference this fall, be sure to listen to past episodes to get an insider’s perspective of the city!

    Cassie J. Brownell is an assistant professor at the Ontario Institute for Studies in Education within the University of Toronto and the 2017 recipient of the ILA Helen M. Robinson Dissertation Grant. She has been a member of ILA since 2012.

    This article is part of a series from the International Literacy Association Technology in Literacy Education Special Interest Group (TILE-SIG).

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